Name: Entrevista La Rotunda - CCG Venezuela - Stuttgart by "La Rotunda
Duration: 10 min 5 s
Description: Entrevista via telefónica a Ernesto Soltero, de La Rotunda, desde Sttutgart, Alemania. Programa:Cazabe con Guarapo

Versión acústica de "Quiero ser yo" grabada el 4 de Agosto en la UCV

Quiero Ser Yo (frankenstein Akla Edition)

Entrevista via telefónica a Ernesto Soltero, de La Rotunda, desde Sttutgart, Alemania. Programa:Cazabe con Guarapo

Entrevista La Rotunda - CCG Venezuela - Stuttgart

Eugenio Miranda entrevista a Pedro Castillo en 2009.

PEDRO CASTILLO ENTREVISTA COMPLETA

Ramona Cabrera fue un proyecto efímero, casi en el anonimato (al final terminé revelando mi identidad), no obstante, llegué a grabar dos trabajos con ese proyecto. En el segundo, El Ruido es Vanguardia, me olvidé de los sonidos hardcore e hice cosas más "en vivo". Grabé improvisaciones de ruido que podían durar casi 20 minutos

Ramona Cabrera - sesion industrial numero 01

Décima

Vuelve

La Candela del Río is the debut album by Paris-based Venezuelan quartet Insólito UniVerso. In the space of 8 tracks, the band fuses traditional Venezuelan styles, such as joropo, merengue caraqueño, or tambores de San Millán with psych, chanson, and contemporary electronics. Co-produced by The Heliocentrics' Malcolm Catto, the record shows two distinct sides; on the one hand there's euphoric music that begs to be danced to, while on the other there's melancholy, mystery and devotion.

Maria Fernanda Ruette: Cuatro & Vocals 
Raúl Monsalve : Bass 
Edgar Bonilla Jiménez: Keys 
Andres Sequera: Drums 

Guests: 
Rafael Mejias: Maracas & Charrasca (except on A3 & A4) 
Orlando Poleo: Clarín drum on B2 

Co-produced by: Malcom Catto, Raúl Monsalve and Edgar Bonilla Jiménez 
Mixed by Malcolm Catto at Quatermass Studio. Except A2, A3 and A4 mixed by Alex Figueira at Barracão Sound. 
Mastered by Frank Merritt at The Carvery 
Artwork by Emily Evans 
Design and Layout by Brunella Giannangeli

El vuelo del Gabán

La candela del río is the debut album by Insólito UniVerso. Co-produced by The Heliocentrics’ Malcolm Catto, the record shows two distinct sides; on the one hand there’s euphoric music that begs to be danced to, while on the other there’s melancholy, mystery and devotion. 

The album kicks off with Transmutada, a composition inspired by the Venezuelan waltz and the works of Conny Mendez, a Venezuelan eccentric from the 20th century. 

More info here: http://www.musicamacondo.com/2018/10/premiere-insolito-universo-transmutada/

Premiere: Insolito Universo - Transmutada

"La Candela del Río" is the debut album by Paris-based Venezuelan quartet Insólito UniVerso. In the space of 8 tracks, the band fuses traditional Venezuelan styles, such as Joropo, Merengue Caraqueño, or Tambores de San Millán with psych, chanson, and contemporary electronics. Co-produced by The Heliocentrics' Malcolm Catto, the record shows two distinct sides; on the one hand there's euphoric music that begs to be danced to, while on the other there's melancholy, mystery, and devotion.

'Tonada Del Guante' is a song inspired by the tonada llanera, a traditional style of work song from the plains made famous across the world by Simón Díaz, one of the main exponents of Venezuelan music to date. The tonadas are usually sung by farmers or "llaneros" out in the fields with no instruments and only the sounds of animals and nature in the background. As such, the lyrics are sung in random patterns usually with no recognizable rhythm. 

This is the first track that Mafe Ruette and Raúl Monsalve wrote together, and the one were Malcolm Catto's unique production style fits like a glove. The result is a nocturnal piece; a solitary and lunar reflection, silent, facing the boundlessness of the savannah. A call to the road ahead.

Preorder Album: https://bit.ly/2PffZfm

La Candela del Río

Preorder Album

Exclusive Premiere: Insólito UniVerso "Tonada Del Guante" (Olindo Records)

Eirwud Mudwasser - SNAKER 010

A1. Hiccup
A2. Hahahaha So Sad
A3. Crazy Lilo
A4. Drum Machine Circle
A5. Martyn Drums

B1. Treewalkers Cradle Song
B2. Snails
B3. Italy Sirens
B4. DX Cola
B5. Don't Spill Wine (On The DX)
B6. Sabat

Artwork: Masto Mori

Release Date: April 2019

@eirwud-mudwasser

snaker010_snippet

Eirwud Mudwasser - SNAKER 010

Frank Harris & Maria Marquez – “Echoes” LP Strangelove SL-104

The Ethno-Wave love child of collaborators Frank Harris & Maria Marquez, Echoes compiles a collection of mid 80’s to early 90’s material sound tracking two musical dreamers. Avante-pop flourishes married to the heart strings of an imagined synthetic Amazon.

Fascinated by the rapidly emerging midi electronics of the early ‘80’s, Frank was immersed in sound work for companies such as IBM and producing the likes of Diamanda Galás around the time he began collaborating with Maria.

Envisioning a tropical Sade, the music they created more often veers towards the leftfield, revelling in the embrace of Maria’s Venezuelan roots & folklore visions in combination with the exploration of Frank’s custom Synclavier synth station (the first keyboard to incorporate 16bit sampling)

Compiled here, songs such as ‘Canto Del Pílon’ and ‘Tonada de Ordeño’ resonate with a charged future/primitive electricity that mainline Maria’s song-to-a-siren vocals with Frank’s lush sonic alchemy. On ‘Echoes’ the voice becomes instrument, found sound transforms to melody, the fragile meets the sublime, old is married to new.

A1- Canto Del Pílon
A2- Campesina
A3- Ethnocity
A4- Tonada De Ordeño

B1- Loveroom
B2- Tenderloin
B3- Field Trips
B4- Bein’ Green
B5- Down By the Rio

180 Gram Vinyl- w/ Full Sized Insert
Released March 2019

Echoes

Frank Harris & Maria Marquez- Campesina

Banda fundada a finales de la década pasada que fusiona, principalmente, el punk-rock con la música venezolana, para derivar en un estilo nuevo llamado JOROPUNK. Actualmente está conformada por Ernesto Soltero (cuatro y voz) Muriel Durán (coros y percusión menor) Carlos Briceño (batería) Rommel Vásquez (bajo y coros) y Vincent Reyes (guitarra). Importante: no sonamos a Onda Nueva, ni a Movida Acústica Urbana, aunque respetamos mucho esas propuestas y nos agrada escucharlas. Mucho menos a "neofolklore", sobretodo porque no creemos en esa etiqueta.

Entrevista La Rotunda - CCG Venezuela - Stuttgart

"La Rotunda

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