Afro Latin Funk

JAZZ FUNK ROCK ~ RELAX

Instrumentaliste

Tropical für Winter

DJ BOBO

olivier correr

some selections of great Tropical Jazz style tracks found by DJ K-Tel on SoundCLoud

DJ K-Tel Tropical Jazz finds on SoundCloud

some selections of fun Tropical Bossanova style tracks found by DJ K-Tel on SoundCLoud

DJ K-Tel Tropical Bossanova finds on SoundCloud

label K Bress



Free Download of the track :
MP3 320k : http://proleter.fr/yum/?file=ProleteR%20-%20Timekeeper.mp3
WAV :  http://proleter.fr/yum/?file=ProleteR%20-%20Timekeeper.wav

Unreleased and unmastered track
Produced and mixed by ProleteR
Bandcamp : http://proleter.bandcamp.com
Facebook : www.facebook.com/ProleteR.beats
Youtube : www.youtube.com/user/proleterbeats

Free Download

ProleteR - Timekeeper

Sono Rhizmo' - O telefone

Bandcamp

Demouche - Mad Over You

La nuit je mens (reprise Alain Bashung)

Vinyl available here : https://www.cdandlp.com/olivier-corre/san-julian-cafe/33t/r120352788/
Composition originale samba jazz jouée à la manière d'un trio brésilien. Piano & production : Olivier Corre / mastering : Antoine Demantké

Olivier Corre trio "Punch coco"

Instrumental Rework from 大橋純子 ＆ 美乃家セントラルステイション (Junko Ohashi & Minoya Central Station) - Rainy Saturday & Coffee Break

From "Rainbow" LP.
Philips S-7007
1977, JAPAN

Taken from upcoming mixtape "Japanese Grooves & Re-Edits"

大橋純子  ＆  美乃家セントラルステイション  -  Rainy Saturday & Coffee Break (Florent F Instrumental Rework)

Taken from Masako Miyazaki "Get My Wave" LP
JVC, 1978
Japan

From the Upcoming Mixtape "Japanese Grooves & Reedits"

宮崎正子 - He Loves You (Florent F Re-Edit)

Extrait d'un titre à paraître sur le label K Bress avec Seb Daugas, l'ancien chanteur du groupe Livin' Soul.

Olivier Corre & Seb Daugas "She's playing" (extrait)

Beat Simphony - Aka Mz Beatz

Nightcall

Return to the Beginning (Original)

Matasuna Records Afreaka! EP (msr001) available on 12" in your record store!

LIKE on Facebook
www.facebook.com/Voodoocuts-1538693803019173/

New vinyl-only label Matasuna Records enters the fray with a stated focus on reworks of rare & forgotten music treasures from all over the world. The debut release, a 12" featuring four DJ-friendly edits from Voodoocuts and SoulBrigada sets the tone and has a fine titular pun to boot in Afreaka! Voodoocuts takes the A-side duties, pairing up the raw '70s Ivory Coast funk of "Kelja" with the steamy Latin styles of "Tortoise Loops". Those wanting something a bit more disco in sound will gravitate towards the "Hustleman" edit from SoulBrigada which originates from West Africa and has a killer horn line!!! "Madera" sees SoulBrigada look to Cape Verde for source material and features some subtle additions.
Juno Records

Afreaka! EP

Buy 12"

Keleya_Out Now on 12"

Preorder the new album '1000 Palms' http://radi.al/1000PalmsIsland

Island

FamilyGuts

"Human Conception" it's @lenonsense first instrumental album. 

As he said " Human Conception it's not just a collection of tracks , but a result of personal evolution and growing . It  describes and communicates feelings and emotions that makes us humans , living in a world that we achieve to understand , but we could never control."

Nature sounds and music blended together in 10 Jazz-Hop tracks (+1) , that show the influence from artists like Nujabes , NOMAK , Vanilla , Moby , Witness , Dj Premier , aus , The Chemical Brothers and many more.

Including collaborations with Teeph Rhetoric and Kamouflage.

enjoy the journey , get it for free.

- PEACELAND Rec. -




Mairie Des Lilas

Taken from 2011's "Cookin' Gumbo" album - out Sept. 6th on CD, 2xLP and digital Bastard Jazz Recordings.

CD & 2xLP available in shops worldwide and for purchase on the Bastard Jazz Webshop - http://bastardjazz.bigcartel.com

Digital available on iTunes - http://itunes.apple.com/us/album/cookin-gumbo/id460069236?uo=4

Junodownload - http://www.junodownload.com/products/cookin-gumbo/1821200-02/

Captain Planet - Samba Radiante 2011

Garden Gate - Houses - 03 House Of Learning

Ladyboy-mad-hatter-remix-sfmegabeat

Mixed By Hammond Classics
Mastered By Dj Inko
Artwork: Lee Hodges

Yoruba Land

Old-ish (2008) Sofrito Soundsystem dubplate intro - Afro-Colombian beats with Cuban singer and percussionist Rene Alvarez (Sur Caribe) with some Latin freestyle...

Sofrito Dubplate intro feat. Rene Alvarez (2008)

Hot on the heels of their critically praised album "Havana '58" and with fans worldwide clamoring for more, The Bahama Soul Club has now called upon a brilliant range of producers, DJs and artists to put their own personal spin on Bahama's latest release. Sifting through the album's finest moments they worked their magic on selected tracks and rebooted them into pure rhythmic bliss: "The Havana Remixes" is a bright collection of Latin, House, Jazz, Funk, Soul & Disco with a thoroughly modern take on Dancefloor Jazz. 
Opener "Muévelo Papi" is a stirring 60s Boogaloo-hip-twist by the mighty CLUB DES BELUGAS, while Geordie mate SMOOVE from Newcastle turns “No Words” into a fusion of Jazz-house and Breakbeat. OPOLOPO pulls "Dizzy's Bounce" deeeep into jazzy House while MAESTRO&VEZZOLA and Chinchin's ZOUZOULECTRIC vs. GARDENER OF DELIGHT both having a diverse view on "Tropicana Flight", giving it a Disco-Latin-House-Funk treatment. SUONHO from Italy jams a more modern Soul-Disco-Funk on "No Words" and amps up the funk quotient on "Muévelo Papi" with a touch of Jazz and a Latin Twist. Rounding off the release is an unexpected Nu-skool Brazilika-brukbeat from POSITIVE FLOW aka Jesse Reuben Wilson on "Elegguà" and some solid Latin funky breaks from JACK&JOINTZ on the rolling "Rumba Fugaz". 

All remixes are mastered by The Uncle and very special radio-edits were made exclusively for the beautiful 180g vinyl. Containing nine tracks, this 12" looks like a neat introduction for newcomers and a nice round up for long-term Bahama Soul Club admirers. The full extended versions of all remixes will be released on CD and Digital formats.
credits
releases May 12, 2017 

ARTIST - 
Club Des Belugas - 60s Boogaloo Hip-Twist 
Smoove - Fusion of Jazz-house and Breakbeat 
Opolopo - deeeep jazzy House 
Positive Flow - Nu-skool Brazilika-brukbeat 
Zouzoulectric&Gardener Of Delight - Disco-Latin-House-Funk 
Suonho - Modern-Soul Disco-Funk 
Jack&Jointz - Latin funky breaks 
Maestro&Vezzola - Disco-Latin-House-Funk

Bahama Soul Club - No Words - SMOOVE RMX

Classic Rock Road Trip Mix

A Horse with No Name

Buy "Roadgame" and Kavinsky's other releases (Nightcall, 1986, Teddy Boy - vinyl/digital) here : http://kavinsky.bandcamp.com
Taken from Kavinsky's debut album "OutRun".

Follow Kavinsky :
http://facebook.com/KavinskyOfficial
http://twitter.com/IamKavinsky
http://soundcloud.com/DeadCruiser

http://recordmakers.com
http://facebook.com/recordmakerspage
http://twitter.com/recordmakers

Kavinsky - Roadgame

A great compilation can open the gate to another world. Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008, the proof was there for all to hear; gut-busting yelps, lethally well-drilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.

Ten years on, intrepid crate-digger Samy Ben Rejeb unveils a new treasure-trove of Vodoun-inspired Afrobeat heavy funk crossover greatness. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics’ pile-driving opener, it’s clear that African Scream Contest II is going to be every bit as joyous a voyage of discovery as its predecessor. And just as you’re trying to get off the canvas after this one-punch knock out, an irresistible Afro-ska romp with a more than subliminal echo of the Batman theme puts you right back there. Ignace De Souza and the Melody Aces’ “Asaw Fofor" would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-Nat-King-Cole-influenced lead vocal, it’s a total revelation.

The screaming does not stop there, in fact it’s only just beginning. But the strange thing about African Scream Contest II’s celebration of unfettered Beninese creativity is that it would not have been possible without the assistance of a musician who had been trained by the Russian secret services to "find and destroy" enemies of the country’s (then) Marxist-Leninist president Mathieu Kerekou.

Already familiar to fans of the first African Scream Contest as a mainstay of ruthlessly disciplined police band Les Volcans de la Capitale, Lokonon Andre vanished in a cloud of dust at Ben Redjeb’s behest with a list of names and some petrol money, only to return a few days later having miraculously tracked down every single name he’d been given. The source of this Afrobeat bounty-hunter’s impressive people-finding skills - his training with the KGB - highlights the tension between encroaching authoritarian politics and fearless expressions of personal creative freedom which is the back-story of so much great African music of the 60s and 70s. Happily, in this instance, Lokonon was tracking the artists down to offer them licensing deals, rather than to arrest them.

Where some purveyors of vintage African sounds seem to be strip-mining the continent’s musical heritage with no less rapacious intent than the mining companies and colonial authorities who previously extracted its mineral wealth, Samy Ben Redjeb’s determination to track this amazing music to its human sources pays huge karmic dividends. Like every other Analog Africa release, African Scream Contest II is illuminated by meticulously researched text and effortlessly fashion-forward photography supplied by the artists themselves. Looming large - alongside Lokonon Andre - in the cast of biopic-worthy characters to emerge from this seductive tropical miasma is visionary space-nerd Bernard Dohounso, who laid the foundations for Benin’s vinyl predominance by importing and assembling the record players that would play the products of his Bond villain-acronymed pressing plant SATEL, a company that would revolutionise the music industry in the whole region.

The scene documented here couldn’t have been born anywhere else but in Benin, and the prime reason for that was Vodoun. It’s one of the world’s most complex religions, involving the worship of some 250 divinities, where each divinity has its own specific set of rhythms, and the bands introduced on the African Scream Contest series and other compilations from the region were no less diverse than that army of different Gods.

African Scream Contest Vol.2

African Scream Contest Volume 2

Get The Record !

A Min We Vo Nou We // Les Sympathics (All Comments will be forwarded to Herman Laléyé, the founder)

ULTRA RARE NICARAGUA AFRO SYNTH FUNK MOOG SALSA LP

Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008, the proof was there for all to hear; gut-busting yelps, lethally well-drilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.

Ten years on, intrepid crate-digger Samy Ben Rejeb unveils a new treasure-trove of Vodoun-inspired Afrobeat heavy funk crossover greatness. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics’ pile-driving opener, it’s clear that African Scream Contest II is going to be every bit as joyous a voyage of discovery as its predecessor. And just as you’re trying to get off the canvas after this one-punch knock out, an irresistible Afro-ska romp with a more than subliminal echo of the Batman theme puts you right back there. Ignace De Souza and the Melody Aces’ “Asaw Fofor" would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-Nat-King-Cole-influenced lead vocal, it’s a total revelation. 

The screaming does not stop there, in fact it’s only just beginning. But the strange thing about African Scream Contest II’s celebration of unfettered Beninese creativity is that it would not have been possible without the assistance of a musician who had been trained by the Russian secret services to "find and destroy" enemies of the country’s (then) Marxist-Leninist president Mathieu Kerekou.
Already familiar to fans of the first African Scream Contest as a mainstay of ruthlessly disciplined police band Les Volcans de la Capitale, Lokonon Andre vanished in a cloud of dust at Ben Redjeb’s behest with a list of names and some petrol money, only to return a few days later having miraculously tracked down every single name he’d been given. The source of this Afrobeat bounty-hunter’s impressive people-finding skills - his training with the KGB - highlights the tension between encroaching authoritarian politics and fearless expressions of personal creative freedom which is the back-story of so much great African music of the 60s and 70s. Happily, in this instance, Lokonon was tracking the artists down to offer them licensing deals, rather than to arrest them.
Where some purveyors of vintage African sounds seem to be strip-mining the continent’s musical heritage with no less rapacious intent than the mining companies and colonial authorities who previously extracted its mineral wealth, Samy Ben Redjeb’s determination to track this amazing music to its human sources pays huge karmic dividends. Like every other Analog Africa release, African Scream Contest II is illuminated by meticulously researched text and effortlessly fashion-forward photography supplied by the artists themselves. Looming large - alongside Lokonon Andre - in the cast of biopic-worthy characters to emerge from this seductive tropical miasma is visionary space-nerd Bernard Dohounso, who laid the foundations for Benin’s vinyl predominance by importing and assembling the record players that would play the products of his Bond villain-acronymed pressing plant SATEL, a company that would revolutionise the music industry in the whole region.

The scene documented here couldn’t have been born anywhere else but in Benin, and the prime reason for that was Vodoun. It’s one of the world’s most complex religions, involving the worship of some 250 divinities, where each divinity has its own specific set of rhythms, and the bands introduced on the African Scream Contest series and other compilations from the region were no less diverse than that army of different Gods.

African Scream Contest 2

Get The Record

Glenon Ho Akue - Les Volcans de la Capitale

Vinyl available here : https://www.cdandlp.com/olivier-corre/fusiones-latinas/maxi-45t/r120352927/
Titre extrait du maxi 45t "Fusiones latinas" (KBress05). Guitare, basse, piano électrique Wurlitzer, percussions, mixage : Olivier Corre. Saxophone alto, saxophone ténor, flûte : Charlotte Méas. Saxophone baryton : Nicolas Scheid. Shaker : Mathieu Péqueriau. Timbales : Gustavo Ovalles. Mastering : Damien Bolo

Olivier Corre "Sudor y sonrisa"

Another edit, made some time ago, Fred Spider did an amazing job on this one. Cheers Fred! 

Mas Que Nada (Maxey & Fred Spider Edit)

Nickodemus &amp; Quantic featuring Hector "Tempo" Alomar &amp; the Candela Allstars. Recorded in San Juan, Puerto Rico 2005. 

Original & Reggae Remix available on Bandcamp
https://wonderwheelrecordings.bandcamp.com/track/mi-swing-es-tropical-by-nickodemus-quantic-ft-hector-tempo-alomar

Buy on itunes 

Mi Swing Es Tropical by Quantic & Nickodemus feat Tempo & The Candela Allstars

Here is a remix of "Pirasamba" tune made it for my italian friend DJ Farrapo. Is my contribution for their great "Alien Na Favela" Double CD & Digital Album released by Agogo Records (Germany, Sept 2012). Cover artwork by another friend called Pezao from Criolina (Brazil). Enjoy!

DJ Farrapo & Yanez feat. Cristina Renzetti "Pirasamba" (Makala Remix)

Vinyl available here : https://www.cdandlp.com/teacher-jekyll/otro-sonido/33t/r120352828/
Titre inédit. Production : Teacher Jekyll. Scratchs : dj Don's. Voix : Flaco Nuñez aka Flaco Pro (Orishas). Mastering : Antoine Demantké

Teacher Jekyll (feat. dj Don's) "Sacudidas"

Vinyl available here : https://www.cdandlp.com/olivier-corre/fusiones-latinas/maxi-45t/r120352927/
Reprise du morceau de Buena Vista Social Club en version reggae dub. Saxophone, choeurs : Charlotte Méas / Trombone, choeurs : Aïnhoa Da Cruz Miguel / Arrangements, basse, guitare, piano Fender Rhodes, melodica : Olivier Corre / Programmations, effets dub, production, mixage : dj Vas / Guitare : Franck Cadet

Olivier Corre "El Cuarto de Tula"

Vinyl available here : https://www.cdandlp.com/olivier-corre-feat.-dj-don-s/happy-jump/45t-sp-2-titres/r120352974/
Face A du 2ème 45t vinyle sorti sur le label K Bress. Basse, guitare, piano électrique Wurlitzer, programmations, production : Olivier Corre / Scratchs : dj Don's / Mastering : Antoine Demantké

Olivier Corre (feat. dj Don's) "Happy jump"

A collection of reworks and re-edits from 2007-2009.  Some new, some unreleased, and some previously released only on vinyl.

All songs Re-Edited, Programmed, and Re-Arranged by Yosaku
Mixed by Yosaku & Hossien
Mastered by Moonstarr
Vocals on "Malembe" by Bobbito Garcia
Additional Keys on "The Bottle", "Always There" by DJ Day
"Capu Funk" Written by Papiba Godinho
"Da Casa" Written by T-Bird & Stuart Silverstein
Vocals on "Da Casa" by Ernie Halter & Christa
Bass on "Da Casa" by Nate Mccoy

Bobeira

Memoria

Memoria (version intégrale)

NOVALIMA "Karimba" REMIX ALBUM COMING OUT JUNE 25th www.wonderwheelrecordings.com 

"Mamaye" by Novalima. Vocals by Sofia Buitron . Remix by Nickodemus. 

http://www.novalima.net/
https://www.facebook.com/Nickodemusnyc


Novalima "Mamaye" (Nickodemus Remix)

TAKE IT EASY MY BROTHER SMOOVE

1. Palov & Panama Cardoon - Vamos
2. Monetrik - El Carino!
3. Hammond Classics - Cumbiamba
4. Senor Griff - Cerro Rico

mastering: http://soundcloud.com/funkanizer , cover art: http://soundcloud.com/stelios_strong

Carnibal 007, Various Artists (snippet) Out 4/2 on Juno

Chanson tirée de l'album "Just hear" paru en 2008 sur le label indépendant d'Antoine Di Novi "Samourai Productions". Chant : Jornick Joe Lick / Guitare, basse, piano électrique, clavinet, programmations, production : Olivier Corre / Mastering : Antoine Demantke

Jornick & Olivier Corre "Racines"

Jazz & Milk Breaks Compilation Vol. 2

El Boom

The Snip - El Boom

Ninja Tuna

Stockport Carnival

01 The Sound Defects - Theme From The Iron Horse

Vinyl available here : https://www.cdandlp.com/teacher-jekyll/otro-sonido/33t/r120352828/
Titre extrait de l'album "Otro sonido" (K Bress 07). Production : Teacher Jekyll. Saxophones, flûte, choeurs : Charlotte Méas. Congas : Gustavo Ovalles. Mastering : Antoine Demantké

Teacher Jekyll (feat. Charlotte Méas & Gustavo Ovalles) "Titty Twister"

Finley Quaye - Shine

https://www.cdandlp.com/seller/1/9307/ocorre.html
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