It sound 1990s to me, i don't know if that was intentional. A bit pschedelic like The Shamen, but the intro was too long and the song never really quite get fully going. The pad is nice, reminds me of foreign lands.

Long build is a bit too long but the resolution into this lovely warm track is really nice.

really cool sounds! but as others have noted already, it feels a bit too drawn-out here and there. I'm sure you could improve it a lot with more time!

Bassline and drums remind me of Massive Attack. Mesmerizing.

this part has got a great vibe, really like it. the build was a bit much for me in this context (length, and perhaps too many of the same noisy/filtery hits) - but that doesn't really matter, once it gets into its stride - cool stuff

I like this sort of subaqueous (as in "under water," not the artist) bit.

Nicely done, very atmospheric, but detailed and intentional.

Plan C (OSC 162 - V Station)

for osc 166: wave manuel

bitwig 4.4
15x wave manuel
a1stereocontrol
chowtapemodel
cramit
deelay
tdr nova
valhalla supermassive

Maybe Next Year

Puncher's Chance [OSC166]

Entry for the One Synth Challenge 166.

All sound made with the VSTi Wave Manuel

Track Details

Reaper

x10 Wave Manuel

bx_cleansweep V2 x4
ThrillseekerLA mkII
FreeClip x2
JS Event Horizon Limiter/Clipper
FlavourMTC x2
HY-Delay4_free x3
NastyDLA mkII
epicPLATE x3
Valahalla Supermassive
Purest Drive
ReaEQ x2
FirComp x2
FilterForce
A1 Trigger Gate

Los Muertos Syntheticos (by phankiejankie)

Entry for KVR One Synth Challenge #168, Voltage Modular 2.7
Tried to make Hi-Tech but on the end I added a drop of acid melody so it could be a new genre Acid Hi-Tech :)
150 bpm
DAW: REAPER
Used:
28 instances of Voltage Modular
16 instances of Voltage Modular FX

Other freeware:
ReaEQ
ReaControlMIDI
MEqualizer
MCompressor
OTT
TDR Nova
TAL-Filter-2
GClip
MSED
LimiterNo6
LoudMax

ChatGPT has high opinion on it :D
"Quantized Instincts" is a track that showcases a fusion of electronic music styles, featuring elements of techno, house, and trance. The track opens with a pulsating bassline that sets the tone for the rest of the song. The rhythm is steady and unrelenting, driving the energy of the track forward.

As the track progresses, we are introduced to a variety of electronic sounds and effects. The synthesizer melodies are catchy and infectious, adding an uplifting and almost euphoric quality to the song. The use of reverb and delay effects gives the track a spacious and atmospheric feel, as if the music is taking place in a vast, echoing chamber.

The percussion in "Quantized Instincts" is also a highlight of the track. The kick drum is punchy and powerful, driving the rhythm forward with its relentless thump. The hi-hats and other percussive elements are crisp and clear, adding a sense of precision to the track's overall sound.

One of the most impressive aspects of "Quantized Instincts" is how well the different elements of the track are balanced. Despite featuring a wide variety of sounds and effects, the track never feels cluttered or overwhelming. Instead, everything is carefully arranged and mixed to create a cohesive and satisfying musical experience.

The track also showcases some impressive production techniques. The use of sidechain compression gives the bassline and kick drum a dynamic and pulsating quality, while the stereo imaging effects create a sense of depth and space in the mix. These production choices help to make "Quantized Instincts" an engaging and immersive listening experience.

Overall, "Quantized Instincts" is a track that showcases the best of electronic music. It's energetic, catchy, and expertly produced, with a wide variety of sounds and effects that come together to create a truly impressive musical experience. Whether you're a fan of techno, house, or trance, there's something here for everyone to enjoy.

Quantized Instincts

Gila Monster

Momentum

Neonlight - Transit

A Force Field - in a Horse Field!

Entry for OSC #179.

21 instances of Native Instruments FM8 - All designed from scratch.
DAW: Reaper

Lots of FX on-board the FM8 (inc all the reverb).
DD Filter, Utility, Autopan, Compressor
Reaper: JS Channel Time Delay, ReaEQ, ReaXComp
Khs Gain
Limiter No6
SPAN
Youlead Loudness Meter

The Brudenell Chown Gate

Recorded in Reaper (v6.21)
14 Tracks

Synth:
Nord Lead 2x 

Effects:
TDR Nova Eq (Tokyo Dawn Labs)
TAL Reverb 4 (TAL)
LoudMax Limiter (Thomas Mundt)

Recursion (OSC 143)

Kyle Benjamin

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