The complete version of a cue from the upcoming documentary "Damhsa", Hollye Swinehart's wonderful portrait of James Berkery, with Jack Bogard on fiddle. Inspired by Irish traditional music.

Last Reel (from Damhsa)

HORROR: "The Scream" (0'00")
ACTION: "A Call for Accountability" (0'18")
FAMILY DRAMA: "Gaia's Lullaby" (0'49")
SCI-FI THRILLER: "Retracing Steps, Unwinding Time" (2'03")
NOIR: "Postlude" (3'49")

Music by Kyle Peter Rotolo
©2022. All rights reserved.

2022 Film & Visual Media SIZZLE REEL

La Musette is a light rondeau with musical episodes evoking images of a simpler time. It was originally written for Theorbo. 

La Musette

I. "A web is wov'n across the sky; the stars," she whispers, "blindly run..."
II. "...from out waste places comes a cry, and murmurs from the dying sun..."
III. "...and all the phantom, Nature, stands...a hollow form with empty hands."

Live recording by Trio Mesama. 5/5/2016


Whispered Thy Lying Lip (2016)

Velum (2016)
 for flute and piano
Flute: Zach Sheets 
Piano: Wei-Han Wu 
Performed at Firehouse 12 New Haven April 21st, 2016
Dedicated to New Music USA and Tallon Perkes Scholarship Fund

Program Notes:
Velum (2016) divides into two sections. In the first half, a frisky malleable texture flows. The extensive use of multiphonics in the flute and imprecise clusters in the piano tend to morph this flow of material. In the second half, the structure is twisted, as if we are hearing the other side of the same material, a thin vertebra, without the veil. As the second section unfolds, gradually layers of material is added to cover the exposed structure.
I consider Velum as a continuation of a series of chamber pieces I composed since 2012, whose titles carries the word “plastic” or “plastically.” In these pieces, I approach my material as a “plastic” or “malleable” object and like a sculptor forge the pieces by curving and adding layers to the rough core “plastic” material.


Velum (2016)-Ashkan Behzadi

For Martin was written for the Yale Whiffenpoofs of 2017. The text, a poem by Keith Snipes entitled "Undone," was written on Martin Luther King, Jr. Day 2017: "I will rise each day / before the morning sun / filled with hope for the future / with victories won / I will map out a course / for the things undone." The Whiffenpoofs premiered the work on March 4, 2017 at First & Franklin Presbyterian Church in Baltimore, MD; this is a live recording from that performance, engineered by Taylor Scott Brooks. Solos by Trey Pernell.

For Martin (2017)

«Hýpnos» (2012) for clarinet, cello, and harp

Composer: Felipe Tovar-Henao

Harp: Bibana Ordóñez Velandia
Clarinet: Jhoser Salazar
Cello: Daniel Esteban Arango

Studio recording, 2015
@ Auditorio Fundadores
Universidad EAFIT
Medellín, Colombia

Official website: www.felipe-tovar-henao.com
Soundcloud: @felipetovarhenao
Facebook page: www.facebook.com/felipe.tovar.henao

«Hýpnos» (2012) for clarinet, cello, and harp

Artwork: Victoria Cassinova
Production: A.J. Minette
Mastering: John Greenham

This song is the first single off of Blind Sparrow's debut LP, which is set to be released in November 2017.

Follow Blind Sparrow at:

https://www.facebook.com/BlindSparrowLA
https://www.instagram.com/blindsparrowband/

Behind the Seen

Michael Hersch
I hope we get a chance to visit soon(excerpt)
live performance - 2018 Aldeburgh Festival
Ah Young Hong, soprano I
Kiera Duffy, soprano II
Tito Muñoz, conductor
Mahler Chamber Orchestra
recorded by BBC Radio 3
The New York Times - Cancer Haunts a Composer's Life and Work
https://www.nytimes.com/2018/06/03/arts/music/michael-hersch-ojai-festival.html

2022 Film & Visual Media SIZZLE REEL

KylePeterMusic

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