This is a collection of tracks I have made to highlight my ability as a composer and producer. They are mostly soundtracks with many styles within. Feel free to message me if you're interested in hiring me to compose or produce music for your project.

Work Reel

Two takes on the same flirtatious funk – one from her, one from him.

Talk to Me (Like you Mean It) - Dual Vocal EP

I wrote this for some work on a soundtrack. It ultimately wasn't used but I still like it. Let me know what you think...

Death Scene

A nice Brubeck/Guiraldi sounding jazz piano piece.

Nocturne Jazz

My second formative assignment for school. I chose the suspense/horror style since I have never written this kind of music before.

Suspense

This is my summative assignment for school for the writing in styles module. I picked Scf-Fi.

Strangers Among Us

This was an assignment for school. TSE32 Writing to a brief. Titanium Oil.

Titanic Pressure

This is a mellow synth track with lots of sparkling mallet pads and arps and an interesting rhythm. The lead is reminiscent of Vangelis' lead in Blade Runner.

Spanning the Digital Landscape

Spanning The Digital Landscape

Piano Sketch 2

This is a chill 80s jazz fusion track with some flugelhorn leads and a vibraphone solo.

Flugel Dreams

This is a peaceful meditation track that will help you focus and clear your head for a minute.

A Minute to Meditate

A Minute To Meditate

A trailer music cue for a serious apocalypse movie.

Apocalypse Trailer

This is my entry for The Reason Studios Objekt Song Contest. It's a synthwave track in A Minor with an interesting groove. Big 80s drums and synth bass round out this fun track. Every track was written using an Objekt Instrument.

Reason Studios Object Song Contest #ObjektChallenge

Reason Studios Objekt Song Contest #ObjektChallenge

A Darksynth track from my upcoming album. It's got a thumping kick and arpeggiated acid bassline flowing throughout along with some nice gritty synth leads and a screaming metal guitar lead.

Kicking and Screaming

Kicking And Screaming

"Obsidian Echoes" is a mesmerizing journey into the depths of the sonic abyss, a Darksynth composition that beckons listeners into a shadowy realm of electrifying intensity. The song unfolds with a pulsating heartbeat of heavy, distorted synth bass, creating an ominous foundation that reverberates through the very core of the listener's being.

Obsidian Echoes

"Cyber Beast Finds a Mate" is a fast-paced cyberpunk love song that pulsates with energy and desire. The track features a soulful sax lead, adding an unexpected warmth to the digital landscape. Glitchy electronic howling, resembling a mating call, weaves through the mix, creating an eerie yet captivating atmosphere. Pumping synths and bass, enhanced by a sidechain effect, drive the rhythm, while glitchy synths and smooth arpeggios intertwine in complex, blending counter rhythms. Classic compressed 80s drums provide a tight, nostalgic foundation, making this track a unique blend of passion and futurism.

Cyber Beast Finds a Mate

Cyber Beast Finds A Mate

'Heavy Wears the Crown' is a relentless heavy metal anthem featuring screaming guitars, crushing rhythm riffs, and blistering double-kick drums. The fat snare cuts through the mix, driving the intensity, while a haunting synth arpeggio in G Dorian adds a dark, melodic edge. This track is pure power, embodying the weight of leadership and the cost of domination.

Heavy Weighs the Crown

"Island Living" drifts in like a warm ocean breeze — smooth, soulful, and steeped in the sun-drenched rhythms of tropical paradise. Anchored by a laid-back 93 BPM groove, this track blends relaxed percussion and mellow melodies to create a serene and escapist vibe. The instrumentation suggests a blend of modern chillout textures with island-inspired motifs, evoking imagery of swaying palms, golden sunsets, and carefree afternoons by the sea. It’s the perfect sonic escape for anyone craving a taste of blissful tranquility.

The vocalist on “Island Living” brings a breezy, soulful presence — their tone is smooth, clear, and expressive, gliding effortlessly over the sun-drenched instrumentation. With a delivery that feels intimate yet free-spirited, the singer evokes a sense of escape and peace.

The lyrics paint a vivid picture of coastal serenity and personal freedom, touching on themes like letting go of stress, embracing nature, and finding joy in simplicity. Phrases likely describe the rhythm of waves, warm nights, and the feeling of “living easy” — all contributing to a mellow yet emotionally uplifting mood.

Island Living

What I want to say to this scumbag's face.

Lyrics:

[Verse]
Teeth are clashing words keep smashing
All that noise man it's thrashing
Shut it up don't wanna hear
Your voice drilling in my ear

[Chorus]
Shut your pie hole lock it tight
Don't need your noise in my fight
Words like razors cutting through
But I ain't got no time for you

[Verse]
Blah blah blah you're spitting lies
Words like bullets pierce the skies
Grit my teeth my head's on fire
Your sound's a wreck a busted wire

[Chorus]
Shut your pie hole lock it tight
Don't need your noise in my fight
Words like razors cutting through
But I ain't got no time for you

[Bridge]
Static crackling in my brain
Your words are nothing but insane
Turn it off switch it down
Silence is the king in this town

[Chorus]
Shut your pie hole lock it tight
Don't need your noise in my fight
Words like razors cutting through
But I ain't got no time for you

Shut your Pie Hole! (The Official Trump Theme Song)

Retro Summer Song channels a laid-back vintage vibe with jangly guitars, smooth bass, and sunny, feel-good rhythms. With a light, breezy groove and warm analog tones, it captures the easygoing energy of a summer afternoon — think faded jeans, cold drinks, and road trips with the windows down. Classic retro charm driven by live instrumentation and clean production.

Retro Summer Song

“One More Time” is a playful country waltz with a wink and a story. It follows a down-on-his-luck musician who sweet-talks a bartender into giving him a shot to play. To everyone’s surprise, the moment he hits the first chord, the bar comes alive—boots hit the floor, couples start two-stepping, and the room lights up. It’s a feel-good tale of unexpected success, small-town charm, and the magic of country music done right.

One More Time

A moody, slow-burning swamp blues track soaked in atmosphere and Southern gothic mystique. The song features a strong, soulful female lead vocal—raw, bluesy, and full of attitude—channeling stories of heartache, ghosts, and resilience from deep in the bayou.

Harmonica solos cry out like distant voices in the mist, answering the vocals with mournful wails and gritty flourishes. The backing groove is thick and swampy, with a slow, hypnotic pulse, resonant guitar tones, and subtle percussive textures that evoke the creaking pews and humid air of an abandoned church on the water's edge.

Perfect for fans of Tony Joe White, R.L. Burnside, or early Lucinda Williams with a haunting cinematic twist.

Haunted Church on the Bayou

Trancelot

Lyrics 

Verse 1
I’ve been scrolling, double-tapping, ghosted in the DMs
Blue light love, but it ain’t got no BPM
Profile pics and pickup tricks
But no one knows how to really mix

Pre-Chorus
So I put down my phone, stepped into the light
Caught your eye at the bar, and baby—just right
You said “hi” with your smile, not a GIF or a meme
It hit harder than a bassline in a disco dream

Chorus
Talk to me like you mean it
Look me in the eye, let’s feel it
We don’t need no apps, no filters, no screen
Just a dance floor, a beat, and a live human being
Talk to me like you’re breathing
Give me that funk I believe in
Real-time connection, analog affection
Talk to me, yeah, like you mean it

Verse 2
You got that strut like vinyl’s still queen
Your laugh’s got more soul than my phone has ever seen
Forget the hashtags, let's slow jam this fate
'Cause baby your rhythm can’t be swiped away

Bridge (breakdown with clavs and slap bass)
Put your hands where the heart is
Feet on the groove, no need to chart this
Ain’t no emoji that moves like you
So tell me something real and make it true

Final Chorus
Talk to me like you mean it (uh!)
Show me love, don't just stream it
This ain't a story, it's a moment we live
And I got more than 280 characters to give

Talk to Me (Like You Mean It) [Male Vocal Version - Alternate Mix]

💬 Modern funk flirt anthem—drop the phone, make a connection.

Lyrics 

Verse 1
I’ve been scrolling, double-tapping, ghosted in the DMs
Blue light love, but it ain’t got no BPM
Profile pics and pickup tricks
But no one knows how to really mix

Pre-Chorus
So I put down my phone, stepped into the light
Caught your eye at the bar, and baby—just right
You said “hi” with your smile, not a GIF or a meme
It hit harder than a bassline in a disco dream

Chorus
Talk to me like you mean it
Look me in the eye, let’s feel it
We don’t need no apps, no filters, no screen
Just a dance floor, a beat, and a live human being
Talk to me like you’re breathing
Give me that funk I believe in
Real-time connection, analog affection
Talk to me, yeah, like you mean it

Verse 2
You got that strut like vinyl’s still king
Your laugh’s got more soul than my phone will ever bring
Forget the hashtags, let's slow jam this fate
'Cause baby your rhythm can’t be swiped away

Bridge (breakdown with clavs and slap bass)
Put your hands where the heart is
Feet on the groove, no need to chart this
Ain’t no emoji that moves like you
So tell me something real and make it true

Final Chorus
Talk to me like you mean it (uh!)
Show me love, don't just stream it
This ain't a story, it's a moment we live
And I got more than 280 characters to give

Talk to Me (Like You Mean It) [Female Vocal Version]

A chill 73 BPM track with chinese bowed cumbus and some strings and guitars.

Half Past 7

Old lyrics put to new AI prompts to create a commercial.

Identichip jingle

A demo for the upcoming Rack extension for reason called RYM2612 based on the YM2612 sound chip in the Sega Genesis. All sounds are the RYM2612. This is intentionally produced to sound like the 12 bit soundtracks of the era.

Scrolling Sideways

Peter Gabriel is one of my favorite artists and this song is one of my favorites that he released. His realworldrecords.com site did a contest a long time ago and they kept all of the stems and samples for this song available for download. This is my remix.

Shock the Monkey - Peter Gabriel (Kyle McHattie Remix)

I decided to write in a major key (E Major), which is a departure for me. This is a bouncy and infectious beat.

It's All Good

Another dance tune. That kick and bass though...

On the Sideline

On The Sideline

Possible movie cue for an action sequence. Lots of electronic and distorted guitar.

Riding the Edge

Riding The Edge

"Grip on My Heart" is a high-octane blast of 80s metal, powered by thunderous guitars, blistering lead solos, and a relentless drum groove. It's a heart-racing anthem that grabs you from the first riff and never lets go.

Grip on my Heart

Grip On My Heart

This is a big orchestral superhero soundtrack composition created for my first formative assignment at ThinkSpace Education. I'm working on my master's degree in Professional Media Composition.

March of the Unknown Heroes

Kyle is a cyberpunk composer with a metal heart and a cinematic mind. By day, he dives into gritty digital landscapes, writing songs where cyber beasts howl and neon saxophones serenade AI lovers. By Night, he explores 70s westerns and the thunder of double kicks in his heavy metal anthems. He has a scientist's curiosity (his quest to master organic chemistry is proof) and a tactician's eye for detail, whether he's hunting down obscure films, fine-tuning orchestral arrangements for concert band, or squeezing every last detail from his gaming rig. He thrives at the crossroads of nostalgia, future shock, and pure creative chaos, always chasing the next sound, the next story, the next sonic beast to tame.

Kyle McHattie

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