All submissions to Haiku 221:

http://www.naviarrecords.com/2018/03/28/naviarhaiku221-spring-approaches/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Upload your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcast and monthly free (pay-what-you-want)compilation. Please set the track as downloadable on Soundcloud and allow others to remix it by using a Creative Commons License.

Haiku #221: Spring approaches / the Pacific Ocean / will be my sitting mat

This track was created for the Naviar Haiku group.
221 week haiku
naviarlab.tumblr.com/
yamaha mx 49

2018-03-29

spring approaches   (Naviarhaiku 221)

Spring approaches
the Pacific Ocean
will be my sitting mat
 
Poem by Soen Nakagawa https://terebess.hu/english/haiku/nakagawa.html

Picture by Sergei Akulich https://unsplash.com/@sakulich

http://www.naviarrecords.com/2018/03/28/naviarhaiku221-spring-approaches/

free download

halF sittinG [naviarhaiku221]

Spring approaches / the Pacific Ocean / will be my sitting mat (naviarhaiku221)

For many of us the Spring season has finally arrived, so this week I selected a haiku by Zen Buddhist master Soen Nakagawa, mostly known for being a seminal figure in spreading interest in Zen to the West. 

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku



Deadline: 4th April 2018

Poem by Soen Nakagawa https://terebess.hu/english/haiku/nakagawa.html

Picture by Sergei Akulich https://unsplash.com/@sakulich

Easter Fools [naviarhaiku221 - Spring approaches]

This week's Haiku is by Soen Nakagawa: 
"Spring approaches / the Pacific ocean / will be my sitting mat"

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

Pacific (NaviarHaiku221)

Using chance operations and white noise machines to recreate the swell of waves on guitar and battery powered amp.
___
For many of us the Spring season has finally arrived, so this week I selected a haiku by Zen Buddhist master Soen Nakagawa, mostly known for being a seminal figure in spreading interest in Zen to the West. 

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku



Deadline: 4th April 2018

Poem by Soen Nakagawa https://terebess.hu/english/haiku/nakagawa.html

Picture by Sergei Akulich https://unsplash.com/@sakulich

Oceans 11/18 [Naviarhaiku221]

A track from the compilation album, Liquidation Totale, which can be streamed in full via Spotify: https://open.spotify.com/album/2rBSsYBjNZLwVXNL0xgWaK?si=-1DGs7cxQxaMs4uwq5OjFg

Liquidation Totale

On A Balcony, The Love of a Good Life (2017, from Awry EP and Liquidation Totale compilation))

Today, the Japanese musician Taro Ishida posted a video clip to his Instagram of a rainshower in Nasu Forest (Nasu-machi Nasu-gun, Tochigi.) He also shared a 30-minute audio recording of the rainshower via his dropbox account. I downloaded the audio and decided to improvise a little piece of ambient music around the rainshower recording using my electric 12-string guitar and two patches on a Microkorg synthesiser.

As I listened to Taro's recording, I made a sketch of the rainshower.

I was feeling quite miserable this wintery morning, so I went for a long walk into and around the city of Adelaide. On the way there, it started raining heavily and I sprinted to the nearest shelter at the Himiji Japanese Gardens in the southern parklands. The shelter adjacent to the beautiful stone garden provided a bit of respite whilst the rain cleared. As the rain subsided and the sunlight peeked through, it was a beautiful moment there by the stone garden and my mood improved significantly from that point on! The sound of the dripping rain was particularly lovely and hearing Taro's recording later in the day reminded me of this moment. Hence, the title of this piece.

I want to thank Taro for uploading and sharing the recording of the rainshower in Nasu. 

Taro Ishida: field recording
TLR: electric 12-string guitar, synthesiser

It rains today (in Nasu & Adelaide)[feat. Taro Ishida]

"Apophenia" is a track from Mote Music, a new album by South Australian sound artist and composer, Tristan Louth-Robins. Releases December 4th 2020.

Mote Music is now available for pre-order via the artist's Bandcamp page: https://tristanlouthrobins.bandcamp.com/album/mote-music-2

Apophenia

Jim Fry and Luke Haines 
Test Driving the New Prius - Full Radio Play
featuring an introduction by Scott King

Test Driving the New Prius - Full Radio Play

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

Thanks to all those who have contributed to the development of digital technology. Without it none of what we do here would be possible.
Piece for digital 'orchestra' created in Pure Data & incorporating the framework for a march that I submitted for disquiet0464..

More on this 465th weekly Disquiet Junto project, You Thank (The Assignment: Make a piece of music for someone or something toward which you feel thankful), at:

https://disquiet.com/0465/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0465-you-thank/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Ellen K, and used thanks to Flickr and a Creative Commons license allowing editing (flipped and cropped with text added) for non-commercial purposes:

https://flic.kr/p/9ztLGg

https://creativecommons.org/licenses/by-nc-sa/2.0/

The March of IT (disquiet0465)

Disquiet Junto Project 0465: You Thank
The Assignment: Make a piece of music for someone or something toward which you feel thankful.

https://llllllll.co/t/disquiet-junto-project-0465-you-thank/38745/12

Step 1: Think of someone (friend, family member, source of inspiration, etc.) you’re thankful for, or perhaps a thing (instrument, institution, a local business, etc.).

Step 2: Write a short piece of music dedicated to the subject you focused on in Step 1.

Track notes: 

I've been catching up, listening to(and buying) a bit of more Jim O'Rourke's formiddable Steamroom editions over on his Bandcamp. For the most part, these are longform works (~30mins to 1 1/2 hours) composed primarily on a Serge modular synth. There are also archival editions going back as far as 1992. Getting into these can be daunting (there are currently 51 releases!) but the recent output is incredible: especially the drone-y, ambient vibes of 40, 45 and 50. 

So, this drone of mine - on my studio modular set up - goes out to Jimbo. Thanks for the ongoing inspiration, you wonderful human.

It's an excerpt from a patch that I'd left running for about half an hour. The core of the patch's activity is a newly acquired Doepfer Wave Multiplier, which works beautifully when the CV controls are being affected *very* discreetly. The signal is also passed through a Doepfer Wasp Filter. Around this, there's a dual delay emulating a pair of long tape loops. The artefact sounds (warbles, clicks, static) are stems from my new album, Mote Music. I'm looking to 'deconstruct' the album for live performance next year, so I thought I'd incorporate them into the mix of this patch. I like how - at times - they almost sound like field recordings.

[disquiet0465] Steam Wisp (for Jim)

Cecilia Tyrrell
Signal
07:27

Blurring the boundaries between land and sea, Signal creates a seascape in constant flux with its identity, ever changing, always in motion.  Sonic topography inspired and partly arranged from recordings made at a sound mirror on the South East coast of England (UK). The mirror itself stands dormant as it waits, facing out away from land. Sound markers and siren warnings, still it listens, quietly detecting.

https://theradius.us/episode93

Radius

Donate

Episode 93: Cecilia Tyrrell

More on this 466th weekly Disquiet Junto project, [ ] Sound Machine (The Assignment: What sort of sound does your city make?), at:

https://disquiet.com/0466/

Project inspired by a December 2, 2020, tweet from George Wallace:

https://twitter.com/MrGeorgeWallace/status/1334274395938832387

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0466-sound-machine/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Seattle Sound Machine [disquiet0466]

More on this 469th weekly Disquiet Junto project, [Missing in Caption] (The Assignment: Make music that pushes the constraints of descriptive television captions), at:

https://disquiet.com/0469/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0469-missing-in-caption/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Rune Vallesether, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/9U2HvQ

https://creativecommons.org/licenses/by-nc-sa/2.0/

Music For Captions [disquiet0469]

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Oceans 11/18 [Naviarhaiku221]

Kyle TM

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