"I Wanna Be A Superstar Vol. 1" is a compilation featuring 11 tracks by members and friends of the CRTTR collective. 
>> Side A focuses on sonic exploration throughout various types of ambient, drone and spoken word. Different types of instruments including distorted guitars, synthesizers, voice and lots more are used to create new worlds. 
>> Side B features more rhythmical and club-oriented tracks. Starting from glitchy beats and lovely chords and ending in bass-heavy bangers created for the dance floor. Always with an ear for sounds and rhythms that go beyond standard party mechanisms.
credits
released April 8, 2022 

>> Mastering by Benoit Piccand & Tobias Lanz 
>> Artwork by Jost Zeindler (jostzeindler.ch) 

<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3

Yotah - No Time To Waste

For this second release Soleil Rouge focuses its attention on Jonnnah, one of the key artists since the creation of the project. After a versatile first release on Worst, the artist continues his creative process in the same line. The sequence of atmospheres and landscapes on this album was conceived as a journey into the psyche, more specifically as an analysis of the depressive state and the healing process. Jonnnah recreates familiar feelings and memories and writes an abstract story to allow the listener to interpret. 

"Terra Incognita" introduces us through a phase of doubt and leads to a loss of orientation, then the feeling of anxiety is explored before arriving at "Sounds of Silence" where energies are transformed, the following landscapes allow a slow reconstruction to close this metaphorical journey with "Enter Paradise". “Poppy's Star” was co-produced with French artist Tryphème, whose work was a source of inspiration in the creation of Jonnnah's universe. The fusion of their sound results in a sentimental 80’s pop atmosphere, that is characterized by heavenly sounding delay processing as well as the melancholic voice of Trypheme. Throughout the quarantine, the artist and his father (also a musician) set up a daily artistic ritual in order to use this interlude to promote their common artistic creation, from this sharing was born the track “Young Man, Old Boy”. 
This album takes us through interludes of gritty noise, melancholic pop, avant-garde experimental music and powerful bass music. The artist treats each of these sounds with the same ethereal and melancholic layer creating a link between the atmospheres of his narrative.

This album marks the birth of the Jonnnah artistic entity, right down to the creation of a physical appearance conceived in collaboration with designer William Mora. The two artists worked together to create a series of masks that draw on intimate visuals from the history and culture of Jonnnah. The various masks were conceived as ritualistic costumes for the upcoming performances, participating in the creation of an alter ego between mysticism and chivalry.


Crédits
Music by Jonnnah, Tryphème, Apple Bun
Lyrics by Tryphème, Christine Denamur
Hood art, tape art and design by William Mora
Hood manufacture by Karine Vazeille & Florence Galvao
A&R Marie Desseauves & Antoine Odin

limited to 50 tapes.

Jonnnah • Voices From The Bank

De​-​Constructed by Tzii [Night On Earth]

https://noe23.bandcamp.com/album/de-constructed

Tzii - لحياة جميلة (dcnstrctd by Catherine Danger)

The fifth transmission on BRUK comes from Chewlie, a breakthrough artist from Switzerland adept at sculpting tense, sharply defined atmospheres with eerie amounts of space and dreadful amounts of bass. Following up on her 2022 Creature LP for YUKU, this eight-track deep dive explores nervous hallways of dislocated rhythm with a UK soundsystem attitude and a subtle but striking approach to sound design.
 
In contrast with the strident melodic tones of Creature, Chewlie demonstrates her versatility as a sonic artist (alongside her established work as a graphic designer). Understated moodiness is the key here, resulting in powerful heads-down immersion heaters with stand-out moments to make the floor fall in line amidst meditative, patient pauses in between. In the field of leftfield dubwise club music, Chewlie’s voice strikes out with purpose and poise, slotting into the firmament of BRUK as another natural misfit in the many-sided bassweight landscape.

Chewlie - Blass

Il était une fois l'histoire d'un bulot, à qui l'on proposa une simple mayo. 

Son nom était Killog, roi des mers, de la tempête et des abysses. Il aimait le parterre, la trompette et la glisse. Avec les bavoux du coin, il se retrouvait tout les matins devant la terrasse du Calicoco pour une journée de de style entre gastéropotes. Pour accompagné cette session pleine de tricks, Kill apportait toujours sa bonne compil' pleine de tracks. Un gros mélange de sonorités décrit par le vieux buccin du village comme « Une variation de hits bourrés de hats tentaculaire auxquelles s'opposent le son de basse à la texture caniculaire. Un assemblage de glitch noise par des mollusques avisés, des breaks déstructuré pour des voisins en manque de fiouls, du club de fêtard dopé au tempo. » Il ajoutait également que « cette musique sample le combats contre les cycloptères sournois d'en haut et leurs milices de crustacé.
On peut y entendre des expérimentations sonores et électrique, des phases hétérogènes pour djs en panique. » 

Et sur ces paroles, il regardait les coquilles partir en chantonnant « Pas le temps de boire la tasse ».

BULOT RIDER, sortie le 18/09/2023.

ARTIST : @travauxpratiques

MASTERING : @a-sim1988

RELEASE BY : @armencrewassociation @garage83c @lagrandegudule

COVER : cocomag29 (https://www.instagram.com/cocomag29/)

PRIX LIBRE

PREMIERE: travaux pratiques - Niouyork (BULOT RIDER)

fabuleux hommage à Toto Cutugno décédé cet été

Toto Cutugno - L'italiano (edit Chantage Goyave)

Artists on the rise freq444 provide a super sharp yet dark halftimey version of their First Contact with this VIP, incorporating loads of gritty basswaves and sporadic breaks.

VIP VA

Freq444 - First Contact VIP

@microhm - Desvanecer
Label: Infinite Machine
CAT#: IM108
Format: Digital
Release: January 26th, 2024
Mastered by @imaabs

One day I dreamt that you were no longer here.

Desvanecer–the latest EP from Mexican artist Leslie García aka Microhm–takes a glimpse into a world of abandoned spaces, hollowed structures; absence. Within the span of seven tracks, the artist explores the limits and crossovers between noise and ambience, utilizing rhythms of the Latin diaspora to conjure an electroacoustic future.

Among these compositions, such as nine-minute long "Nostalgia," Microhm combines colorful airy patches with droning atmospheres, melding the elements through hypnotic percussive rhythms that slowly unfold and retract–sometimes disappearing completely. During the dreamlike sequence of "Nostalgia," movement is constant. Pleasant shimmers suddenly collapse into foreboding rumbles; night terrors. Ephemeral flutters of light tease the listener before becoming overpowered by deep incantations of harrowing emptiness. The fourth track, "Silencio Cómplice" seems to be cut from the same cloth, though perhaps leaning further into despondence. The arrangement begins with hard kicks pulsing in a minimal dancehall rhythm, while a heavy drone emerges steadily. Drums weave in and out, pushing back beneath the subdued dread that builds through the murky atmosphere. "El Despojo" is not far off, where snares march through fields of unsettling ambience and surges of noise.

Yet within this project, Microhm also demonstrates interest in a sound that is more soft-spoken, delicate. "Sueño Premonitorio" could more or less be grasped as a progression of five chords across the span of three and a half minutes. The track's minimal arrangement and organ-tones give way to the sensation of entering a sacred space, the confines of a holy building or enclave. While there is an undoubtable feeling of absence that is manifest within these five sequences–and present throughout the rest of the record–"Sueño" seems to humbly acknowledge and perhaps revel in this emptiness, inviting the listener to take part in the rite.

Through the course of Desvanecer's thirty-four minutes, García does not present us with one complete conclusion or vision, but rather trickles of insight into a preordained future, a world not far from our own. Each track is beautifully mesmerizing and uniquely introspective; a fearless gaze into a space where absence is not devoid of change. Desvanecer is perhaps a ritual bidding of farewell; but equally so, it is the welcoming of a time when there are none of us left.

Sin Despedirse

TRACKLIST
Oliver Oates – One Without
VOCES8 – Pyramid Song 
Manual – 1986
Black Sabbath – Planet Caravan 
Eartheater, Leya – Milky Eye 
Kelora – Forget Me Not 
Msylma & Ismael - The Lovers Creed 
Dj Shadows - What Does Your Soul Look Like , Pt. 4
Hysterical Love Project – Ionian Sea
Officium – Sainte Marie des Chazes 
Ayaz – Reprise
Uman – Ménestrel 
Headache – Beggining Of The End

Marouschlass - Dormir debout ~ 20.03.2024

"SONIC RESISTANCE. A Compilation For Rojava."


https://kashevtapes.bandcamp.com/album/ksh03-sonic-resistance-a-compilation-for-rojava



This is a call for maintaining the international solidarity with the revolution in Rojava. It is a musical interference against the imperialist war machinery, against capitalism. It is campaigning to raise awareness about the struggle of the Kurdish freedom movement.

This compilation of 90 tracks was put together to support the feminist movement in the autonomous area of Northern Syria. All proceeds from the digital sales will be sent directly to the ‘Foundation of the Free Woman in Rojava‘ (Weqfa Jina Azad A Rojava) which is one of the last women’s organization in the area.

Rojava established itself not only in opposition to the Turkish military regime, but also as a grassroots movement redefining the future of the region on its own terms. The Kurdish resistance is advocating for women’s equality, LGBTQIA rights, ecology, sustainability, and democratic confederalism. It has created its own strategies outside western political pressure. The Turkish invasion is not only destroying lives, but also extinguishes any hope for substantial change. The attacking army has superior technology and simply “more of everything” to suppress the revolution in the cruellest manner. We stand with the resistance in northern Syria and the people who defend their autonomy.

In the wake of being opposed to such an absolute violence, we asked ourselves what can we do to support this struggle? How can we engage our community and our skills to defend Rojava? We feel obliged to point out and continue the emancipating history of club music and how it has been connected to equality and freedom movements since the beginning. With the compilation we spread the idea of Rojava through our networks and on the other hand we try to redistribute resources. Although we choose to make music, sometimes very loud and noisy, we can never cease to listen and learn. The revolution in Rojava shows us how deeply entangled we are in postcolonial relations and motivates us to deconstruct existing conditions and structures. That’s how we understand being an ally.

Because the war against equality and freedom is a war against all of us. 


compilation: @kashev-tapes in cooperation with Oramics

NVST - Sankt Prex (Autohifive Under The Surface Mix)

Fareed's mutant dancehall morphs into violent jungle exorcism.

'BGSC2003' is out October 15th on Big Science Records.

Pre-order: bit.ly/2DjYtmg

@fareedmusic
@bigscience

Premiere: Fareed - Ruins [Big Science]

La nuit de la Grande Gudule #6 - août 2024
collectif mouvant
contact : collectif.lagrandegudule@gmail.com

PREMIERE: travaux pratiques - Niouyork (BULOT RIDER)

la grande gudule

Recent comments

Eendracht

Related tracks