Suçlayacak biri bulamadığım vakit yaşamaması gereken bir varlık olduğumu kavradım. Bir canlılık, et parçasından öteye geçemiyor olmak hüzün verici. Çünkü açıkta kalmış bir et parçasının nihai sonu çürümektir. Dışarıdan dökülmüyor olsam da ruhumun döküldüğü aşikar. Buna rağmen bir ümit yaşamaya devam ediyorum. Bu inat er geç bitecek.

Köprüden geçiyordum, “neden atlamıyorum?” Diye sordum kendime. Bunu herkes yapmıştır, ancak hemen içini bir korku basmış ve düşünmeyi bırakmıştır çoğu. Bende aksine, hiçbir korku duygusu yoktu ve rahatlıkla ölümümü gözümün önünde canlandırıyordum. İşte o an anladım ki o kadar da yapılamayacak bir şey değil.

Bağımlıyım, bağımsız olmanın verdiği huzursuzluktan hoşlanmıyorum. Bağımlıyım, onunla olmanın getirdiği hisse. Bağımlıyım, kendimi öldürecek olmaktan korkmuyorum. Bağımlıyım, artık ban iyi hissettirmeyene. Bağımlıyım, onsuz yaşayamamaya. Bağımlıyım, beynimi tabağa koyup çiğ çiğ yemeye.

the wprst part of this song its that it ends

Vkei

Nocturnal Opera

monophobia- MOI DIX MOIS

Merveilles is the third studio album by Malice Mizer, released on March 18, 1998. It is the band's only album on a major record label.

Its title was coined by Gackt as a keyword to the theme. Its overall concept is "a story that goes back and forth between the present, the past and the future across time". However, the lyrics are not set in the real world as it is, but in the fairy-tale world, the medieval world and the future world. This album marked the pinnacle of the band's success, being their best-selling album, charting high on the Oricon charts, and also earned them several national TV appearances. Japanese pop culture website Real Sound credited Malice Mizer as the first visual kei band to incorporate European aesthetics into heavy metal with the twin guitars in "Bel Air ~Kuuhaku no Toki no Naka De~".

merveilles

au revoir

"Beast of Blood" is the last single released by Malice Mizer on June 21, 2001. Since i can't find a decent description of this single online, i'll try to write one on my own. 
This song is probably the most beautiful thing i have ever listened to, it was one of the first songs i listened of Malice Mizer, and i was hooked immediatly. In a nutshell, the theme of this song is about a vampire (as the title suggests, a beast of blood) who is searching for a pray and drinking its blood. In this piece Malice MIzer mixed together organs, harpsichords, and electric guitars.

Beast of Blood

Voyage ~Sans Retour~ (French: "Journey ~Without Return~) is the second album by Japanese rock band Malice Mizer, released on June 9, 1996. It is their first album with second vocalist Gackt.

The theme of the album is "based on the story of vampires, taking a scalpel to the human world from the vampire's point of view", which also became the concept of their live performances before their major label debut.

Voyage 〜sans retour〜

Premier Amour

Bel air ~ Verte aile~ Malice Mizer

MALICE MIZER - ma chérie

46²

Malice Mizer - APRES MIDI -Aru Paris no Gogo de- (E-STYLE)

MALICE MIZER - Après Midi あるパリの午後で

Voyage

Malice Mizer - Aegen

Lyrics:
朝もやに零れた光
永遠の夜に
終わりを告げて
君は今 震える
まぶたを開き
拡がる夜明けの庭園で
貴女と共に......
微かな日差ししに佇む君に
僕が差し出した白い花を
その指に触れて
胸に抱くとき
つぼみの花は開く
ガーデニア
君のあどけない瞳
愛しいその全て
貴女を連れ去り
このまま優しく
抱きしめて離さないように

まるであの日見た
夢の続き
回想の森に浮かぶ光景
君を迎えよう誓いの庭園で
つぼみの花が開く
ガーデニア
君のあどけない瞳
愛しいその全て
貴女を連れ去り
このまま優しく
抱きしめたい
ガーデニア 君と
汚れなき花の
甘い香りに包まれて
貴女を連れ去り
このまま優しく
抱きしめて離さないように
夜明けと共に
貴女へと囁く
｢愛しい人...ガーデニア｣

MALICE MIZER - Après Midi あるパリの午後で

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Elbebeson

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Elbebeson

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