Grate work. What software did you use to create the drum kit?

Opening track from the album "Pegasi Lake".
https://fanlink.to/JoyWellboy-OutOfTh...
Instagram: https://www.instagram.com/joywellboy/
Facebook: https://www.facebook.com/joywellboy/?...
Bandcamp: https://joywellboy1.bandcamp.com/rele...

Released Jan 1, 2022
Written, arranged, and produced by Joy Wellboy.
Mastered by Leonard De Leonard.

All rights reserved.
Siamese Twin Records 2022

Pegasi Lake

Out Of The Blue

Aeviternal

buy at:

Bleep - https://bleep.com/release/56933-nathan-fake-glaive
Juno - http://www.juno.co.uk/products/nathan-fake-glaive/561496-01/


01 Nathan Fake - Fortune Bru

Available via Terrible Records.
Stream + Download here:
terrible.lnk.to/ntsy-indian-wells

Ricky Eat Acid - Remix EP

Ricky Eat Acid - This Is As Close To Heaven As I Get (Indian Wells Remix)

"Where the World Ends" LP: https://indianwells.bandcamp.com/album/where-the-world-ends

Play/download:  https://fofmusic.lnk.to/WhereTheWorldEnds

Where The World Ends

play / download

It's Where The World Ends

Taken from The Great Distraction (@differentrecordings)
https://vesselsband.bandcamp.com/album/the-great-distraction

@john-grant-official

The Great Distraction

Erase The Tapes (Feat. John Grant)

"Sign Of Age" is taken from the debut album "Life Is Short the Answer's Long" from The Beat Escape.  The album is due for release 27th April via Bella Union. 

Pre-order now: http://smarturl.it/TBE_LifeIsShort

Life Is Short The Answer Is Long

The Beat Escape - Sign Of Age

I had a lot of train journeys recently and I love watching the wires seemingly dance around outside the window. I wondered if we could be getting fooled by a similar process during our usual experience of movement and time, and thought it would be an interesting project for a music video set to the music created during the same journeys.

You can find that project and a longer explanation of the video ideas here: https://vimeo.com/241546182

For the music I wanted to bring ideas of frozen moments of the past into play, and no better excuse to get stuck in with the Prophet 6 on some lush classic analogue synth sounds for the main chord sequence, and plenty of nob noodling for a dance of modulating sounds around the main sequence. I wanted to keep it fairly sparse to let the chord patch be central, and just focus on trying to make every element, including the percussion, warp a little, so you can either listen to the track from a distance and hear the harmonic ideas, or delve in to find all sorts more hiding in there.

You can hear the whole EP here: https://lnk.to/WorldPassingByEP

Whole EP Stream/Buy

Resynthesis [Mesh004]

Ryan Lee West aka Rival Consoles has announced his fourth full length album 'Persona' will be released on 13th April via Erased Tapes.

The title 'Persona' was inspired by Ingmar Bergman’s film of the same name, specifically a shot in the opening credits of a child reaching out to touch a woman’s face on a screen, which is shifting between one face and another. This powerful image struck Ryan and it inspired the album’s main theme — an exploration of the persona, the difference between how we see ourselves and how others see us, the spaces in between; between states, people, light and dark, the inner persona and the outer persona. 

"My music is generally is generally inward looking. I like finding something about the self within music, that doesn't have to be specific but maybe asks something or reveals something. This record is a continuation on the self through electronic sounds. Like Legowelt once said ‘a synthesiser is like a translator for unknown emotions’, which I think sums up what I am trying to do. I think all these emotions we have make up our persona. So in a way by finding new ones you alter or expand your persona. And that is what I want my music to try to do. I deliberately aimed to be more sonically diverse with this record. I wanted to experiment more. I wanted to create new sounds and new emotions.”

Recorded at his studio in south-east London, ‘Persona’ benefits from Ryan’s exploration of a dynamic production process that combines analogue-heavy synthesisers, acoustic and electric instruments with a shoegaze-level obsession with effect pedals. A greater depth of emotion and confidence can be heard across the album. From the deconstructed movements on ‘Unfolding’ that starts the album with a snap of delayed snares, the apocalyptic drones of the title track and thundering drums in ‘Phantom Grip’ to more  restrained ambient feels of ‘Dreamer’s Wake’, ‘Rest’ and ‘Untravel’. The latter transverses six beatless minutes of undulating melodies representing “a limbo space, a feeling of ennui, of not really ever being known to others and others not ever really being known to you”.

'Be Kind' reveals a musical connection with fellow Erased Tapes artist Nils Frahm, with its minimal approach and improvisational nature. On the more complex sounding ‘I Think So’ Ryan aims to replicate a colour collage with sound. Like a musical kaleidoscope, a flashing and convoluted mass. Written after he saw Slowdive perform live last year, ‘Hidden’ builds from whispers to landscapes of controlled noise. In an interview with XLR8R magazine, Ryan explains: “once you start trying to make a sound loud, then you turn your back on thousands and thousands of sonic possibilities. One of the best things to do is to start a track with a really quiet, weak sound.” Taking this idea to its ultimate conclusion, ‘Fragment’ closes the album as an innocent sounding ambient piece, almost nursery rhyme like, yielding time for reflection on how the persona has changed.

'Persona' follows the success of a series of releases — the ‘Odyssey’ and ‘Sonne’ EPs, long player ‘Howl’, and 2016’s mini album ‘Night Melody’ — that saw Ryan mature into what Pitchfork has called a “forward-thinking electronic musician with his own ideas about sound”. Atypical of instrumental-electronic music, Ryan has achieved a signature sound that’s unmistakably identifiable as Rival Consoles. Going beyond typical electronic music production, Ryan defines it as “songwriting with an electronic palette of sounds”.

The increasingly dynamic live audio-visual show, born from bespoke performances at the Tate and for Boiler Room at the V&A Museum featuring self-programmed visuals in Max/MSP, has propelled him to play around the world. Ryan launches ‘Persona’ at London’s XOYO on 12th April with further dates to be announced.

Persona

Unfolding

Buy 2LP/CD/DL

Rival Consoles - Unfolding

Check this unreleased track off of Taragana Pyjarama's forthcoming debut album "Tipped Bowls" out June 18th.

Taragana Pyjarama - Growing Forehead feat. Kicki Halmos

My take on Bayuk´s The Beasts Have Arrived. Enjoy!
Will be available at all streaming platforms asap

Bayuk - The Beasts Have Arrived - La Boum Fatale Remix

Berlin/Hamburg-based La Boum Fatale built up fragile worlds somewhere between melancholy and euphoria. He combines Electronica, House, Garage and Dubstep to sophisticated arrangements, accompanied by vocals and field recordings. His sounds create a deep and dense atmosphere.

Booking: patrick@oha-music.com
more info: http://www.sinnbus.de/content/sr042.php


Bayuk - The Beasts Have Arrived - La Boum Fatale Remix

La Boum Fatale I LBF I Neck Breaking Stunts

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