Avici

https://twitter.com/__CHlARA

thank you so much for all the likes, reposts and comments. 
means a lot to me!

the download button was disabled cause the track reached 100 downloads!
send me a pm if you want the track!

MAKE SURE TO FOLLOW "FLYING SOUL" (MY UPCOMING BAND):
https://soundcloud.com/flying-soul-music

chiara

& thanks to wenzel for playin the synths
https://soundcloud.com/jimmyundwenzel

LYRICS:

there are times i feel lost
times i feel like im not by myself
tryna get out of that box
tryna move on

then i wonder where i wanna go
if i even know where i wanna go
where i wanna go
where i wanna go
where i wanna go
i feel lost
not by myself
then i wonder where i wanna go
if i even know where i wanna go
where i wanna go
where i wanna go

ooh, aah

there are times i feel lost
times i feel like im not by myself
im tryin to get out of that box
tryin to move on
tryna move on
where i wanna go
if i even know where i wanna go
where i wanna go
where i wanna go

so much inside of my head
everything gets stuck in my head
what makes me happy
whats good for me
whats good for me
i'm tryna get out of that box
tryin to move on
tryin to move on
tryin to move on 

then i wonder where i wanna go
where i wanna go
where i wanna go
if i even know where i wanna go
so much inside of my head
where i wanna go

Lost

Aretha Franklin - I Will Survive (The Aretha Version)

Follow Aretha Franklin
http://www.facebook.com/ArethaFranklin
http://www.twitter.com/ArethaFranklin
http://www.instagram.com/ArethaSings
http://www.pinterest.com/ArethaSings

I Will Survive (The Aretha Version)

Aretha Franklin - I Will Survive (The Aretha Version)

I have a condition called Synaesthesia which allows me to see colours whilst I play...I see a lot of red when I play this piece so I named it appropriately. 
This got to no. 1 in the classical download charts and 15 in the indie download charts in the UK and held that place for 3 weeks.
Facebook page - https://www.facebook.com/kylenashbaker

Red - Kyle Nash-Baker (Studio Recording)

BLIND TAPE

Commissioned by the Lithuanian National Philharmonic for the concert series “Viva Musica Via Baltica” (Vilnius - European Capital of Culture) and composed for Sinfonietta Rīga

The structure of the two-layered score of “Elongation of Nights” reminds of the elongation of night while the day is getting shorter: one layer is setting down and getting quieter which makes way for the second layer that becomes louder and pulsates with elongating sounds. Every player has its own part (21 in total) similar to the echoes of a canon, thus such a monochromatic orchestra sounds like a utopian 84 string instrument. The harmony of the piece is based entirely on fifths, derived from the natural tuning of strings. Morton Feldman would have probably called such piece as “Fifths in my Life”.

Dedicated to autumning Vilnius.

Duration
8'30''

Recording
Released by the Lithuanian Music Information and Publishing Centre in 2010 in "Zoom in 8: new music from Lithuania".

Performers
Sinfonietta Rīga | cond. Normunds Šnē
Lithuanian Chamber Orchestra | cond. Risto Joost or Robertas Šervenikas
BBC National Orchestra of Wales | cond. Garry Walker
National Chamber Orchestra of Moldova | cond. Robertas Šervenikas
Polish Chamber Philharmonic Orchestra | cond. Rodrigo Tomillo                         
Leopoldinum Chamber Orchestra Wroclaw | cond. Ernst Kovacic                                                                           Philharmonie Brno | cond. Maciej Tworek                                                                  String Orchestra of Brooklyn | cond. Eli Spindel   

"In the music of Justė Janulytė the sound unfolds as an autonomous event, with incredible lightness, as a confluence of energies, which transform it into increasingly dilated harmonies. No beat, no apparent rhythm, just the ‘deaf’ pulsation perhaps, a downtempo, as some kinds of the electronic music are qualified; the swelling of intensities, the saturation of space, and then eventual return to the state of calm, which is already different, marked and disturbed. The importance of material that found reflection in the titles of her works: Textile (for orchestra, 2006), Aquarelle (for choir, 2007), Silence of the Falling Snow (for two pianos, 2006), Endings (for 4 saxophones, 2005)... But the most important is metamorphosis, a very personal one and therefore instantly recognisable. This is not the telluric forces in Xenakis, or the atomic process in Ligeti, but rather an irradiant form. Elongation of Nights, the second score for string orchestra after the White Music, with which the composer made her public debut in 2004, gives a good example of such radiation. Some kind of timeless, floating metamorphosis. A strikingly innovative dramaturgy of sound..." Antoine Gindt | MUSICA festival brochure, 2011 

http://www.janulyte.info/en/works/elongation-of-nights/        

"Elongation of Nights" for string orchestra (2009)

Programme note

This piece is the synchronization of different versions (played by the same or different cellists) of one musical line. The result of these 'vertical' variations reminds of the effect of different voices which are silently reading the same text or perhaps telling an orison, psalm or a mantra with individual intonations, timbres, tempos etc., thus creating polyphony of interpretations, either coming closer or moving away from each other.

The piece was commissioned by the Huddersfield Contemporary Music Festival (2008) and written for Anton Lukoszevieze.

Performed by Francesco Dillon (IT) live at the Villa Romana (Firenze)

More info at: http://www.janulyte.info/en/works/psalmscellos/

"Psalms" for cellos (2008)

Classical pianist/Contemporary composer from the UK.



Red - Kyle Nash-Baker (Studio Recording)

Kyle Nash-Baker

Related tracks