I love the deeper meaning though! Its that people can have basically the same life but see it differently! it proves that attitude is everything:)

I'm the guy. I'm a girl but I relate to the guy

The juxtaposition of 'evil//rapture inside of me', is inspired! 

For all of you who dont know, this is from a series called Dr. Horribles sing along blog. Im pretty sure the song is a duet between him and a nice lady he likes who apparenly volenteers at a homeless shelter. Ive never seen it, but ive heard its good

favs

don’t forget to also check it out on youtube (need those sweet sweet views lol).
Out on Spotify/Apple Music August 16th!!

Art by @ExplorerEllio on twitter!

Waltz Of A God - frankie!!

the land I loved has turned into a death hole.

Death Hole (One Year Later)

Please Don't Make Me Choose

Mice Circus- Coraline Soundtrack

Mechanical Lullaby- Coraline

❗𝐍𝐎𝐓 𝐌𝐘 𝐒𝐎𝐍𝐆❗

Song Belongs To : Halfy & Winks ft. CG5

𝐘𝐎𝐔𝐓𝐔𝐁𝐄 :
Halfy - https://youtube.com/channel/UCAcgPXXH-wb4JGYL66ADt5A
Winks - https://youtube.com/channel/UCl7lRPqcU_9OCtOdEfYGQgw
CG5 - https://youtube.com/c/CG5

𝐈𝐍𝐒𝐓𝐀𝐆𝐑𝐀𝐌 :
https://instagram.com/halfyandwinks

𝐎𝐅𝐅𝐈𝐂𝐈𝐀𝐋 𝐌𝐔𝐒𝐈𝐂 𝐕𝐈𝐃𝐄𝐎(𝐒) :
Halfy Draws - https://youtu.be/Lz2tOyqTJf8
Winks - https://youtu.be/hShzELdpkGg

𝐂𝐆𝟓 𝐒𝐎𝐂𝐈𝐀𝐋𝐒
TWITCH - twitch.tv/cg5music
TWT - https://twitter.com/cg5beats
INSTAGRAM - https://Instagram.com/cg5beats

𝐀𝐑𝐓 𝐂𝐎𝐕𝐄𝐑 𝐁𝐘 :
@/drowsynra on twt



𝐋𝐘𝐑𝐈𝐂𝐒 :

Which side do I appoint as enemy,
what's truth and what’s a lie?
Maybe I comply with my own trust,
with my own mind, I'm my own ally
People hide their lies,
they hide the truth behind a smile and two eyes
I'll try convincing myself now as I write,
no, I’m not like them, I'm not the bad guy

I close my eyes and my thoughts
scatter all around throughout my mind
Do you hear them too? 
Is it me, or is it you? 
Deceits and shattered loving prove
that loyalty is nothing

Thousand empty pages filled with
a memory that's faded
Ink begins to splatter,
voices say it doеsn't matter, oh
Was I the one who- am I thе one who
became the one who I've spent
my life running from?
Memories, tragedies, guilty pleads
in my book that bleeds
Do not read (Oh-oh-oh-oh-oh)

Don't ask why you deny the fact
that you enact these chains you've
strapped onto your life
Allies can't rely on something or
someone who’s living a pure lie
Strings tied,
pages signed with your own quill,
have you instilled this shrill in your mind?

Can’t hear it, must be you
Your mind's being used
Through red and green,
can they see all you’ve ever know is nothing?

Thousand empty pages filled
with a memory that's faded
Ink begins to splatter,
close your eyes, it doesn't matter, oh
Were you the one who- are you the one who
became the one who you've
spent your life running from?
Memories, tragedies, guilty pleads
in your book that bleeds
Do not read

Eccedentesiast, if you gain a favor, take it
Never give one your trust
(I don’t wanna know, I don't wanna know)

Leave no trace of what you've done
(I don't wanna remember anymore)

Never reminisce or you'll lose everything you've earned
(Ninety five, ninety six, a hundred, thousand, million)

Never give one your trust
(My curiosity got the best of me)

Tell no one of what you've done
(And now there are ninety three)

Ninety three
(There's ninety three reasons )
You should be—
(I should be—)

Oh-oh-oh
Oh-oh-oh, oh-oh-oh-oh

I was the one who- I am the one who
became the one who
(You were the one who- you are the one who
became the one who)

I've spent my life running from!
(You've spent your life running from!)

Memories, tragedies, guilty pleads
In my book that bleeds
(In your book that bleeds)
Do not read

Empty Pages︱halfy & winks︱ft. CG5

Leave From The Vine

-Other Fathers Song- Coraline 2009

Curses

Bruno Coulais is a French composer, born in Paris on 13 January 1954. He has a father from Vendée and his mother is an Iraqi Jew. He is most widely known for his music on film soundtracks.

Coulais began his musical education on the violin and piano, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais was particularly influenced by director François Reichenbach, who asked him in 1977 to write the soundtrack to his new documentary Mexico Magico. The first full-length production he composed the score for was the 1986 film La femme secrète by Sébastien Grall. Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal’s 1992 film Le petit prince a dit, and Agnès Merlet’s Le fils du requin in 1993.

In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière Esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le comte de Monte-Cristo, Balzac, and Les nuiteux.

The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos. This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music. In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique. His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais’s name was to be found on most new French blockbusters, such as Belphégor and Vidocq.

After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton’s group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber’s film Don Juan in 1998.

In 2002, his name was found on the ending credits of the animation L’enfant qui voulait être un ours, and in 2004, on Frédéric Schoendoerffer’s Agents secrets. The same year, he wrote the soundtrack to the film Les choristes by Christophe Baratier, which subsequently became an international hit. The music for this film received as great praise as the film itself, and it won Coulais his third César award. Since then, Coulais’s collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth.

Bruno Coulais’s musical style may vary significantly between different projects, but there are some constant factors visible: his taste for opera and for human voice (in particular that of children), for a search for original sonority, for world music and mixing different musical cultures, and finally, a certain tendency to give preference to the ambience created by lighting rather than the film’s narration.

Coraline Soundtrack Song  Exploration

Dreaming - Coraline Soundtrack

Ein Junge, der zum ersten Mal Hoffnung schöpft. Ein Teil meines Fanart-Projekts.

Dr. Horrible's Sing-Along Blog - I Cannot Believe My Eyes

Lakryma

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