OBSESSED with the quiet and soothing nature of this piece

Mi melodía desde niño y de por vida, tu lo sabes mi querido Uriel, en la primera de las tres joyita, siempre imaginé ritual de niños espartanos como los hijos de la mar que fluían desde su propia desnudez. Oniria en el hermoso Satie con sus diminutos seres alados atraídos por el hechizo de la lampara seductora, aún incierta et douloureux de un rubatto que despierta en lenta melodia su segunda negra en su quinto compás. Noche de verano y luz que espolvorea la inocencia en sortilegios de un sueño infantil, conjuros de sarabandas a la mágica y primera Gymnopédie.

Does anyone have more info about this song?

Listened to this song in college for an english class. Always puts me to ease when im stressed 

°CLASSIC Songs°

Chopin Nocturne Op.27 # 2 D Flat Major - Played by Valentina Lisitsa

My take on Chopin's saddest little prelude.  Two and a half minutes of ache.


Chopin Prelude No. 4 In E Minor, Op. 28

A cello quartet arrangement of the second movement from J S Bach's Orchestral Suite No. 3 in D major, BWV 1068.
Cello arranged and performed by Deryn Cullen
Mix and mastering by @dan-cullen

J S Bach - Air on the G - String

Robert Schumann - Träumerei (dreaming)

Erik Satie - Gymnopedie 1

Music using keyboards with generative and reverberative treatments.
Title track dedicated to the immense peace in the music the composer Olafur Arnalds.

PianoStoreMusic

Mark Eliyahu - Journey

Demos written with and featuring PEARL Concert Grand, a Kontakt Player piano instrument produced by Impact Soundworks!

"Fantaisie-Impromptu in C# Minor" by Frédéric Chopin - Romantic Classic

Federico Albanese - THE BLUE HOUR


'The Blue Hour' will be released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016   

Buy on Itunes - https://itunes.apple.com/us/album/the-blue-hour/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.   

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.  

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Buy on itunes

Migrants

Thomas Yu - F. Chopin:  Andante spianato and The Great Polonaise E flat major

Jules Massenet |  Méditation from Thaïs - Violin & Piano

Violin: Lelie Cristea
Piano Instrumental Accompaniment: Tamilla Guliyeva
Sound Recording by Arthur Jogerst

Méditation from Thaïs - Violin & Piano

Jules Massenet |  Méditation from Thaïs - Violin & Piano

Prelude Op. 28, No. 15, by Frédéric Chopin, known as the "Raindrop" prelude. Recorded in March 2001

Chopin - Raindrop Prelude

This is my interpretation of Una Mattina - Ludovico Einaudi.
Follow me:
http://www.facebook.com/costantinopiano
http://www.youtube.com/kosta97piano

Una Mattina - Ludovico Einaudi (Costantino Carrara)

Liebesträume: Dreams of Love – Liszt, also known in English as The Loves of Liszt
Its a romantic song ... tell about Lizt dreams about love after he broken heart..... 
Finally i can playing this song, although i not playing perfectly but it need long time since 2011 ... lol... Enjoying :)

Liebesträume : dREAM About Love - Franz Liszt Solo Piano by @airinaditya

Track taken from Dustin O’Halloran's upcoming album 'Lumiere' released via FatCat’s 130701 imprint (a home for the orchestrally/classically aligned composers attached to the label)

Erik Satie - Gymnopedie 1

kylebloss

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