Name: Bonfire Wasted - KI And Bradley Wayne by KI
Duration: 3 min 10 s
Description: Just a summertime, feel good, drinking song while your "chilling" by the bonfire.....Drink responsibly or not just be careful not to fall in!

Set My Soul On Fire

Rives, for 4 musicians.
Commissionned by Ensemble Ars Nova, 2020.

Éric Lamberger, Clarinet
Carl-Emmanuel Fisbach, Saxophone
Catherine Jacquet, Violin
Isabelle Veyrier, Cello

Recorded June 2021 @ Studio Sequenza (Montreuil)

Rives - version for 4 musicians - Mvt. 4 - Ars Nova (2020-21)

Support for more of this free and open amazingness! www.patreon.com/languagetransfer

Introduction to Music (Theory), Track 10 - Language Transfer & The Thinking Method

Written for the Royal Academy of Music  '200 Pieces' bicentennial project
Hugo Mak, bassoon

Tilt (2021) for bassoon

Just a summertime, feel good, drinking song while your "chilling" by the bonfire.....Drink responsibly or not just be careful not to fall in!

Bonfire Wasted - KI And Bradley Wayne

Bootlegger- Ki and Bradley Wayne

"I Want a Hippopotamus for Christmas" - 104 6/8 March
Adapted for Competitive Artistic Roller Dance Skating
Played by Tim Laskey on a Yamaha Genos Digital Arranger Workstation
Release Date" 12/10/2022

Tim Laskey Roller Dance Music

"I Want a Hippopotamus for Christmas" - 104 6/8 March

Café com Deus Pai - 06/jan

Randomly generated tone cluster in the Buchla 200 system.

Random Clusters

"premonitions" by @alenakoroleva [fom10]
CS/DL : f-o-m.bandcamp.com/album/premonitions

“Whenever I go, I can't help but notice signs of a looming change. I eavesdrop on conversations of creatures big and small, and like me, they seem uneasy and uncertain about what's to come. Something is in the air, dark clouds gather, winds are shifting course. Amidst the confusion and restlessness, the voices of non-human and human worlds blend in a worrisome symphony. This piece is an ode to anticipation, to the beauty of different forms of life on the brink of the sixth mass extinction. Joining in the chorus are the American toad, northern winds, an old kettle, Mr. Cat, tawny owl, crickets, domestic chickens and pigs, trumpeter swans, honey bees, truck horns, cormorants, seagulls and other elements and critters.” — Alëna Korolëva 

Something is afoot, the Tkaronto/Toronto-based artist and curator, Alëna Korolëva tells us in her new soundscape composition “premonitions”. American toads and water beetles set things in motion before the long-form piece journeys through a multitude of field recordings and non-human voices in a quasi-cinematographic fashion. Korolëva layers and manipulates sounds from the real into a sonic chimaera which mutates concrete ambiances into vaporous surrealities through the modes of collage. A storm blankets the soundscape, things grow quieter. Distant parallels with Luc Ferrari’s "musique anecdotique" come to mind, yet here the piece materializes in an acoustic docu-fiction of some sort, that takes the form of a waking dream. Various scenes, ranging from the mundane to the uncanny, unfold in eardrums exposing an underlying sense of earthly melancholy. A weight lurks throughout while winds, pigs, chickens, and mechanical apparatus weave into a strange agitated tapestry. A kettle whistles, a cat meows – Korolëva sprinkles the gloom with touches of humor and audible senses of home. Trumpeter swans are joined by a trumpeter human; Chayka Chekhov responds to the avian songs in a interspecies dialogue – echoing Jim Nollman’s “Playing Music With Animals”. Environments cascade into a finale droned out by truck horns. Their ringings and animal cries swell in a somber abstraction bearing the weight of a presentiment. “What does the future hold?” we ask ourselves throughout the album as we dissolve in imbrications of positionings, emanating from one another like stacking dolls. Poly-layered, “premonitions” engages in play, in negotiation with the disparate spaces and voices of a troubled world as if it created harmonious discord to decipher the ominous clouds gathering in the horizon.

C30 — limited edition of 60 
duration: 28’56’’ — piece repeats on both sides 
recorded, photographed, and composed by alëna korolëva 
trumpet improvisation by chayka chekhov 
mastered by mathieu bonnafous 
tape production by headless duplicated tapes 
published by forms of minutiae — fom10 — 2024

CS / DL

alëna korolëva — premonitions [fom10]

KI FEAT WYZE NEVER GONNA MAKE IT ANYWAY

I write my own lyrics and produce everything you hear.

Bonfire Wasted - KI And Bradley Wayne

KI

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