Wham bam thank you man! This is on the spot!!

Pleiadians

'Music For Steamed Rocks' appears on 'Commissions I' by @oneohtrix-point-never, exclusive to Record Store Day 2014, learn more at http://bit.ly/commissions-i

Lopatin interpreted Witold Lutoslawski's Preludes in 'Music For Steamed Rocks', a piece composed for Polish Icons at Sacrum Profanum, a Warp staple that's previously hosted Clark & Aphex Twin.

Learn more about the release at <a href="http://bit.ly/commissions-i" target="_blank">warp.net</a>, set for release on 12" vinyl in a black foil print jacket with die-cut view of inner sleeve.

OPN's debut release for Warp 'R Plus Seven' is out now, learn more at http://bit.ly/1aE9CEM

<a href="http://smarturl.it/eb8fi6 " target="_blank">iTunes</a> / <a href="http://smarturl.it/hge9h2" target="_blank">Bleep</a> / <a href="http://smarturl.it/c23n1u" target="_blank">Amazon</a> / <a href="http://smarturl.it/t1zi9e" target="_blank">Google Play</a>

http://www.pointnever.com/
https://www.facebook.com/oneohtrix
https://twitter.com/0PN

Commisions I

Learn more at warp.net

Oneohtrix Point Never - Music For Steamed Rocks

The Best Of Gangstarr (R.I.P. Guru)

宇宙の風呂敷

Cherry Clouds

"The important thing is the ease with which the musician can define through the computer and this is just the sort of sound it was made for. Now, to make that easy, we've created a light pen system through this device here that allows you to draw directly on this television screen the harmonic curves of our sound.

- Now, this is the picture of a sound. That’s what the sound looks like to the computer so that we know what the sound the computer’s thinking about. Would you like to show us what sound that is?

Well, this particular spectrum sounds like this:"

(Fairlight demo, 1980)

Com Truise - Karova

From the patten EP 'Requiem' out now on Warp Records
Stream EP /// http://smarturl.it/requiem-stream
Video /// smarturl.it/amulet
555-5555 store /// http://555-5555.bleepstores.com

Amulet

Clark performing music from his new album on Warp Records, ‘Death Peak’, including tracks ‘Peak Magnetic’ and ‘Hoova’, alongside improvisations and musical counterpoints to the universe of the album. 

‘Death Peak’ is available now on Vinyl, CD, Digital and to Stream:
Buy – http://smarturl.it/death-peak
Stream – http://smarturl.it/death-stream

”I wanted to design a musical space where I could playback and remix my favourite album tracks, and also create some off the cuff improvisations that I feel are an enhancing and flirtatious musical counterpoint to the universe of Death Peak.

Going back to the material has made me pick apart some of the sequences and made realise what I value most in music.
I tend to shun the pointlessly intricate in favour of the impressionistic, the visceral. I want to extend the boundary of what's possible in music but not lose sight of the complex, emotional story telling at the heart of it, for me it's these things that give music a long lifespan, you keep coming back to records that pull you in on a level that bypasses rational analysis. I give priority to the most child-like, pure and agile musical phrases I come up with, and tend to poke fun at myself when I get all dry and technical.

Death Peak is a riddle of these most pure and lucid moments, condensed into an enduring and continuous musical wheel. I feel I really closed the circle on this one. But then I would say that. All I can say is that I loved making it. Hope you enjoy it too.”
– Chris Clark

CLARK LIVE 2017 / NORTH AMERICAN CO-HEADLINE TOUR WITH COM TRUISE

More information and tickets at http://throttleclark.com

APRIL
21 – Berlin, DE @ Funkhaus
22 – London, GB @ Electric Brixton

MAY
01 – Santa Ana, CA @ Constellation Room @ The Observatory*
02 – Santa Cruz, CA @ The Catalyst Atrium*
04 – Portland, OR @ Holocene*
05 – Vancouver, BC @ Imperial*
06 – Seattle, WA @ Neumos*
07 – Eugene, OR @ Wow Hall*
09 – San Francisco, CA @ Mezzanine*
10 – Santa Barbara, CA @ Soho Music Club*
11 – Los Angeles, CA @ The Regent Theater*
12 – San Diego, CA @ The Belly Up*
14 – Denver, CO @ Bluebird Theater*
16 – St. Louis, MO @ Firebird*
17 – Nashville, TN @ Exit In*
20 – Boston, MA @ Together Boston Music & Arts Festival*
21 – Hamden, CT @ The Ballroom*
23 – Baltimore, MD @ Ottobar*
24 – Philadelphia, PA @ Coda*
25 – Brooklyn, NY @ Warsaw*
26 – Montreal, QC @ Theatre Fairmount*
27 – Toronto, ON @ Velvet Underground*
28 – Detroit, MI @ Ghostly Intl/Warp Movement Afterparty at The Shelter*
30 – Pittsburgh, PA @ Rex Theater*
JUNE
01 – Indianapolis, IN @ The Hi-Fi*
02 – Cleveland, OH @ Grog Shop*
03 – Chicago, IL @ Concord Music Hall*
04 – Minneapolis, MN @ Fine Line Music Café*
05 – Omaha, NE @ Slowdown*
06 – Kansas City, MO @ Record Bar*
07 – Dallas, TX @ Trees*
08 – Houston, TX – White Oak Music Hall*
09 – Austin, TX @ The Mohawk*
10 – Mexico City, MX @ Sala Corona*
16 – Barcelona, ES @ Sonar Festival

JULY
07 – Katowice, PL @ Nowa Musijka Festival
08 – Manchester, GB @ Manchester International Festival
16 – Cluj-Napoca, RO @ Electric Castle Festival




22 – Brescia, IT @ MusicalZoo festival at Castello di brescia

AUGUST
24 – Montemor-o-Velho Castle, PT @ Festival Forte

* Co-Headline shows with Com Truise

Death Peak London Session

One of my biggest projects to this date.
Live performance with a percussion ensemble: https://www.youtube.com/watch?v=0lEjmxpvbZM


Most people don't know this but I am also a classical percussionist and have been playing percussion since I was 8.
Last year,when I first made a WIP of this track and sent it out to a livestream competition,it won the first place. Getting sooo many comments and new fans from it,sending messages to release this track really gave me the motivation to finish it up and well... here it is!
Meanwhile,I have been talking with my percussion teacher, Marios, for a long time about combining EDM and percussion and this track was perfect for it! It is mainly percussion driven, even on the second, melodic part so I sent it to him and he loved it.It took me a while to split the parts for each of the instruments,make the sheet music and synchronice everything while also maintaining both the organic and electronic balance in the live performance.But in the end it worked out,it was a huge honour for me to get over 10 people to practice tirelessly and perform it live on stage with me.What really paid off for all the hard work in the end was when people both my age and very older than me, came after to congratulate me and say how unique was what I did! It was an amazing way to express my music in a different means and I will definitely do it again in the future so expect more to come in this nature! 

Thank you if you read this essay and hope you enjoy Z <3

- Xcellence

Free Download

follow Tetra Music Project:
https://soundcloud.com/tetra_music
https://www.facebook.com/tetramusicproject/
https://www.tetramusicproject.com/

Some feelings never go away
One word is all you gotta say
So bad, and it's never gonna change
Do you want me lately?

Do you want me baby?
Do you want me lately?

Do you want me baby?
Do you want me lately?
I saw the way you were lookin' at me
Do you want me baby?
Do you want me lately?

Do you want me baby?
Do you want me lately?
Is this the way you want it to be?
Do you want me baby?
Do you want me lately?

Lately you've been on my mind
Waitin' for the right time
Waitin' for the right rhyme
Are we letting the moments slip away?

Music & Lyrics by Tetra Music Project
Copyright © 2018 All Rights Reserved.
https://www.tetramusicproject.com/

Mastered by:
@Ovoid
www.ovoidmusic.com/merch/mastering

Artwork & Video by:
@swesdo
www.swesdo.net

Pleiadians

Kyle Legit

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Spacekat Tommy

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