Hungur (d3m0)

Flight of the Condor

Clash Of Clones

nú stormur gengur yfir
og þú slepptir af mér taki
segir ekkert við mig
sem gæti leitt mig til þín

ég stend í sömu sporum
sem þú skildir mig eftir í
reyni' að ganga áfrám
en hræðist hvert ég fer þá

finndu mig að sumri
geislum umvafin
finndu mig þegar vetri er lokið

var það eitthvað sem ég gerði?
þegar haustið varð að vetri
ég vissi ekki betur
og það skipti engu máli

finndu mig að sumri
geislum umvafin
finndu mig þegar vetri er lokið

þá munt þú sjá mig
í fullum blóma
og óska' að þú hefðir aldrei slept mér

finndu mig að sumri
þá munt þú sjá mig
geislum umvafin vetri er lokið

finndu mig þegar vetri er lokið (voice memo demo)

Mit Regina Lynch, Internationale Präsidentin von KIRCHE IN NOT (ACN), und Pater Dr. Anton Lässer, Kirchlicher Assistent.

Aufzeichnung von der Jahresauftaktveranstaltung von KIRCHE IN NOT in Köln am 3. Februar 2024.

www.katholisch.tv
Mehr: https://www.kirche-in-not.de/allgemein/aktuelles/jahresauftaktveranstaltung-in-koeln-2024/

Gebet: Das Charisma von KIRCHE IN NOT (mit Pater Anton Lässer)

What if some of Univision's old station IDs had more emphasis on their 4-note jingle?

I brought back some of the most memorable station IDs from the Hispanic broadcaster Univision in the USA, which are the ones that they used during the 2000s to the early-2010s, called the "White Space" IDs or bumpers.

I decided to try using some of these IDs from that TV network, although with their signature 4-note jingle more emphasized by the musical instruments and presets from Logic Pro heard here, which in each one of these IDs, they play the Univision melody during some points on the music track, depending on what they were going for around this time.

[MONTAGE] What if some old Univision IDs had more emphasis on the 4-note jingle? (Part 2)

Cats In The Garden

Because it is that love-filled time of the year (and Laufey just won a grammy!!!) I thought I would share one of my songs from last year’s Christmas stream: Lovesick, by Laufey ✨

I’ve gotten into the habit of sharing a short message with the songs I select— why they are part of my repertoire, what they mean to me. I believe context is crucial for the enjoyment of anything, especially music. 

For pacing purposes, it was too long for me to include in my music video, but I am including the transcript here for those interested.

Happy Valentines everyone!

Find more of my music at:
youtube.com/@jkasturias

Socials:
instagram.com/jkasturias

“So this [next song] is called Lovesick. I think it captures a particular mood, a kind of warm feeling in your heart [that] captures you and captivates you— I think this is exactly what I felt this year especially, [that] when I [first] heard this song from Laufey, [I thought] “yeah. That’s exactly how I feel.” 

Let me quote this particular line actually:

‘Getting twisted in my head,
Dreams are nightmares in my bed,
Since the last night I spent with you.’

Ewan ko kung anong meron sa pag-ibig, pero minsan, there is a particular intoxicating factor that comes with it, and [I really felt that] this year.”

Lovesick - Christmas Stream 2023

Every once in a while I come across a Band-in-a-Box style that I just have to jam with.  This is one of those styles.
I am playing the guitar and via my breath and keyboard controllers the tenor sax.

Just Having Fun

check out - The Windscale Blues Experiment - https://soundcloud.com/windscaleblues

Sultry [Cyclone Mix] (collab with: The Windscale Blues Experiment)

ég hermi eftir snertingum þínum 
bara sammt með mínum egin höndum
en mínar hendur líkjast ekkert þínum
ég held sammt í mig sjálfa líkt og þú

öll þau svör sem ég mun aldrei fá að heyra
og hliðar sem ég aldrei fékk að sjá
en tíminn gengur aldrei tilbaka
þó mér finnst þú líta á mig eins og þá

allt sem var og ekki var
þessi á rennur til sjávar

ég geymi allan sjóinn bakvið augun
hann svellir sig við augasteina bakka 
og þegar það er ekki lengur fjara
hann flæðir allur niður mína vanga

allt sem var og ekki var
þessi á rennur til sjávar
allt sem var og ekki var
þessi á rennur til sjávar

þessi á rennur til sjávar (voice memo demo)

Flowing along
changing its colors
a soap bubble.

Takashi Matsumoto was a Japanese poet originally from Tokyo. Born into a family deeply interested in nō theater, he also devoted himself to it in his youth until 1921, when he came into contact with Hototogisu magazine and haiku poetry. Beginning the following year, Matsumoto became a student of Takahama Kyoshi. In 1946, he launched the magazine Fue 笛 ('The Flute').

Flowing along changing its colors (naviarhaiku533)

er að læra semja lög með því að semja fleiri og þið fáið að heyra þau. næstum tónskáld með leyfi.

þessi á rennur til sjávar (voice memo demo)

Laglegt

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