elecafter

SHIT ROBOT  
WE GOT A LOVE  (FEAT REGGIE WATS) 
(PAUL WOOLFORD MIX)



DFA2412

BUY VINYL OF ORIGINAL VERSION HERE:
http://store.dfarecords.com/products/dfa2408

DFA DIGITAL:
http://store.dfarecords.com/products/dfa2412

ITUNES

Shit Robot - We Got A Love (Feat. Reggie Watts) [Paul Woolford Remix]

Taken from the debut album 'I Am Machinery'
Released 25/11/13

Buy the album from:

iTunes UK (bonus track version) - bit.ly/1fSAwxV
Amazon UK - amzn.to/1a4rvj1
iTunes US (bonus track version) - bit.ly/1a4rSu5
Juno Download - bit.ly/Hcz4YY

---------------------------------------------

debukas.com/
www.facebook.com/debukas
twitter.com/debukas

---------------------------------------------

He’s a one-man synth orchestra, that Debukas. Those beautiful layers of yearning vocals, the Detroit strings, the coruscating hi-hats and drums that speak of years at the altar of house and techno’s venerated gods. I Am Machinery is somewhat apt.

Debukas was born in 2011, though the seeds of it were sewn much earlier. Echoes of its influences go back to Gary Numan singles, teenage forays into the world of Junos and Casios, 808 State and early Warp, Transmat and Metroplex, Arthur Russell and Gino Soccio. It’s all there in the primordial Celtic soup that comprises Debukas.

John Clark was born somewhat earlier. You may or may not have heard about some of his previous exploits. He had a brief dalliance with pop infamy in Japan. There was a series of bands large and small and collaborations so brief John is still not sure they really happened.

I Am Machinery is one of the most complete electronic albums you’ll hear this year – or any other, for that matter. Those years spent toiling in bands has given him a mean ear for the killer hook, just as the hours spent in Rubadub Records in Glasgow provided him with the inspiration.

This is neither house music nor techno, though you can certainly dance to it. Debukas has taken the basic building blocks of those genres and somehow repurposed them to produce music that is vocal-based without featuring formal songs (it feels at times as though he’s sampled himself from some obscure found-sound album). When he hits his stride, you can almost imagine – in some far off, alternative universe, maybe – Debukas on Top Of The Pops performing, say, ‘Some Days’.

If you’ve been lucky enough to come across his EPs for 2020Vision, you will have heard and appreciated his unique style; it sounds like nothing else on the roster yet fits perfectly among it all. I Am Machinery is a step further; a step forward. The sound has received a slight polish though one that comes from confidence in a sure direction rather than songs with a needless sheen. And here’s confidence for you, some of the best material from the EPs has been ditched so the album has a flow, as if all of these songs were conceived to only live together communally on I Am Machinery, like brothers and sisters, or even prisoners (of soul).

On ‘Tape Symphony’, one of the newest songs, Debukas woos us with some white soul, edged with those glittery synths and an unrelenting bass figure. ‘Hold Back The Sea’, technically just a simple house groove, is imbued with his trademark multi-layered vocals which rends it startlingly and unintentionally similar to Frankie Goes To Hollywood – bizarrely, I know, but it just totally works.

I Am Machinery is that rare thing: a great electronic album. It’s where man meets machinery and they have some right old rumpy-pumpy in front of everyone. This is Debukas’s lovechild. Plug in, tune in, blast off.

Words - Bill Brewster

Knowledge

A "minimal electro dancing" track which talks about contradictions/ stupidity of life and how we try to deal with it.
Sometimes U need  (or think you need) love so much that you take any piece even if it's filthy and doomed. Cause you always try to see the tiny colored and hopeful thing when your life is a black and white movie (like our video clip). And then, even in the dark, you'll find your own way of light / hapiness. We don't care about the dictates, we try to build our own speech and vision, we are filthy but we are not human guinea pigs


FILTHY LOVE - We Are ENFANT TERRIBLE

Download 
iTunes http://nmb.rs/Far-Nearer-iTunes
Bleep http://nmb.rs/Far-Nearer-Bleep
Boomkat http://nmb.rs/Far-Nearer-Boomkat

Stream
Spotify http://nmb.rs/Far-Nearer-Spotify
YouTube http://nmb.rs/Far-Nearer-YT

Jamie xx joins Numbers DJs Jackmaster and Spencer for their Rinse FM radio show on Tuesday 7th June.  Listen online between 11pm - 1am GMT (Londoners can also tune in to 106.8FM)&#13;
Sign up to be notified - http://nmbrs.net/rinse&#13;

http://nmbrs.net
@nmbrs

Far Nearer

Beat For

Buy on iTunes

Jamie xx - Beat For

(P) & (C) 2010 GREEN 
UNITED MUSIC. DISTRIBUÉ PAR PIAS FRANCE.804.A006.022 GUM12

CONTACT LABEL : pierre.leny@greenunitedmusic.com

Acheter l'album : http://itunes.apple.com/fr/album/crack-my-bones/id418548095
Buy this album (uk) : http://itunes.apple.com/gb/album/crack-my-bones/id422893959

WASTIN' TIME feat. ESSER

BIS Records release # 001. 

Order it here: http://igetrvng.com/discography/110/

Release date: September 20th, 2011 

A debut release for both band and label, Parisian duo Paradis' bring two eloquently produced tracks to Beats In Space in the form of the Parfait Tirage b/w La Ballade de Jim 12" (BIS001). Admirers from afar of DJ Tim Sweeney's weekly on air institution of 12 years (from which the label takes its name), Paradis submitted demos hoping they might hack it for some play time. 

Reared on classical and jazz, turned young hip hop rebels, turned teen club crawlers, and then university machine tinkerers, Simon Mény & Pierre Rousseau grew out of genre jumping while young enough to stay ahead and settle into music making centered around melody and emotion. 

This touchstone approach is perfectly apparent on "Parfait Tirage", a track built around sublime synth ambiance, a compelling sequence lead, and what will one day be unmistakably recognized as the Paradis vocal sound. The b-side, "La Ballade of Jim", is a deep techno take on beloved French artist Alain Souchon's track from the 80s, and already a staple in Sweeney's live set. 

Each 12" from Beats in Space features original artwork in considerate & serial form. The first 12" features artwork by Bjorn Copeland, a 21st century schizoid collagist and member of NYC experimental music legends Black Dice. The 12" packaging constructed by Will Work For Good features a vinyl BIS logo cling. The 12" will be available on September 20th, 2011 from fine retailers worldwide. The digital version will be available October 4th, 2011 from the drab internet universe. 

Paradis "Parfait Tirage"

Flash / Radio Edit

Shit Robot - Losing My Patience

#PK7
Available at iTunes: http://hyperurl.co/PK7
Listen on Spotify: http://bit.ly/PK7SpotifyPL
Mothertrucker Video:  http://bit.ly/MothertruckerVideoPK7
Cloud Rider: Video: http://bit.ly/CloudRiderVideoPK7 

Paul Kalkbrenner - Sky And Sand (Feat. Fritz Kalkbrenner)

Shit Robot - Teenage Bass

Equateur propose son remix hommage des Bee Gees!

The BeeGees - Tragedy (Equateur Remix)

http://www.beatport.com/track/no-sympathy-original-mix/3801367


Buy "Comfort" on Itunes - smarturl.it/mjccomfortdigital?iqID=sc
Buy "Comfort" on CD from Amazon: smarturl.it/mjccomfortamzcd

www.mayajanecoles.com
www.facebook.com/mjcofficial
www.twitter.com/mjcofficial
www.youtube.com/mjcofficial
www.instagram.com/mayajanecolesofficial/
https://play.spotify.com/artist/6TshTCYwh9ySzOO6Jy4Ux2

Download from Beatport

No Sympathy (Original Mix)

Needw024, Kim Ann Foxman, Hypnotic Dance (clip)

Needw024, Kim Ann Foxman, Return It (clip)

Shit Robot - Tuff Enuff  (Long Version)

My remix is included on the re-release of SSION Bent album
Get this album

SSION Psy-Chic (chops and screws rmx) MNDR aMaNDa(R) RMX

Shit Robot - Take Em Up (Original)

● THE POPOPOPOPS ● PURE ● EQUATEUR REMIX ●

● SWELL ● FIRST ALBUM ● 25.03.2013 ●

LIKE : facebook.com/thepopsband 
FOLLOW : twitter.com/thepopopopops 
MORE : thepopopopops.com

The Popopopops ● Pure (Equateur Remix)

Preorder Spiral picture disc (limited to 100), Standard Black vinyl and CD here: 
http://nightschoolrecords.bigcartel.com/artist/molly-nilsson

The Travels represents a signpost in the continuing journey that is the songs of Berlin-based artist Molly Nilsson. ourneys offer change - the possibility of renewal - and accordingly on The Travels Molly Nilsson’s resonant voice is found curling around a new sense of optimism and wide-eyed discovery that was only alluded to in her previous work. Songs like “Dear Life” might be spiked with a barbed sense of the dejected, but the presiding feeling is one of optimism, of being in love with life despite a shield of cynicism. “Dirty Fingers” brings a melancholy recognisable from previous work but with an incessant beat and ecstatic underpinning it becomes apparent that a new force is at play here. In case the listener missed it, “The Power Ballad” brings an endearing, sincerity to proceedings that also offers a tantalising question: can you be sceptical about love but still be bewitched?

On her 5th long-player, Nilsson’s perspective is challenged and manipulated by changes in environment and psychological space: like any other traveller the protagonist brings their own set of values and emotional states and new places, colouring them with a wash of subjectivity. Like any other traveller Molly Nilsson reacts to her environment and shares her unique version of it to other people.

Based loosely on Marco Polo’s “Travels” and reading like a map of the protagonist’s geographical and inner journey, The Travels reveals new places and new emotions that are never the same to the beholder. Nilsson’s art is in turning this subjectivity into a cloak that almost anyone can don for the trip.

MOLLY NILSSON: "Dear Life" (From "The Travels.")

# SUMMER CHAPTER - LET ME SHOW YOU A FEW THINGS ABOUT LOVE #
>> FEEDBACK IS WELCOME GUYS, ENJOY, DANCE, MAKE LOVE >>

SUPPORT >> facebook.com/DianeValparaiiso
FOLLOW  >> http://dianevalparaiiso.tumblr.com/

01 - What’s In Your Head - Disclosure
02 - Wallow (Photomachine's Underground Haus Mix) - Throwing Snow & Py 
03 - Kneadin' - Hannah Wants & Chris Lorenzo 
04 - Slowdance – Duke Dumont
05 - Dia De Los Muertos – Waze Odyssey
06 - Let's Get Hot – Breach
07 - Love The Feeling High Feat. Ed Weathers (Original Mix) – Jesse Rose
08 - Movedatass – Sishi Rosch
09 - Look Right Through (MK Dub III) - Storm Queen  
10 - Jack – Breach
11 - Back To The Raw (Ruff Mix) – Kerri Chandler
12 - Mama Me La (Original Mix) – Jesse Perez
13 - Second City – Shadow Dancer
14 - Snorkel (feat.Kule Runner) – Maetrik
15 - Battle for Middle You - Julio Bashmore
16 - When a Fire Starts to Burn – Disclosure
17 - When I Hear Music – Duke Dumont
18 - Crackle – Animal Youth
19 - Voodoo (Original Mix) - Youthman 
20 - Bassline Junkie - Dizzee Rascal
21 - Found The Rhythm (Original Mix) - Waze Odyssey
22 - Jump Around - Rafael Carvalho
23 - Suit and Tie - Youthman 
24 - The Game - Lars Vegas
25 - Strings (Fingers Mix) - Da Posse
26 - You're The One (Original Mix) - Sonny Fodera, Cajmere  
27 - John Doe (Original Mix) - Detroit Swindle
28 - Little Things (Original Mix) – Huxley
29 - Needs You - George FitzGerald
30 - Summertime Sadness (Simon Large MK Dub) - Lana Del Rey
31 - The Wrap Around (Original Mix) - Detroit Swindle
32 - Take Me (Bareskin Remix) - RFS




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