Really love this, the piano has such a lovely echo and compliments your voice so well, sounds really cool 💜

Very special and good song with a lot of creative vitamins when it comes to sound

Wonderful composition. Really enjoy the piano mix coupled with your voice. It’s beautiful.

This feels like pure expression. flowing and free. Well done!

Beautiful song with a lot of soul, nice work!

A cover song.
Family Session (with my daughter & my wife)
With respect to John Denver "Take Me Home, Country Roads".
Thanks for listening.
I hope you like this.

Take Me Home, Country Roads (Family Session) [John Denver cover]

Mental Gardens

Patchwork

With female vocal samples i make this song.
I hope you like it.
Don't forget to share, your like and comments.
Thank you so much

manu252 c10

Manu252 c10

fira - AŞKA REÇETE

Winter of '91-92. Late-beatle-lisergic influence. My computer plays piano too, what a man. Don't you loose the impressive video clip on youtube, also searching by 'esemanolain'.

Del invierno 91-92. Clara influencia tardo-beatle-lisérgica. Aquí el PC toca además el piano, qué tío. No os perdáis el impresionante vídeo en youtube, también por "esemanolain"

Lyrics/Letra:

Hoy he visto unas luces llegar, 
con sus vibraciones pude volar (sin volar).

Puedo describirlas como rayos de sol;
puedo describirlas como lo que no son.

Tengo miedo de no poder volar,
tengo ganas de salir.
Hoy de nuevo esas luces vendrán
y podremos vivir.

Hoy he visto unas luces llegar, 
con sus vibraciones pude volar (sin volar).

Puedo describirlas como rayos de sol;
puedo describirlas como lo que no son.
(Son de sol.)
Puedo describirlas como rayos de sol;
puedo describirlas como lo que no son.

Pude volar (Rayos de sol)

The Fall

Protection

Duck'n'Dodge

Peregrinate

Written, Arranged, Performed, And Produced by Kyle Bolan
Photo by Amanda Bergloff
Art by Kyle Bolan

Fatal Lace

This is the result of yet another jam session with Maxim Lichtenwald (@maxim-lichtenwald) and Leo Cuznetov. As per usual, the jam session took several hours, and we experimented with many sounds, settings and ideas. This time, we used several pre-recorded samples by ourselves and also two jam sessions by other artists, which we incorporated into our jam session and can be heard in the second half of this track:

1) Development in C minor 76 BPM  by Federico Marchionda, https://youtu.be/FJAyveFgzz4
2) C Minor again... Drum Machine, Drone, Bass, Guitar & Sequenced Synths by Nigel Honney-Bayes (@mr-honney-bayes), https://youtu.be/dajflYp26HE

We recorded the result of this jam session in Audacity, which was used in post-production to extract the best parts from that jam session in order to create this track. As always, only basic audio editing techniques like simple crossfades were used. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

MAB logo by @maxim-lichtenwald, check him out!

We hope you enjoy!

- Boss RC-300
- Korg R3
- Arturia Microbrute
- Korg Kaossilator Pro+
- Eurorack
- Various guitar pedals
- Various samples

Day By Day [Jam session sections: RAW2021 - 2]

#StartTheNextWave - New Wave. Post Punk. Art Pop Experimentor. New songs always in the works. Stay tuned.

Fatal Lace

Kyle Bolan

Recent comments

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🎸 𝗝 𝗜 𝗠 🎙

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Heidi M. McCarthy

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