Such feel good and warm sounding mountain blues...and the bit in your notes about us all having different personas in different situations is so true...

Very, very good. Loving the acoustic blues chops.

Dreaming on Another Distraction

This one has been played at Relais des Plateaux in 2023.
Hope you enjoy it



Live Reflexion#034

I wrote this song 15 years ago for close friend and guitarist Elmer Stone. Elmer and I have collaborated on three songs on Soundcloud but this one is purely a tribute to him and the friendship we have shared for the past thirty-plus years.  It is also a memorial for his wife Bonnie who he lost two years ago. She was a core contributor to his music, life partner, and his best friend.
I am indebted to Mike Fox and Axel Meningen for taking my rough demo of the song and making it a broadcast quality production.  Thank you gentlemen for your time, talents, and belief that the song could be more than I could ever make it on my own.  Hear more of their amazing music @michael-fox-925325997 and @axel-m-501052973  
Good Ol' Boy
Lyrics:
He's a good ol' boy with his good ol' toys,
He likes a beer now and then.
He picks a guitar and dreams of going far,
Don't know the how, or the where, or the when.
The boys in the band play as hard as they can.
And they hitch their wagon to the star,
Of this good ol' boy, this good ol' boy.

He keeps house with his wife, the love of his life,
The kids are all grown and gone.
By the gray in his hair you can tell he still cares
'bout the things that are right and wrong.
And the question comes does it get better than this,
A hard days work and a goodnight kiss,
For this good ol' boy, this good ol' boy.

Bridge:
Well it hasn't been easy, no it's never been easy
But he keeps on keepin' on.
And what hasn't killed him he finds a way
To put into a song, 'bout this good ol' boy
This good ol' boy.

Instrumental break, repeat bridge.

He's a good ol' boy with his share of joys,
And his share of the cares of this world.
When it's all said and done, and his race has been run,
And he rests in the arms of the Lord
Of this good ol' boy, this good ol' boy.
Instrumental to the end.

Good Ol' Boy (Mike, Axel, David)

'Never Too Late' is an easy listening Jazz Fusion Track

Dont Smudge The Ink

Never Too Late

i’m already 
goin’ down
to the end of the story now
wind is blowing
to the end of the story now

come away   come away

time is bending 
drifting down
spin the hourglass all around
pulverize it
spin the hourglass all around

i’m comin’ after 
i’m comin’
i’m unembodied
i’m free

i’m already 
leaving town
train is rounding the mountain now
got my ticket
train is rounding the mountain now

come away   come away
---------------------------------------------------------------------------

image from Malcom Shadrach via Unsplash


Quietus

Dusted off the trusty old Volca Drum machine to create the beat for this one. In years past I used it quite a lot, including on many of the early Smoking Trout tracks, but it had been a little while. I'm also continuing to experiment with longer stretches of guitar, and incorporated most of the synth arsenal on this one. This was kind of inspired by reading the news here in the US, a strange mixture of depressing and ridiculous weirdness haha.

End Time Blues

Well hello. Here’s some rustic Mountain Blues, played on extremely oxidized guitar strings, with me hollering from the mountain top. Hahahaha. The song hints at a personal authenticity, and the experience of possibly unraveling any prior conditioning (Pavlovian or otherwise) that may constrict our lives in some way. It’s also about the different personas we portray to the outside world. How we may act at work, or on a first date, or with our spouse, or kids, friends, enemies, those who hurt us, even our stage personas comes into play…. So this song is asking a lot of us. In other news, right now in June, the mountains are snow covered and it froze last night. That is late spring, early summer here. Gardenwise, this year, I am planting a lot more Brassicas: Kale, Cabbage and Broccoli, and they are growing well. I am going to try to fence off the carrot/beet beds, as the voles always eat more carrots and beets than I ever do. Onions, leeks and garlic have been growing since March. I transplanted 50 lettuce plants I grew from seed that I saved from last year’s lettuce. The berry bushes and fruit trees have really blossomed this year. There are squash, cukes, tomato and pepper plants inside by the window, to be transplanted outside next week, quite a mess… all of which keeps me busy…. Hahaha. Thanks for dropping by, hope you’re well, Mark

'Round Here'

we can get distracted by flashing lights,spectacular presentations,glitz and glamor ...It is important to seek out things/people/leaders with real qualities not false promises and slick pandering
lyrics

giant rosebush blood red bright
lilac tree deep purple delight
spectacular to see for sure
but what interests me the more
are the tiny flowers that you see
growing in the grass singly
not loud not bold not flashy not sassy
It doesn't take much to make them happy

flashy dresser latest styles
manicured nails and botox  smile
glitters in the dim daylight
attracting many to his site
but what I want, what I seek
is not someone that just throws off heat
but instead is simply warm inside
who doesn't need glitz and glitter
to be satisfied

like a moth drawn to a light
we often seek the cheap delight
and gather around in mindless worship
of something that it truly worthless
so when you choose a light to follow
be sure its source is not bare and hollow

choose wisely

Il Gigante di Monterosso – Feat: Sergei Govorov
June 2025
Duration: 3:20
Music Composition - Bruce Klepper
Effects and Mixing - John-Marc Ventimiglia 
Cover Art Photography- Heidi Schnicker 
Soprano Sax- Sergei Govorov 

On our recent trip to Italy, one of the places we stayed was Monterosso, one of the 5 villages in Cinque Terre. From our patio, we were able to see Il Gigante looking out over the ocean. I am pleased to announce this new music collaboration, Il Gigante di Monterosso - Feat: Sergei Govorov, celebrating the beauty of Italy.  Listen to Sergei's music on Spotify and Apple Music.
Sergei Govorov completed his doctoral degree at the Gnessin Academy of Music in Moscow with the highest honors.  In 2022, Sergei moved to the United States.  Sergei's repertoire ranges from classical saxophone to avant-garde, jazz, and pop. He has performed over 4,000 concerts worldwide.  For the last year I have been writing music for the sax and piano duo, Govorov & De Groot.  Sergei Govorov and Britta De Groot have performed my music in Colorado and have future plans for more concerts and possible recordings. 

For soprano sax, piano, tubular bells, sound effects and percussion

Il Gigante di Monterosso - Feat. Sergei Govorov (demo)

A tribute song to the late great Mike Peters of The Alarm who left this world in April 2025, leaving a fantastic legacy behind, one of the good guys.
This song is about my introduction to his music and how it stayed with me shaping my music taste forever.

A cold winter night in December 1983 I witnessed something special that made me stand up and take note for the rest of my life. 
I had brought some really cheap tickets for The Police from a college friend. So off we went  me & my best mate to watch The Police at Birminghams Nec arena. 
Not really giving much thought to who was supporting them. 
We walked in the auditorium to hear the support band just kicking off their set. 
Wow the noise the energy the vocals of the charismatic front man Mike Peters and his band The Alarm .
I was blown away how they rocked this Police audience with their  powerful set  of songs it felt they had took the roof off and welcomed themselves to me.
From that night onwards I fell in love with them and a moment had happened. 
Their single 68 guns was yet to be released as the album was due out very soon called Declaration. 68 guns was an hit and The Alarm had earned their status as one of the best new bands around especially live. 
They went on to support U2, Bob Dylan , Springsteen & Queen gaining a loyal following of fans. While also touring as the headliners on their own shows. 
Mike Peters even fronted Big Country on their comeback tour.
I have lost count how many times I have seen The Alarm and Mike Peters solo shows over the years. 
I watched The Police that night and thought these guys are going through the motions and Sting live never sounded like the record almost changing his vocal style. I’m so glad I was introduced to The Alarm at 16 to show me what live music should be like. 
Mike Peters died on 28th April 2025 at the age of 66 after a 30 year battle with blood cancer. He was diagnosed with lymphoma in 95. Mike was awarded a MBE 2019 for his services to cancer care.
He was a passionate advocate for cancer care, founding the Love Hope Strength Foundation with a fellow patient and using his platform to raise awareness and funds for cancer research. 
Mike Peters also gained the cooperation of a group of young musicians from Chester called the Wayriders to lip-sync the Alarm's material and pass it off as their own. The first release by the fictitious band was promoted as a cover of the Alarm's 1983 hit 68Guns In fact it was the Alarm all along, and instead of a cover, it was a re-released version. The demo enticed executives in music & music production to record an album from the band called In The Poppy Fields which saw its advance release of the single, "45 RPM" entering Britain's top 30 chart. Critical reviews of the band echoed the promoters' official introduction of the band as a tribute to bands like Sex Pistols and The Clash with even more modern acts like Rancid being compared. The truth of the song's origin was not revealed until after the song entered the charts at number 24, a credit originally earned by the Poppy Fields from unsuspecting patrons who had accepted the act as fresh and new.
In a nutshell he duped the music industry showing them as ageist and only new cool music can only come from the young apparently.
The Hairy Hippie was his first ever band formed with his schoolmates to perform at his sister's 21st birthday party. 
So Rip Mr Hairy Hippie is quite fitting really as he had a fine mop of hair through out  his career. Thank you to Mike Fox as always for making ideas a reality with his skill sets and encouraging enthusiasm and incredible patience. 
Big thanks to Ken of K2 & The Three for his Twist style drums that drove the tune. 
Hope you enjoy listening as much as we did creating it. 
This Sound Society gives you …..:
Anthem Of Resilience

Anthem Of Resilience - This Sound Society

Recorded in San Jose Ca. Featuring the late Pepe Sabino on drums & percussion. Background tracks on a Roland 880 Synthesizer. Vocals Sung by me...

Kick-n-it

Feelin Alright

Frans Beelaard - Feelin Alright-Cover

Mark says - 
In the 5 years I have been working with Rod, I have been encouraged to reach as far as my experience allows me to, with complete support at all times. So far we have completed 11 songs and have experimented with several others that made for a great learning curve for me, with several more at other stages of development... Watch this space, however as we are methodical and patient, therefore it may take some time to get them off the ground.

The subject matter of this song may be based on a different scenario but it is also a token of my gratitude to my inspirational collaborator and friend Rod, who has given me much confidence to rise to the ambition of his musical creativity and meticulous arrangements. Thank you all for giving this song your time.

Rod says - 
This song was conceived a long time ago to be sung in Spanish, but Mark did a magnificent adaptation with his English lyrics, and the meaning is 100% faithful to the original spirit, even though he hadn't heard the original song in Spanish. Technically, there are three voices together, consolidating a multi-vocal performance. The synth sounds emulate my old analog and FM synths, and the guitars were routed through an old console to achieve the vintage sound I was looking for.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and lyrics
Image by Douglas Corrance

Thank You (Rodolfo Planes/Mark J Bennett)

I would like to tell you just how grateful I am,
And also how important you’ve been here in my life.
I know I don’t need to draw you a diagram,
Thank you for being there all this time as my wife.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
 
No need to show me all of your gratitude,
I already know how much you show that you care,
When you were prepared to move to my latitude,
Then I was convinced I was ready to share,
My life with you whatever it threw at the both of us.
I know that it’s true, no matter what you care to say.
I’ll always need to express all of my thanks to you 
This will always be true on that I swear.
 
I would like to tell you just how grateful I am,
And also how important you’ve been in, in my life.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
Then I was sure that I was ready to share,
My whole life with you, whatever that meant for the both of us.
I know that it’s true, whatever you say.

This song on Continental Collision's own cloud - https://soundcloud.com/user-517923604/thank-you

Also available on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Thank You - Continental Collision (Rodolfo Planes & Mark J Bennett) on Spotify

Une chanson contre la violence conjugale...
A song against domestic violence...
Vocal/intro & Final text : DelhyA  https://soundcloud.com/user-945711181/tracks
Piano/Synth/Arrangement : Régis GAUBERT  musicoman@wanadoo.fr https://soundcloud.com/robspiritduo/tracks
Composer/Arrangements/Guitars/Slide : Philippe SEGUINARD
Lyrics : Guillaume DULER

Lyrics:
J'entends les cris là-haut d'une autre qui se débat , d'une femme qui pour cette fois ci n'est pas moi. Rien ne doit transparaitre , je ne dois pas laisser mes larmes couler et se frayer un chemin jusqu'à mes lèvres scellées . Et même si les bleus sous ma peau se réveillent , je dois les ignorer et agir comme si tout était pareil...
La peur de lui parce qu'un verre de trop
surtout se fondre invisible sans  mots
elle en vit par la force à coté de la vie
prisonnière isolée sans porte de sortie
cécité de son sang et de ses amitiés
ne pas parler se taire rien ne doit transpirer
se voiler d' un rideau de tissus de mensonge
triste jeu de cache cache qui consume et qui  ronge
Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
mentir au soleil quand la lune voit tout
les nuits sont cruelles écrasées de tabous 
la honte qui maquille la vérité trop laide
qui étouffe les cris de ces appels à l'aide
accoudés au silence les sévices bien tranquilles
se prennent du bon temps ils jouent à domicile
au coupable les mains pleines de frappes de raisons
à la victime le doute de fuir sa déraison
Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
le sourire de façade sous des tonnes de semblants
donner le change à celles comblées par leurs amants
vider ses yeux de tout ce qui pourrait trahir
ces miroirs la qui font qu'elle ne pourrait mentir
les bleus des sentiments qui lui cognent à la peau
violence d'un élément qui laisse sur le carreau
un corps vandalisé mort pour la fratrie
tombé au champ d'horreur abattu par celui
Qui disait qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort
des baisers dans la gueule
caresses à poings fermés
d'un amour qui dégueule
de passions débordées
La tendresse des coups
Je ne peux les laisser atteindre ce rivage à nouveau où les vagues d'une mer intérieure continue se brisent en silence...

I can hear the cries of another woman struggling, a woman who this time is not me. I mustn't let anything show, I mustn't let my tears flow and make their way to my sealed lips. And even if the bruises under my skin awaken, I must ignore them and act as if everything were the same...
Fear of him because one glass too many
above all melting away invisible without words
she lives by force beside life
prisoner isolated with no way out
blindness of her blood and her friendships
don't talk shut up nothing must transpire
veil itself with a curtain of cloth of lies
sad game of hide and seek that consumes and gnaws away
And he says he adores her...always a little harder... until death
lie to the sun when the moon sees all
nights are cruel crushed by taboos 
shame that disguises the truth too ugly
that muffles the cries for help
crouched in silence quiet abuse
have a good time they play at home
to the guilty hands full of strikes of reasons
to the victim the doubt to flee his folly
And he says he loves her... always a little harder... until death
the facade of a smile under tons of pretence
giving the lie to those fulfilled by their lovers
emptying her eyes of anything that might betray
those mirrors that make it impossible for her to lie
the bruises of feelings pounding against her skin
violence of an element that leaves
a vandalized body dead for the siblings
fallen in the field of horror shot by the one
who said he adores her...always a little harder... until death
kisses in the face
caresses with closed fists
of a love that spews out
of overflowing passions
The tenderness of blows
I can't let them reach that shore again where the waves of a continuous inner sea break in silence...

© Philippe SEGUINARD/Guillaume DULER  Juillet 2025

La tendresse des coups ( DelhyA - Régis GAUBERT & JIM ) TRANSLATED

In 2018, I did a SoundCloud collaboration with @clive-hawkins after one of his tracks inspired me to write lyrics over his haunting instrumental 'After the Bomb'.

Clive had posted the line "let us not forget the consequences............of unleashing weapons of mass destruction!", and that comment, coupled with listening to his moody track, had me writing the complete lyrics inspired by his music in about 1.5 hours.

In 2025, I am currently working with accomplished keyboard player and Prog Rock enthusiast @Dee-Zee (Dave Zeitlin), to create an Ethno-Prog album 'Beyond the Veiled Horizon'. 

https://soundcloud.com/mrbouzouki/sets/beyond-the-veiled-horizon-series

So when I recently re-heard the old collaboration I wondered if Dave's keyboard wizardry could add a whole new dimension to the lyrics. The message in the lyrics has perhaps has even more urgency in 2025. 

The Doomsday Clock currently stands at 89 seconds to midnight. 
https://thebulletin.org/doomsday-clock/2025-statement/

Using Clive's harmonic rhythm that inspired the melody, that inspired the lyrics, I basically gave Dave a blank slate to see what he could come up with as parts. As usual he delivered some amazing ideas and playing and this left me re-assembling this Redux version of the collaboration. Once again, I made use of the Alto vocal talents of 'Mrs Bouzouki' in a vocal harmony section and as part of some harmony stacks. Towards the end, the additional female backing lines are from the Soundiron 'Voices of Gaia' collection featuring the vocal talents of Linda Strawberry.

I feel the addition of a church organ really added to the track. As a result I removed a choir part I added in the original collaboration and added some low strings to add some weight to the bottom end in places. Besides piano, Dave also added some synth pads to keep things interesting during what is quite a long track. I hope that people can hear why I enjoy working with Dee Zee. I think he's done a fantastic job with this track.

I decided to keep my original vocal takes from 2018 but I feel the track has benefited from my improved mixing and production techniques. 

I feel that once again this track is a great example of how music can be created using the SoundCloud platform. A collaboration can build on a collaboration to create something bigger than the sum of the parts. Thanks @clive-hawkins for being the catalyst for this and @dee-zee for your compositional skill and playing. 

As a follow-up to this song you can watch this movie on the Internet Archive, produced in 1969 about the Hiroshima-Nagasaki bombs of 1945. Some of the imagery is not for the faint-hearted.

archive.org/details/hiroshimanagasakiaugust1945
=======================================================
Lyrics

After The Bomb - P Goodrich 22/01/2018

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Just What Have We Done

Dead Streets, Dead Lives
Dead Seas, Dark Skies
We've Gone, Too Far
Ohhhh We've Lost It All

(C)
And The People Cried As One
With The Firing Of A Gun
Too Late For Second Thoughts
Too Late For All Of Us

No Race, No Faith,
No News, No Lies
Past Ways, Past Lives
They're Over and Done

Dark Days, Dark Times
Dark Deeds, Dark Minds
No Hope, All Gone
We've Nowhere To Run

C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

(organ instrumental)

No Rest, No Sleep
No Love, Just Hate
Dull Hearts, Dead Minds
The Future It’s Gone

One World, One Tribe
One Fate, One Life
Two Sides, Too Late
Oh What Have We Done

(C)
And The People Cried As One
With The Firing Of The Gun
Too Late For Second Thoughts
Too Late For All Of Us

One World, One Tribe
(Ad Lib)
We’ve Nowhere To Run
(Final Whispered) After The Bomb ... After The Bomb

After The Bomb - Redux 2025 (89 Seconds To Midnight)

A feeling of waiting and going nowhere. Too much time to think as your regrets interfere with your thoughts.

Lyrics

And the reason that you thought you hadn't told me
The reasons that you said had gone away
I dreamed about chances and the answers
I never knew what happened anyway

As the reasons and the days pass. 
Everything seems to settle in my mind 
The reasons that I had I didn't tell you
I was fearing who I am

In many years I never thought about you
But that's a lie. I'm lying to myself
For the reasons try and lock away the answers
It took away my heart and something else...

A Song version of Patience I just had the idea for. Hope its an improvement. 

Please feel free to leave a comment as its really helpful. 

Hope you enjoy.

Patience and Regret

Daydreaming through the dark times.

A song of daydreaming trying to forget your stress but it's always there as a slow building constant.

A happy accident but if you loop this track it flows perfectly into itself lol. 

Updated the track 1st August 2025 with a fresh mix and added acoustic guitar work. Also added some subtle ambient percussion and some vox for depth. 

Please feel free to leave a comment as your feedback is really valuable.

Hope you enjoy it

Daydreaming

05 What A Difference

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Hey. I am a late bloomer musically. Initially I started on acoustic guitar, then within the last 4 years: Banjo, slide guitar, dobro, recorder, harmonica and singing.  Most of my songs are rough, unpolished, unpracticed, recordings made on an old laptop. Thank you for the love and support, the insights and ideas, the camaraderie and fellowship, Lammbone

'Round Here'

Lammbone

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