This one has a bit of history that goes back to my collaborations with Nick ♤ https://soundcloud.com/nickrdavies

Poor Nick.  I tortured him so during these collaborations. I threw electronic nightmares from Electronica to Psy Trance at him.  He not only rose to the challenge; he turned these songs into something new and different. His songs that I had the pleasure of adding keyboards to, brought me to musical areas that, otherwise, I never would have ventured into.

Which brings us to this “Jazz-Like-Beast-Thing.” I’m not sure which one of came up with that expression, but it proved to be accurate.  It was supposed to be a follow up piece to our second collaboration “The Skeleton Improvement Conversation.” But seemingly random key and tempo changes were a bit much. I almost titled it “Have you got it yet?” after the legendary last attempt for early Pink Floyd to work with Syd Barrett. He would change the song every time they started to play. I imagine it felt a bit like that.  

So, the piece fell dormant for a few years. With Nick’s permission, I recently decided to give it a go on my own. Then I understood… it was nearly impossible to play along with. I fiddled, fettled, and eventually came up with something that would pass for guitar added to electric piano. It left me electrifried.

Nick, this is an homage to you. In no way is the “guitar” playing anything close to your skills, but I tried to channel you from across the miles. I look forward to the time when we can work together again. Until then, here’s that Jazz-Like Beast Thing… the stuff of your nightmares  :)

Image: Cameronc Copyright: <a href='https://www.123rf.com/profile_Cameronc'>Cameronc</a>

Electrifried

https://music.apple.com/us/album/cause-i-saw-you-were-there-single/1842387558
https://open.spotify.com/intl-ja/album/1v8yLdxDOwzzz930O3jcCt
https://www.youtube.com/watch?v=kizATRTnNr0
https://touchofthewood.bandcamp.com/track/cause-i-saw-you-were-there

With gratitude and respect to Kohei Uchimura, who is retiring.

This song was inspired by Kohei Uchimura who is a gymnastics athlete at Tokyo 2020 Olympic.
But maybe you can sing this for your hero, for your friends, for your lovers, for your parents….
Whatever it is, this is a song of gratitude and respect for the person you admire.

[Lyrics]

Cause I Saw You Were There

Do you know why I could come here?
Do you know what made me to come here?
It’s you. 
Cause I saw you were there. 
You were there.
Yes, it’s you. 
Cause I saw you were there. 
You were there.

引退される内村航平選手へ、感謝と敬意をこめて。

体操の内村航平選手の東京オリンピックを見て、この曲が生まれました。
でもたぶんこの曲は、あなたのヒーローのため、あなたの友人のため、あなたの恋人のため、あなたの両親のための曲でもあります…。
それが何であれ、あなたの憧れの人への感謝と敬意を歌ったものです。

[歌詞]

僕がなぜここに来ることが出来たのか知っていますか？
何が僕をここに連れて来たのか知っていますか？
あなたです。 
あなたがそこにいたのを見たからです。 
あなたはそこにいた。
そう、それはあなたです。 
あなたがそこにいたのを見たからです。 
あなたはそこにいました。

Cause I Saw You Were There

Composed, arranged, performed, and produced by
Carlos Vivanco

Far And Beyond

Tomorrow's Thoughts Of The Past

Music, mix & production by: @arcaans
Lyrics and vocals by: https://soundcloud.com/mirjam-keijnemans

In My Dreams

When I close my eyes
I see you in my dreams
Every time I lay me down to sleep
I hear your voice
I see your face
I even feel your warm embrace

I taste your love
I feel your grace
I dream about a perfect place

I know your heart
And you know mine
Together we are fine
In my dreams 
In my dreams
In my dreams
In my dreams

You overflow me
With positive energy
You interact with me
Soul to soul
In my dreams

In my dreams
In my dreams
In my dreams
In my dreams

Your Dreams

In My Dreams (with Mirjam)

noxpox - un

The Space Bass

Music: Gebr.K
Lyrics: JayKay
Production: Gebr.K
Vocals: Xian3 & JF
Keyboards, Bass & Guitars: JayKay
Drums: Garageband 

Lyrics:
Oh Boy - Addicted

You brought me a bunch of flowers
To show sorry for what you said
Frankly spoken you broke my heart instead 
Your blindness is overwhelming!

The next day you promised you will change
To beg finally my parden
Frankly spoken you disappointed me
The bunch of flowers came from my garden

Not in one hundred years
And if you cry one thousand tears
I will not let you in again

You pelt me with hundreds of messages
To explain my misconception
Frankly spoken I did not read one of them
Nor will I pay your bills again

Now a month has passed bye
And I did not hear from you
Frankly spoken I long for you
I never ment to hurt you so

And if I wait a hundred years
And if I cry a thousand tears
I hope to see you again

"Oh Boy" feat. Xian3 & Jf

Please support on a streaming platform near you:

Apple Music:
https://music.apple.com/dk/album/sigfus/1598365947?l=da

Spotify:
https://open.spotify.com/album/44yQrvCwAdhdd9oxf1h0ha?si=cdFaKXTXT3m-nE0oBdSMlg

YouTube:

https://www.youtube.com/channel/UCyEmFL_ew1e2L3ZmbOZOfIQ

Thank you!

Aim at the pain

verdandi

Method: Reverb, hall and other effects … to move beyond  … beyond ….
Narration: Verdandi is braiding the black and white strains, the dark and bright light. She wishes she would not know which words pass through her hands. There she sits, near the root of the tree that is the world, next to the spring. She is aware that she is alive and not-alive and she drinks from the well without feeling thirsty. She has been weaving for a long time and will continue weaving for a long time, braiding the black and white strains.

Lyrics / copyright jo richter:

Die schwarzen und weißen Strähnen flicht
sie, das dunkle und helle Licht.
Ich wünschte, spricht sie, dass ich nicht
wüsste, was durch meine Hände spricht.

Am unteren Berg, nah der Wurzel,
da sitzt sie am Quellrand und webt.
Sie weiß, dass sie lebt und nicht lebt,
und sie trinkt ohne Durst aus dem Quell.

Seit wann? Seit urdenklichen Zeiten.
Wie lang? Noch unzählbare Zeit.
Die Fäden, sie reichen so weit,
sie würden Fremdhänden entgleiten:
Die schwarzen und weißen Strähnen flicht
sie, das dunkle und helle Licht.

Dry Gentleness

Electronics Loops

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