10. In Gowan Ring - Hazel Steps

New Trinity Baroque's award winning recording of Henry Purcell's masterpiece "Dido and Aeneas" with Evelyn Tubb and Thomas Meglioranza in the title roles. Directed by Predrag Gosta.

PURCELL Dido and Aeneas - 01 Overture

Arvo Pärt: Fratres

From concert May 2015
Nordic Harmony (orchestra)
Are Sandbakken (concertmaster and leader)

Johannes Brahms - Concerto for violin and orchestra in D-major, op 77

Edward Artemiev - Andrey Tarkovsky's Solaris (1972) - 01 - Part I. Bach

Víg Mihály - Filmzenek (Music From The Films Of Bela Tarr)

Harang (Satantango)

Ennio Morricone Music with Piano (Original Film Scores) - Vol. 1 [Digitally Remastered]

Infanzia e Maturità - Childhood and Manhood (From "Nuovo Cinema Paradiso")

Guest conductor, Marcelo Lehninger, leads the New England Conservatory Philharmonia in a performance of Haydn's Symphony No. 88. Recorded live October 26, 2011 in NEC's Jordan Hall.

Haydn: Symphony No 88 in G major-  Finale  Allegro con spirito

John Dowland (1563-1626), Flow my tears

Chantal Santon-Jeffery, soprano

L'Achéron
François Joubert-Caillet, Marion Martineau, Lucile Boulanger, Andreas Linos, viols

Recorded live in Angers the 9th october 2012

www.lacheron.com
https://www.facebook.com/ensemble.lacheron

John Dowland, Flow my tears

Cappella di Santa Maria degli Angiolini, Gian Luca Lastraioli
Recorded in January 2012
"Francesca Caccini: Maria, dolce Maria – Sacred and Secular Songs" © 2013 Brilliant Classics

Cat.No. 94461
EAN: 5028421944616
Review in German: http://de.brilliantclassics.com/?p=3048



Francesca Caccini: Ciaconna

Philip Glass kreeg ik niet opgenomen met de midi, omdat het pedaalgebruik weggefilterd werd. Hier een live-opname met ouderwetse microfoons en daarmee niet het vervelende mechanische midi-geluid. 'Nadeel' is wel dat er achteraf niet meer mee te knoeien (lees: corrigeren) valt en de opname in één keer goed (genoeg) moet zijn.

I couldn't record Philip Glass with midi, because the pedal work was filtered. That's why this is a live-recording with old-fashioned microphones and with that not that annoying midi-sound. Only disadvantage is that I can't correct any disturbance; the record must be good (enough) in one take.

Philip Glass - Piano Etude 1 - live

In Greek mythology Acheron is the river that Orpheus crossed to rescue Eurydice from the underworld. As its name implies, L’Achéron wants to open a path between two apparently opposed worlds: that of the living and that of the dead, the past and the present, idealism and reality.

Created in 2009 by François Joubert-Caillet, L’Achéron brings together a young generation of musicians from the four corners of the world, united around a shared vision: to rethink the accepted tenants of ancient music interpretation while making it more comprehensible for today’s public.

L'Achéron's formation varies depending on the musics it performs, the viol consort being its form of predilection. 

Based in Luxembourg, L’Achéron has been invited to participate in numerous festivals and musical seasons in Europe (Belgium, France, Germany, Lithuania, Luxembourg, Malta, Poland, Romania, Switzerland, etc).

L’Acheron records with Ricercar who produced its’ first CD dedicated to Anthony Holborne, “The Fruit of Love”, received with enthusiasm by both public and press. Their next CD, Samuel Scheidt’s “Ludi Musici” will be available autumn 2015.

John Dowland, Flow my tears

L'Achéron

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