Cardistry

Bad Snack EP

Mueviti

Gasoline

"It feels like at the moment, we're lost in the long dark tunnel. Plenty of dance music seems to operate in a revivalist form, within a regression cycle, it's hard to pinpoint the exact sound of "now" without it referencing other points in history.

"We're trapped in 20th century culture on higher definition screens", poses Mark Fisher in a seminal lecture, and thus, exposes Berardi's concept of the Slow Cancellation of the Future. "Nothing ever really dies, but that's not good". In 1992 it was impossible to imagine the shape of music 6 months into the future, so why are we now constantly going back to these genres?

My aim with this release was to try and participate in the legacy of the Hardcore Continuum within the sonic context of the current world. A hyper-online, overstimulated landscape where our attention is constantly invaded by notification after notification, stimulus after stimulus. I try to materialise this by reshaping sharp noise into pulse, genre staples like the breakbeat get torn apart and forced into a brand new skeleton, and riot-invoking grime chants are repurposed into music set for a bleak now. Jungle, Dub, Grime, Garage, they are all present here, but the heavy gravitational pull of their legacies presents to me as a black hole I've tried to encapsulate in this EP.

Why is the future vanishing?"
—Pépe

Grane Drum [YUKU]

With her EP „LAZY“, PRIMETIMEGABI puts the focus on her roots and presents her musical debut on YUKU in an unexpected way with halftime and doubletime beats that are underpinned by a journey through dreamy nature. 
Produced with machines, the sound of the L A Z Y EP is dominated by bass-heavy kicks, authentic percussions with drive and a laid back coolness.

In keeping with her way of not taking herself too seriously, she plays with rhythms, breaks & melodies that don't lose any energy even though they are partly half-time.

The energy is real - keep it simple.

Buy on Bandcamp

BRAMBLES

Label founder Phasmid returns to Taipan with 'Immersions' - a collaborative project that sees him work with a lethal cohort of producers from throughout his international tour.

Four moody, menacing club tracks that fuse mind-warping sound design with standout bass weight.

Phasmid, Noneohone & Igswan - Third Party [TAIPAN TRAX]

Bassweight Nostalgia Vol. 2 is the latest instalment in Debba’s ongoing 2-tracker self-release series showcasing nostalgic club tunes built for late-night sound systems. A continuation of last year’s Volume 1 featuring two peak-time tracks, Volume 2 builds on the development of Debba’s recognisable sonic identity. In the works since early 2025, the EP is stripped but weighted, with warm subs, ghosted vocals and swinging UKG-influenced percussion.

1. Debba ‘I Don’t Know’

Rumbling subs, tight percussion and scattered vocal fragments in a 4/4 club tool that unfolds patiently and heavily, featuring a trademark UK Bass switch up midway through.

2. Debba ‘In My Heart’

A more direct stepper with pitched vocal hooks and UKG swing, balancing melancholy with a heart-thumping low-end. A gentle nod to the title track Just Wanna from last year’s 4-track EP on Madam X’s Kaizen.

In My Heart

Phasmid & miaaa - Lost Myvi [TAIPAN TRAX]

Traction Control - Mirkwood - SIRDUB009

Sir Dub Muzik proudly welcomes Traction Control to the family with his haunting debut, Mirkwood EP — a two-track descent into dense atmospheres, stealthy subs, and ancient echoes.

Opening with “Nafas”, Traction Control guides the listener through a cavernous mist of meditative breathing, tribal percussion, and dread-soaked basslines. The tune balances hypnotic minimalism with creeping tension, like the slow exhale of something watching from the woods.

On the flip, “Eternal Eye” (a collaboration with I.T.Z) offers a ritualistic counterpoint. Drenched in eerie textures and spectral vocal fragments, the track spirals into mysticism — eyes open, pupils dilated, locked into the unseen.

This release isn’t just music. It’s a passage. A torch-lit journey through the shadows of Mirkwood — where dub’s deepest roots twist into the future.

All tracks written & produced by Ahmad Danial Iman
Mixed & Mastered by Jony
Graphic by Traction Control

Bandcamp: https://sirdubmuzik.bandcamp.com/album/mirkwood-ep-sirdub009

CAT NO: SIRDUB009
Release Date: 1 August 2025
Sir Dub Muzik 2025

linktr.ee/sirdubmuzik
linktr.ee/tractioncontrol
https://soundcloud.com/Tractioncontrol
https://trctioncontrol.bandcamp.com

All Rights Reserved

Mirkwood

Eternal Eye

buy x

Fall Faward

*asterisco004 marks the end of our first cycle.
Four releases of bold experiments and sonic detours.
Now the vision is clearer.

“Sciankato” by HLRTY walks with a limp. Uneven, broken, shifting into 2-step. Its path isn’t linear, but every step matters.

We still believe in minimalism as resistance.
We still believe in club music as ritual.
We’re just getting started.

https://linktr.ee/__asterisco

HLRTY-Sciankato

Sinking Straight

"DD India is trippy af" - some dude called nishant

doordarshanti

the original one had some strange impact on my childhood

making more stuff soon

music video: https://www.youtube.com/watch?v=cmc9Lm_hkZA

chandanyat

@ranaghose sent this on some fb group and i flipped it

happy birthday to me

cocacola

this was lying on my pc for some months idk i love the original to bits and i think i destroyed it but hey i feel a little better now so whatever

yeu kashi priya??????????

@sparkleandfademusic sent me this sample. soundcloud is spazzing right now. i love soundcloud. fuck soundcloud.

Sinking Straight

Lacuna

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Zenguin Official

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