Name: Fernán Castro - Ventanas (Original Mix) by Metáfora de los Sonidos
Duration: 3 min 43 s
Description: El sonido es una combinación de la captura del ambiente dentro de la caverna en Playa Ventanas de Osa con texturas electrónicas y un pad armónico. La idea fue mezclar estos elementos para escuchar la melodía de la ocarina encima.

Composición y Producción: 
Nillo

Letra y Voz: María José Marín

Master: Nathan Hall

Inspirada en la obra "Jaguar", del artista Juan Carlos Zúñiga.

© 2021, Nillo. Todos los Derechos Reservados.

+ @nillocr
+ @nathanhallmusic
+ https://randomcollective.bandcamp.com

Nillo con Majo - Oscurana (Version) / Jaguar

Rhythm and Roots presents ‘A Guide to the Birdsong of South America’, an compilation of music inspired by birdsong and a project fusing art with activism. We challenged some of South America's most talented young musicians to create an original piece of music inspired by and using the song of an endangered bird from their country.

The result is a beautifully diverse and rich album of fresh new music, fusing electronica with natural sound, folkloric rhythms with modern-synthesisers and precious singing with rich instrumentation. Each song tells a story and paints a picture of these magnificent birds.

Using music as a tool for change, 'A Guide to the Birdsong of South America' aims to raise awareness about the plight of these beautiful but threatened species, many of which are on the edge of extinction. It will also raise funds for those working to protect them. All of the proceeds will be donated to the Ecuadorian birding organisations Aves y Conservación and Fundación Jocotoco, two non-governmental organisations with the aim of ensuring the survival of birds and their vital habitat in Ecuador, one of the most rich countries for biodiversity in the world.

The album will be released digitally and on vinyl in March 2015 via Rhythm and Roots. It will be accompanied by a series of one-off illustrations and post-cards from the American designer Scott Partridge.

For more information see here: rhythmandrootsblog.com/label/birdsong/

For press photos, graphics and artists bios see here:
http://cargocollective.com/rhythmandroots/

Download

Matanza - Gallineta Chica

El sonido es una combinación de la captura del ambiente dentro de la caverna en Playa Ventanas de Osa con texturas electrónicas y un pad armónico. La idea fue mezclar estos elementos para escuchar la melodía de la ocarina encima.

Fernán Castro - Ventanas (Original Mix)

edit with samples of Respira(@mateokingman - 2016)

art: Cigarra
master: @luisa-puterman

Alcândora (Mateo Kingman revisited)

Yuxin preview!!
Haux!

download:
https://psilosamples.bandcamp.com/track/yuxin

HUNI KUINS Yame Awa Kawanai dance (degust / Amazonian splashdown)

Benjamin Vanegas’s lyrics in "Agua" tell the story of his own grandparents’ journey along the rivers of Colombia from el Pacífico to Esmeraldas.  Depicting the oral tradition of people living along rivers banks and how they shared their story's via canoes from town to town.  Communicating all kinds of news like the death of loved ones and other sorrows floating down with the current.   Also referencing Gabriel Garcia Marquez`s character "Francisco the Man" a sort of trovador in "100 years of solitude" who floated down the river singing songs, but in a context of the Afro-Colombia-Ecuadorian immigrant.

Agua EP

Rio Mira - Agua (Populous Remix)

Violeta del Carmen Parra Sandoval (born October 4, 1917, San Carlos, Chile—died February 5, 1967, Santiago), Chilean composer, folk singer, and social activist, best known as one of the founders of the politically inflected Nueva Canción (“New Song”) movement. In addition, she painted, wrote poetry, sculpted, and wove arpilleras (folk tapestries). Her best-known song, “Gracias a la Vida” (“Thanks to Life”), endures throughout the West as a beloved and poignant folk song.The voice of the voiceless.

¨Violeta, maestra, forclore, montaña;

cordón que sujeta la Tierra¨.

Mr. Toé - Arriba Quemando El Sol Edit(Homenaje).

01 Inti Nahual - Mazahua

Amapondo

IntiNahual - Amapondo (Original Mix)

An interest in ancestral Latin American cosmology has always run right through the music of Ecuadorian music producer Nicola Cruz. His creative process involves an attentive, careful search for the living roots and rituals that are part of South American identity—its Andean and African origins in particular—valuing its rhythms, its oral traditions, its instruments and the energy they transmit. His first record, Prender el Alma (2015) explored the development of the consciousness and spirituality, and how they connect with music. In Siku, his most recent production, Cruz continues this exploration, expanding his vision towards new stories and other cultures as sources of inspiration. A crucial aspect on this journey is his collaboration with other artists from around the world.

The siku is a wind instrument of Andean origin, highly symbolic in ancestral rituals, made up of two separate, complementary parts, the arca and the ira. It is a representation of duality, an essential element of the indigenous world view, associated with involvement and complementarity, far from the binary thinking typical of western societies. That duality is reflected on this record in the coming together of sounds, whether electronic or organic, past or present, local or global. On Siku, Nicola Cruz combines instruments with symbolic, spiritual connotations, such as the sitar, the siku, and the balafon with hints of electronica. Studies of the samba, cumbia and rhythms of African, Andean and Hindu origin are combined with Cruz’s characteristically unpredictable, mystical style.

Composición, Mezcla y Producción por Nicolá Cruz. 
Mastering: Mathieu Savenay

Balafón y Percusión: Marcio Pinto

Dirección de Arte: Orly Anan 
Fotografia: Jesus Zabala 
Diseño: Ventral is Golden

Nicola Cruz - Esu Enia (con Marcio Pinto)

Second VA album "Badarchin" from Baikal family

Badarchin means from Mongolian language wandering monk and in our meaning this is a dancing pilgrim who travels the world and searching for new melodies.
Big thanks to all 30 musicians that created these 24 amazing tracks for this special album! Enjoy 😉

Beatport pre-order link www.beatport.com/release/badarchin-vol-02/2811726

All income from baikalnomads.bandcamp.com will go to Baikal Nomads foundation (you can learn more about it on baikalnomads.org/foundation)

Thank you very much to the artists:  https://soundcloud.com/tebra-official , https://soundcloud.com/senoramusica, https://soundcloud.com/felixtapes & https://soundcloud.com/kurley , https://soundcloud.com/lev-tatarov & https://soundcloud.com/thomas-gaarthuis , https://soundcloud.com/rapossa , https://soundcloud.com/sadhu-sensi , https://soundcloud.com/theoddness , https://soundcloud.com/andrey-p , https://soundcloud.com/alexdoering , https://soundcloud.com/foxallmusic , https://soundcloud.com/deisenmusic , https://soundcloud.com/krautmusica , https://soundcloud.com/noblespirits , https://soundcloud.com/derrok , https://soundcloud.com/joe-carl , https://soundcloud.com/monvol , https://soundcloud.com/mula , https://soundcloud.com/na-t0 , https://soundcloud.com/amir-telem , https://soundcloud.com/da-iguana , https://soundcloud.com/omerarnanda , https://soundcloud.com/theogramal , https://soundcloud.com/dibidabo

Derrok - San Pedro De Atacama

¿Cuáles sonidos inspiraron la música precolombina de quienes habitaron el territorio que hoy conocemos como Costa Rica? ¿Cómo se idearon los instrumentos que los reprodujeron? ¿En qué prácticas cotidianas o de celebración estuvo presente la música? ¿Sigue viva la herencia musical de los pobladores prehispánicos en las comunidades indígenas actuales? 

La reciente exhibición de los Museos del Banco Central de Costa Rica, titulada La Metáfora de los Sonidos, invita a hacerse estas y muchas preguntas mientras se recorre una muestra de más de 60 instrumentos musicales arqueológicos que datan de los años 500 a.C. al 1550 d.C. Ocarinas, cascabeles, flautas, silbatos, maracas y sonajeros hallados en el Pacífico Norte, Sur y en el Caribe Central del país se pueden ver y escuchar en la exposición.

Como parte de este proyecto, se comparten en esta plataforma, a manera de banco de sonidos gratuitos, el registro sonoro de una muestra de 24 instrumentos de la exhibición para uso creativo de compositores y músicos del mundo. 

Fernán Castro - Ventanas (Original Mix)

Metáfora de los Sonidos

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