Holy shit. Feel like crying and dancing at the same time.

Panorama Bar  - Part 1

Kenlou (Masters at Work) - The Bounce

Chez Damier & Stacey Pullen - Forever Monna

20 Fucking Years Of Planet E: We Ain't Dead Yet

Dem Young Sconies

Boo Williams - Piano Trance

Buy on beatport: http://goo.gl/eNOcT1
LARGE MUSIC CLASSIC! 
Large Music has reached a milestone; we are pleased to present our 100th release. Who better to share this honor with than our ambassador of deepness, Kerri Chandler Kerri promised to do something special for us when we got to 100 and he was he right. Kerri pulls out all the stops on this one. Return 2 Acid features Kerri with a powerhouse tribute to the glorious days of Acid House. Return 2 Acid features driving beats and keys with an incessant 808 acid line to drive the floors crazy-this was a big hit this year during the Miami Music Conference. Kerri going old-school, this time with an electro Afrika Bambaataa influenced jam entitled Planet Sonic. Its time to break out the cardboard, polish up the Adidas and start poppin'! 

Buy on Beatport

LARGE CLASSIC: Kerri Chandler | Return 2 Acid (2005)

1ØØ1, After Kollaps & Gisella Engel-Hollow Sleep (Feat Parallel Forms)[Mellon Place Records]

Gustav Ahr's Album

the last thing i wanna do (prod. smokeasac)

Skatebård (aka Bård Aasen Lødemel) is warmly welcomed back to the Bordello. Following 2013´s Love in the Night comes a 12” of quite a different hue. Colour Negatives collects three brand new tracks from the Digitalo founder. The late night rave funk session of “Fujicolor Pro 400H” spikes and spins on beams of concentrated energy. Those same infectious hooks dawn into the flip. “Agfachrome RSX II” is bright, clean and joy filled; Skatebård delivering pure goodness to nurture any bodies beginning to flag. Paranoia and the break of day enters with “Kodak Portra 800”, a minimal two stepping demon that cuts like vinegar. Shape shifting synthesizer sounds from an artist who simply ignores genres.

https://bordelloaparigi.com/artist/skatebard/

Vinyl still available on juno!
http://www.juno.co.uk/artists/Skatebard/

AGFACHROME RSX II

Not much info on this one. Trust your head & your heart!
"Paraíso '89" from the short-lived group Azura. This mysterious gem finally sees the light of day!
Crashing waves (check). Sexy nylon licks (check). Cheeky chimes (check).
Big dumb grins on the dance floor! Essential breezy Balearic biz!
Tasty Mediterranean flavors. A joint on the beach w/ friends.
Eyes closed, head in the sky...

SIDE A

Paraíso '89     (7:51)

Produced, Mixed And Edited by Azura
Mastered by Dietrich Schoenemann @ Complete Mastering

LABEL: WORLD BUILDING
CATALOG: WB 005-12
ARTIST: AZURA
TITLE: PARAÍSO '89
PUBLISHER: WORLD BUILDING MUSIC PUBLISHING (ASCAP)
COPYRIGHT: WORLD BUILDING, INC.

AZURA - Paraíso '89

Released on FLEISCH, 2017
Purchase: https://schwefelgelb.bandcamp.com/album/den-umgekehrten-atem

Den Umgekehrten Atem

Im Wasser

Cat-No: F//008
Kontravoid - Undone

One can imagine, listening to Kontravoid’s latest release, an alternate reality in which the cold-war played out to the background of drum machines and spectrographs, sinister audio technology manipulating a hidden frequency of the world’s unfoldings. Cameron Findlay returns to his masked alias for the first Kontravoid release since his debut self-titled album, years in the studio reap their rewards as the production on ‘Undone’ effortlessly cuts its way through hypnotic dance floor compositions.

‘Hold Nothing’ implements perfect song structure, with precise breaks, ferocious snare builds and simple repeated vocal phrases enveloping the main groove in symbiosis. A playful criminality sets the mood of the record here, one for pouted lips and furrowed brows on bunker, basement dance-floors.

‘The Last Thing’ is a straight forward dance floor stomper, arpeggiated synths batter the listener like blunt instruments, locking the body in a rhythmic cell, dissonant, steam whistle drones contrast with gurgling, radio transmission synths to shift the balance of the parts from uplifting wooze to downcast dance automaton.

‘Not Your Dream’ opens with a moment of primitive, science-lab techno, echo laden vocal jabs open the door to new-beat territory while the synth lines swing between pure rhythm and hypnogogic, alley-chase sound track, clocking in at seven and a half minutes, this is another track destined for synth-wave, dance floor greatness.

‘Undone’, the self-titled track from the release focuses on softer-synths and pads, still motivated by driving drums and percussion, the vision of a lone, masked figure emerges, cutting a path through mud and snow, factories half submerged in some destroyed, industrial miasma. Muttered vocals set a strict grounding to the piece, keeping the track from escaping into sentimentality, layers of cold synth melodies artfully weave between percussive crescendos as radio static crackles distantly.

As a natural companion to the record Schwefelgelb close with a remix of ‘Hold Nothing’, where the percussion is stripped back to its bare necessities and the synth parts are sliced down into even more pointed arpeggiations.

With his concrete approach to song writing and bear-trap grasp of dance floor composition, Kontravoid cements his reputation as one of the stand out voices in the current new-beat, synth wave scene.

Tracklist:
A1 - Hold Nothing
A2 - The Last Thing
B1 - Not Your Dream
B2 - Undone
B3 - Hold Nothing (Schwefelgelb Remix)

B3 Kontravoid - Hold Nothing (Schwefelgelb Remix)

Slow and smooth build up with an intense but mellow peak that just goes on and on. It fills you with empathy and intense sensation heightening. SWIM smoked a joint halfway through and melted into the couch. It’s perfect for a rolling party with a group of friends, though SWIM imagines it would be great for a proper party too. Sometimes SWIM felt like dancing, but spent most of the time staring into space. This is really nice, intense, smooth and mellow. Get ahold of these if you get the chance!

Note: Your experience will vary depending on your settings. If you're in a bad place with bad people, you won’t feel a thing.

Chaos In The CBD - Green Dove

Taken from the forthcoming 2LP "Ahead" on Medical Records
MR-083

Belgium based Luminance continues to build his multiverse and embarks on a journey towards the infinite, meandering through a melt of genre-defiers best likened to darkwave/EBM/ambient/industrial/dark electro. Seeking in his roots and influences, wich include psych, ambient, black metal, krautrock and mixing it with modern shapes of synth music, the artist crafts a extremely intense second full length. This double LP has been slowly evolving in the artist’s mind over the last few years and offers 10 truly manifold tracks as saga panels to guide us through the passage of existence.

Luminance "Essentialize"

Derrick May - (A) Sueño Latino (Illusion First Mix) [Buzz 1992 ‎– BZZXL 106071]

Pick Me Up Off The Floor

You Don't Know (Live From Home 7/16/20) [feat. Sasha Dobson]

Following her astounding 2017 record "Dusk & Dreamland", System Olympia is back with another profound EP. 
Heartbreak - in between notes of resilience, fierceness, hidden strength, and ultimate love for life - shapes the four songs in “Under My Eyes”. 
Out on the Italian imprint Slow Motion. 
My Lincoln : Written together with DXJX, an upcoming, talented and mysterious producer from Los Angeles, CA. It's a song that subliminally talks about the difficulty of deciphering life sometimes (and all of what's inside it). The distance created by lack of communication. An ocean of tears. Digging the Earth for crystals and looking for signs in the stars. Surrendering to a universal confusion, and the ultimate freedom of allowing ourselves, to be ourselves. Disappearing forever. The eternal life of its own of the creations we leave behind. 
Jade Stones : The intoxicating feeling of a dark dance floor that transcends time. 
Nessuno Mi Ferma : No one can stop me. Survival instinct kicking in through the primordial rhythms of a 4/4 signature, and some chords so warm that feel like naked hugs coming to save you. 
Low-Fi Space Cowboy : Elliott Yorke and his collective vibration resonance. Other-worldly light breaking the sky on a cloudy afternoon.
credits

Derrick May - (A) Sueño Latino (Illusion First Mix) [Buzz 1992 ‎– BZZXL 106071]

DetroitPlease

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