KEXP ~ PACIFIC NOTIONS - part 5

T.Milly👑- Silhouette (Remix)

Whiskey & You (feat. JOYBVND)

It Ain't Personal

3,6,9

Juice Cuzz - I Hope the Worst (Dragged)

Bottle In My Boot

Sharks · Lil Wayne · Jelly Roll · Big Sean

Tha Carter VI

℗ 2025 Young Money Records, Inc., distributed by Republic Records, a division of UMG Recordings, Inc.

Released on: 2025-06-06

 

🎤 Song Lyrics:
[Chorus: Jelly Rolly & Lil Wayne]
Snakes ain't always in the grass
Sharks ain't always in the water
Thieves ain't always in the night
God ain't always at the altar
I learned to live with one eye open
Takes gettin' bitten couple times to know that
Snakes ain't always in the grass (Yeah)
And sharks ain't always in the water (Uh-huh)

[Verse 1: Lil Wayne]
Snakes don't just slither
Sleep comfortable, bitter
Saints versus the sinners
I just roll with the winners
I just roll up my sleeves
Roll up my weed, roll up the windows
Everybody got hidden agendas
They got kids, not gettin' agenda
If niggas not chicken, they tender like
Chick-fil-A on a Christian Day
Watch Weezy walk on water
Turn the shark the the water to fish filet
Don't forget to pray, don't forget your bitch
Play pickleball with my dick today
Pockets heavy, I got bricks to lay
Tell 'em eat your heart out and lick the plate
Can't trust nobody
Where was everybody at when I was just nobody?
Just a menace to society
Pockets itchin' like psoriasis
Thieves in the night move cool like a breeze in the night
Fiends for the pipe, speed at the light and scream for the Christ, Lord
God ain't always at the altar, nigga
Cross your heart before departure, nigga
These bullets gon' catapult you, nigga
Put you in the ground, agriculture, nigga
Always stone like a sculpture, nigga
I'm never sober, I'm steppin' over every cobra
I ain't gon' hold ya, I Jelly Roll ya

[Chorus: Jelly Rolly, Lil Wayne & Big Sean]
Snakes ain't always in the grass (Yeah, yeah, yeah)
Sharks ain't always in the water (Yeah, yeah, yeah)
Thieves ain't always in the night (Yeah, yeah, yeah)
God ain't always at the altar (Yeah, yeah)
I learned to live with one eye open
Takes gettin' bitten couple times to know that
Snakes ain't always in the grass (Woah, woah)
And sharks ain't always in the water (Ayy)

[Verse 2: Big Sean]
Guess I gotta move the needle since you didn't do it
Glock under pillow, on some mission two shit
Fuck a institution, I know what I'm doin'
Ten steps ahead, Shikari how I'm movin'
Jesus had Judas, Ceasar had Brutas
Always someone plottin', gotta beat 'em to it
Key to do this shit is first you gotta do it, then do it again and find another way to do it
Suck a dick and die, and eat shit
I'm goin' C4, I mean C6
Got a crash spot on some P shit
Got a stash spot where the seat lift
Get my hands dirty, keep a clean fit
Turn my ups and downs into ski trips
Rockin' ice woods on some D shit
Look, I'm everything you couldn't be, bitch
Jesus piece, stone crucifix
You goin' Bobby Brown, I'm a new addiction
And I'm gettin' off like the proof is missin'
And my worst trait is that I'm too forgivin'
'Cause I always listen when I shouldn't have listen
Even though y'all never made the city proud
You ain't never had your family down feelin' stuck
And you the one that had to stick it out
But like they bank accounts, it's all figured out
Miss my niggas so much, almost digged 'em out
All my exes miss me 'cause they missin' out
I'm finna pop my shit until I fizzle out
New enemies is old friends
Seen jealousy, envy from both ends
When I open up, it came with open hands
So you wonder why the fuck I'm closed in

[Chorus: Jelly Rolly & Lil Wayne]
Snakes ain't always in the grass (Yeah, yeah, yeah)
Sharks ain't always in the water (Yeah, yeah, yeah)
Thieves ain't always in the night (Ain't gon' hold you, I Jelly Roll ya, yeah, yeah)
God ain't always at the altar (Yeah, yeah)
I learned to live with one eye open
Takes gettin' bitten couple times to know that
Snakes ain't always in the grass
And sharks ain't always in the water

Lil Wayne, Jelly Roll, Big Sean - Sharks

SIXER 2

BUSHES

Murda Dance

How Many Times (Live Session)

No Problems

No Problems (Remix)

Shake That Ass

What Changed Now

The More You Know

How Do You Feel About Getting Married? Out Now - https://Dijon.lnk.to/Married

Jesse was late again, but I don’t mind I’ll wait for him
Jesse gets mean sometimes
But I don’t mind, he’s got a lot on his mind.
And dammit Jesse. It’s true. I do love you
And dammit Jesse. It’s true. I do trust you

Jesse’s a mess again
So I lie awake with him
And he’s holding on to something I can’t see
But it’s alright, I’m safe with him

And dammit Jesse. It’s true
I do, love you
And dammit Jesse. It’s true, I do trust you

And he could be bad, and turn his back;
He could break all his promises. But when I see Jesse I smile.
When I see Jesse I smile.
He could be bad, and turn his back;
He could break all his promises. But when I see Jesse I smile.
When I see Jesse I smile.

Facebook: bit.ly/2D6ueuQ
Twitter: bit.ly/2MVYUDL
Instagram: bit.ly/2D4GqMs
YouTube: bit.ly/2SbBY9e
Spotify: spoti.fi/2Tva0Sv
Apple Music: apple.co/2MPolGU

jesse

In the late 90’s, east-side LA was in the throws of a post-indie explosion; a network of stoned bands ranging from neo-psychedelia to pseudo-country overran Spaceland (our generation’s Troubadour) and the local Silverlake Lounge. I was playing freakbeat records twice a week in dive bars, half of Spacemen 3 was crashing at my house (my drop-out roommate was Sonic Boom’s tour drummer) and it was during this blur that I met Raymond Richards, a clean-cut all-American pedal steel guitarist playing in Mojave 3 (the country-tinged 4AD side project of shoegaze royalty, Slowdive). I was instantly swept off my feet, head over heels in love with Raymond's weeping tone — the most chill-inducing, emotionally responsive dialog I’d had with music since discovering Satie as a child — it was then and it is now, truly haunting. After a year of personnel trials, my roommate and I stole Raymond for our own band, and not only did he smother our songs with his enchanting steel, he was virtuosic with a variety of atypical instruments such as baritone guitar and theremin, he utilized them all. The band was short-lived — I split to jam with Ariel Pink, Raymond fled to Portland, then me subsequently to New York City — but in founding the ESP Institute years later, there was always a recurring mental note; "we must make Raymond’s pedal steel album." I had managed to wrangle his blessed performance on a remix for Project Club’s 'El Mar Y La Luna', but it took almost a decade until I once again wore the producer hat and we began working on 'The Lost Art Of Wandering', a title borrowed from Sam Shepard’s 'Stories'. Spiritually candid, expansive yet enveloping, this is the strung-out, visceral country music that simply radiates from Raymond. Each song is his set of coordinates in a vast open terrain, holding a sentimental familiarity, a truthful longing for the simple comforts that diffuse life’s complications, a place to get lost. —Lovefingers

Produced by Lovefingers
Cover image - Barbara and Michael Leisgen, Eintauchen [detail], 1972

[ESP070] The Lost Art Of Wandering

Buy from ESP

[ESP070] RAYMOND RICHARDS - B3 - Idaho Falls, Idaho - SNIPPET

“Sometimes, life has a funny way of placing us in the middle of controversy…Each side of conflict bleeds over to the border that separates them to create what we know as the “gray area”…My life IS the gray area.”

Birthed by his African American mother, Garrett Thomas Moses was the product of an interracial relationship where he was raised in a single parent house-hold for most of his adolescent life. Growing up as the “white boy” in College Station, Arkansas, Garrett was an easy target for bullying which led to difficulty making friends. Determined to be anything but a statistic, he was able see the outcome of being in the streets and decided to vent his frustrations on paper. He always had an interest in music, but was discouraged from it due to his lack of being musically inclined. His need to have a voice eventually led to the beginning of countless hours of trial and error to learn how to produce, record, mix, and even sing so he wouldn’t have to rely on the efforts of other people to succeed.

Married to the love of his life, Garrett’s number one priority is to be there for his children to provide them with the childhood he was robbed of, and set an example on how a relationship should be.

“My music is a voice for the voiceless, and a reason to keep moving even when some might feel they have no purpose. My relationship is a guide on how to love between husband and wife, between father, son, and daughter, and between human to human.


Family is everything."

What Changed Now

Kvng Moses

Related tracks