Ima dosta interesantnih momenata!  Odlican beat, malo previse improvizacije u klaviru. Sve najbolje!

so beautiful and inspiraing I'm a big fan

AMBISPHERE ⸻ Echoes of the cosmic ocean (2021)
00. Entry 
01. Break 
03. Alarm 
04. Clash

04. Clash

#cello #piano #ambient #classical #downtempo #soundtrack

SONG FOR A BEAST Ian Parker

Trazos

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+++ 💚Dark Summer
+++ 💚Modern Music for Funerals
+++ 💚Declination Records

Dark Summer has so much fun to make, the tune has layers that build and drop adding sonic adventures. There's a load of sub in there so really grab some decent cans or speakers.

A deep experimental journey with loads of captured sounds from last summer and times we could all go out.

Enjoy this, it was defiantly a blast to make.. Turn off the lights lay back and turn it up..

Dark Ambient, Soundscape, Dark Music, Drone, SciFi, Atsuhiko Cook

©️2021 MMFF

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Dark Summer

Cenote

Hope you enjoy this one. It took quite a while to compose.  I believe that one is allowed to be afraid sometimes , but in order to be brave one has to overcome that advesity to progress on in life. Thanks for listening.

Born Afraid

Written: 2016-17
Duration: ca. 20'
Instrumentation: bass-baritone and piano
Mostly Modern Festival: Matthew Treviño, bass; Amir Farid, piano
Publisher: Bill Holab Music: 
http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2763
View Score: https://issuu.com/robertpaterson/docs/paterson_night_songs__score-perusal
For More Information: https://robertpaterson.com/night-songs

MOVEMENTS
I. City Dusk (Text by F. Scott Fitzgerald)
II. Lullaby (Text by W. H. Auden)
III. Birds Appearing in a Dream (Text by Michael Collier)
IV. Insomnia (Text by Dana Gioia)
V. Flying at Night (Text by Ted Kooser)

PROGRAM NOTE
Night Songs is a song cycle consisting of settings of poems by different poets that reflect on various aspects of nighttime. The cycle is structured as a somewhat linear timeline, as if the songs are meditations by a single individual.

The cycle begins with a setting of City Dusk by F. Scott Fitzgerald, is a nostalgic exploration of the memories someone might have as he or she sits in the park at dusk. This person is in the park as the lights go down, and begins to feel sad, but remembers a time when this place wasn’t dark and lonely, but filled with lights, music, and people. He also remembers one specific person, a woman with blonde hair who loved to dance, who in this case, I interpreted as my wife Victoria. The second song, Lullaby, is a setting of the poem of the same name by W. H. Auden, and is a constructed as a love song sung to someone who is sleeping, and is about the inevitability of death, and looking after someone you love. In the third song, a setting of Birds Appearing in a Dream by Michael Collier, I use bird-like motivic patterns to provide structure for the colorful, figurative descriptions throughout Collier's text. The fourth song is a setting of Insomnia by Dana Gioia. In this poem, the narrator is full of regret, and finally realizes the value of people over possessions. The final song, a setting of Flying at Night by Ted Kooser, is a poem that is all at once about what the title suggests, but also about how so much of what we experience is interconnected and tied together by light.

Night Songs was commissioned by David Neal and made possible, in part, with funding from The Community Arts Partnership of Tompkins County.

Night Songs - II. Lullaby (Text by W. H. Auden)

Absurd Fate of the Last Architect

Sonata for Bassoon and Piano
Duration: ca. 15'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1302
For More Information: https://robertpaterson.com/sonata-for-bassoon-and-piano

PROGRAM NOTES (SHORT VERSION FOR PROGRAMS) 
When I first began to plan this sonata for bassoon and piano, I had no idea that I would be inspired by something so overtly programmatic, let alone by an American, historical figure who was alive well before I was born. I knew that the premiere would take place at the Thomas Edison Inn in Port Huron, Michigan, and my curiosity eventually took hold and I started reading up on Thomas Edison’s inventions and his life. I was immediately hooked: many of his experiences and beliefs resonated with me. I could not stop thinking about him or his inventions and they ended up providing a Romantic and technical inspiration for this piece.

The first movement, Edison’s Ears, is inspired by a legendary story about the ear problems Edison suffered from throughout his childhood in Port Huron. According to this tale, when he was 15, a train accident further injured his ears. When he tried to jump on the moving train, the conductor grabbed him by his ears to help pull him up. The young Edison said he felt something snap inside his head, and he soon began to lose much of his hearing. The thought of something “snapping inside his head” made me think how, as morbid as this is, inventing something musical from this story might have humored him. The middle of the movement reaches its peak with a loud, staccato “snapping” chord. The beginning of this movement sounds somewhat mechanical and is the first of three locomotive sections (based on three musical quotes) that progressively increase in tempo. The end of the movement gradually descends in register and dies away, much like a hyper-speed, fast-forward toward his eventual and inevitable hearing loss.

The second movement, Mina’s Tapping, draws its inspiration from a story about Edison’s second wife, Mina Miller. The story goes that they were introduced to each other by his life-long friend Ezra Gilliland: “Their courtship ended when Edison tapped out a proposal for marriage on Mina’s hand. In their many years together the pair communicated via Morse code. When attending meetings or at gatherings with friends, Mina would tap out the discussions in Morse code on her deaf husband’s hand. Despite his long hours away from home, Thomas and Mina were totally devoted to each other and profoundly in love.” In this movement, Edison is represented by long melodic lines; Mina is represented by heartbeat-like, pulsed chords derived from the dots, dashes and spaces of Morse code.

Edison is also responsible for creating a revolutionary business model, the world’s first “invention factory.” The final movement,Invention Factory Eureka, is inspired by this, and the one invention that is said to have been Edison’s only true “Eureka!” invention, the cylinder phonograph. The opening motivic material in this movement is derived from the word “Eureka!” The many bright ‘dings’ throughout the middle of the movement represent the cliché of a light bulb appearing above someone’s head when they have a bright idea. This image ties in nicely to Edison, his inventions and his one “eureka” moment.

Cornucopia

Sonata for Bassoon and Piano - III. Invention Factory Eureka

So I'm a big fan of The Mandalorian and I really loved Ming-Na Wen's character 'Fennec Shand', but I noticed that she didn't have her own theme song...so I made one! I took some elements of the official Mandalorian main theme and composed this theme song as a tribute to Fennec's character and the awesome actress Ming-Na Wen as well. Hope you like it!

Fennec Shand Unofficial Theme Song | "Desert Assassin"

From third album - "TOO BLUE"
available where all digital music is sold

Too Blue

All The Best

Kuzman is a multifaceted musician and artist based in Skopje, Macedonia. With a background in classical training, he has honed his skills as a composer, thereminist, and sound designer.

His debut solo album, "Collective Zero," marks Kuzman's first foray into the world of studio albums as a solo artist. This highly anticipated release follows his successful tenure with the Berlin-based band, The Protagonist, where Kuzman played a pivotal role in shaping their distinct sound and artistic direction.

Alongside his contributions to The Protagonist, Kuzman has collaborated with renowned producer Gareth Jones on the "OLAL" project. This collaboration has further showcased his versatility and creative prowess, enabling him to explore new sonic landscapes and experiment with innovative musical approaches. The project has received acclaim for its groundbreaking soundscapes and captivating compositions.

With an unwavering passion for music and dedication to his craft, Kuzman continues to captivate audiences. His unique blend of classical training and innovative sound design experiments solidify his position as an artist to watch.



Absurd Fate of the Last Architect

Kuzman

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