I love to get me a taste of some of that signature Lammbone sound......yes....now I gotta keep Traveling On....but I'll return

Love the distorted slide!  And the idea behind the song. Something which maybe needs time to develop while we are getting older. The work towards peace. Cause what can we personally win through fighting. Nothing that we could be able to take with us to the other side of the Styx.

great track man !! i love it's quirky framework .

like the harsh natural no holds barred guitar segments and the neat percussion beat...

Spring 2025

Terry Reeves:  Vocals
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
(From the forthcoming album ‘From London To Hamburg’)

Photograph and post production by Dan Duchars.
Hans’ video: https://youtu.be/Lm8WoxCegRE?si=XFq1zX8Gkz3oLDmH

When you’re brainstorming ideas for album covers, you never really think they might involve placing yourselves in the middle of a road as traffic bears down on you.  However, that is precisely what we did.
Now I’m not one to tell tales but it was all Gal’s fault.  He thought our front cover  should feature an image of the entire band, which was quite compelling aside from the fact that we lived in London, Hans in Hamburg and have in reality never met.  But Gal had a mate called Dan (who lives in Norfolk, hence the title), a professional photographer whose comprehensive knowledge of Photoshop could bring the three of us together.
We’d always loved the pre-fame, Astrid Kirchherr portraits of The Beatles, taken during their club-playing, Hamburg days and two of these became our template - in focus subject occupying the foreground, covert and blurred figure (in our case, 2  figures) in the distance.
And so it was that, armed with a pin-sharp shot of Hans, we met with Dan to photograph the background scene which, as outlined previously, was in the middle of a busy side road.  Camera in hand, Dan teetered on a plastic crate as Gal and me  dodged back and forth to avoid a plethora of oncoming vehicles - everything from lorries to mobility scooters - who were, on the whole, very accommodating in the circumstances. Some even smiled and waved - at least I think that’s what they were doing…
We owe Dan so much, not only for his consummate skills and kindness but also for laying his life on the line in the name of art.  This song is for him.  (Terry Reeves)

I met a man called Dan holding a magical light
Viewing future moments, giving individual sight
Shadows from Hamburg, combination of skills
Show London reflection of a figure standing still

Chorus:
A flash of light, picture to follow
In black & white, diverse as tomorrow

Stand high in right places, enchanted vision of art
Friend of ageing musicians, sorcery skills from the heart
A Wizard conjuring cover, Kirchherr’s copy of claim
Painting light into a picture, producing Album in frame

Chorus

Viewing from height - sparks of vision
Seeing it tight - artist precision
Know left from right - avoid collision
Negative in sight - develop position

Chorus

Confidence in commitment, enjoying musical tracks
Working four to an image, platinum vinyl plaque 
Black and white cover photo, a clue why, when and who
Monochrome life connections, enjoy vision past to new

Chorus

A feeling it’s time to give a show
A feeling making history grow
A feeling, a feeling only one way to go
A feeling thinking fast going slow
A feeling Duchars photos will glow
A feeling CC one day will all know

FROM NORFOLK TO LONDON  - CRIPPLE CLUB  (Video)

"Quiver" by Lola Demo is another dark, edgy anthem, disguised in a melodic weave of guitars and bass that dives deep into the psyche of  someone caught in the web of a toxic, all-consuming relationship. The song pulses with a moody, hypnotic energy, driven by a throbbing bass line that feels like the heartbeat of emotional turmoil. The lyrics paint a picture of mental spirals and unrest, with the repeated line "you are in my head" serving as a haunting mantra, echoing the sense of being trapped in an inescapable loop.
The verses are raw and confrontational, capturing the unsettling tension between reality and illusion. Lines like "don’t know if they are dead or alive" and "must be something I was fed" suggest a deep suspicion, as if Lola Demo is questioning everything she’s been told and everything she feels. The eerie disillusionment grows with each beat, the bass line amplifying the slow descent into a mind that's been tampered with.
In the chorus, Lola Demo brings in her unmistakable harmonies, something she has purposefully avoided in her recent tracks, but here they come full forward. The chorus hits with a heavy dose of melancholy and melody. The repetition of "so unlucky, unlucky, unlucky" paired with "quiver, I shiver, I try not to let it show" gives the song a visceral edge, as if she’s trying to shake off the cold grip of a haunting memory but can’t quite break free. Lola Demo’s harmonies amplify the emotional intensity, adding layers of depth and complexity to the haunting atmosphere of the song.
As the track builds, the intensity ramps up, with the explosive line "30 seconds to explode" signaling a breaking point—a moment where everything threatens to come undone. It’s raw, it’s vulnerable, but it’s also defiant, with the relentless bass line pushing the song forward even in the face of collapse.
"Quiver" - Is this a raw, autobiographical reflection of Lola Demo's own emotional turmoil, or is it a dark narrative about someone else entirely? Either way, it’s cool, and unapologetically real.
MAGDA KOSKA

September 10th 2024

quiver

WILD ORCHIDS. LIVE Impromptu, Spontaneous, Recording on Chris's Mobile in Robyn's kitchen.  NO effects. No mixing. ROBYN YOULTEN -Vocals and 6 String acoustic Guitar. CHRIS SCHERI - Flute.  TRIBUTE to Marianne Faithful

Tribute to Marianne Faithful

Ethereal Dance .m4a

We are pleased to present track 7 from our latest album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

outstation.bandcamp.com/album/haunting-one-seven


Haunting One Seven

A Deity Looks After Me

This is a country and Western song based on the folklore mystical image of the 7th Son of a 7th Son. In my song he is a bounty hunter working for the Dark One, his job is to collect the souls of the Wicked and bad people of this earth. There is no hiding from him, he is after your soul and discards the Skin. He must be very busy at the moment in this world we live in. 

the Bass and drums are driving this one with a beat designed to make you feel like you are riding a horse through the night running from the 7th son of the 7th Son , hope you like it . 
Written, performed , engineered and produced by: Johnny Mc Farlane

The 7th Son of a 7th Son

SEE By Zitou Itou + Hansohioma + Wildsilences

Tenor sax duel - trading over bass, beats and drones.

Outside Peering In (blow for blow)

Nice To Meet You

Dubiousity Of Love

Hello… thanks for dropping by. This song is a loud, electric-slide song. It has overdriven slide, some homemade (learning how to:no drum kit) percussion, a vocal harmony and gravely vocals. I am happy I am able to do this at all, at 68 years of age… especially singing, which greatly wanes with age. (I really just started to sing within the last decade or so.) Traveling On… may be seen as a metaphor, or not, it doesn’t really matter. It might signify personal change or a movement toward and/or away from something. There is a hint of recognition, insofar as the unwavering essence of who we are… There is a suggestion of working toward peace. Again, this could be seen as metaphorical, in a sense of personal introspection. What do we espouse, condone and accept in this life for ourselves and society? Do you want to ‘Travel On’? Thanks for hanging out, Mark

Traveling On

*** A Foundational Song ***

We can make our dreams reality 
inasmuch as we make reality our dream. 
Let's first find truth, then build on it. 
Whatever we build on the  rock of truth will  stay. 
Whatever  we build  on the sand of  lies will crumble.
That's simple enough. 
And yet there is more to it.

I remember grandma, she used to  tell me:
"Don't you lean your  head out of the window
so you won't fall down to the street and die, 
as many other children died. 
Remember: Your head is heavier,
so much heavier than your body!"

I could tell this was a clear exaggeration.
But I'm glad I never challenged the wisdom
of those loving lies, intended to keep me alive.
There's no need to rush our happy way to heaven
proudly waving the standard of truth
while falling down to the merciless ground.
Words will always be approximations.

But love and kindness will cast out sorrows, 
will bring forth dreams, astounding  science, 
speeches and poems quoted by angels
throughout eternity. 
Remember:  Love and kindness is the only road to eternity.

Foundational Song

Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, claps, shakers, vocals, and lyrics
TexMex Shaman– @texmex-shaman –Stephen– Gibson Custom Shop Les Paul electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass
This song started as a guitar composition Tez came up with while on holiday recently. He wrote it with the Eclectic Collective in mind, inspired by ZZ Top, and shared it with the rest of us as soon as he was able to return home and record it. 
  Stephen was first to the trough with this one, adding his thrilling guitar fills and solo. Being from Texas, too, he's no stranger to Biily Gibbons. Mark came next with some synth, and later added some claps and shaker. Ken put his rocking drums in after Mark, laying the groundwork for the groove. Josh completed the rhythm section with his bass soon after, though. Mark decided early on that he was going to add some vocals to this, and Stephen had to adjust his part to suit them. We're all really happy with not only Mark's lyrics, but especially his vocal performance, as well. Eclectic Collective now has a go to member of the band who know's what he's doing with his voice. 
  Once it was in the can, Tez decided to mix it, as it was his song to begin with. He did his always expert job with the task, too. 
  This is an example of Eclectic Collective getting down and dirty for a rocker that has the flavor of all of us firing on all cylinders. Special attention to both Tez and Mark for their inspiring generosity and hard work in conceptualizing this one, too. We all hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by mistermark:

I got the top down, driving around
Burnin’ down the road, no prisoners
Everybody knows that I’m on the run  
I’m gettin’ outta here do or die 
Black Jack paddy whack listen to me 
ain’t giving no dog no bone
What’s mine is mine and what’s thine is thine
But if you want me just pick up the phone 
If you need my number I’m # 1
Mama raised me alone ‘cause I’m a son of a gun
Now I’m paying my dues but I’m almost done
So if you want a piece of me
Come and get me
Come and get me
Well, hey baby baby now what you say
You hitch a ride with me I’ll take you all the way 
she said hey there baby just step on the gas 
I got places to go I wanna get there fast
Well somewhere at around mile 103
I heard a rattling sound I had to check and see
We stopped right there on the side of the road 
Then what happened next it made my mind explode
The girl started laughing as she locked the door 
She put the pedal to the metal couldn’t push it no more 
Way off in the distance half a mile away 
My baby called out to me as I heard her say…
Come and get me
Come and get me
My feet got draggin’ in the desert sand
But as she waved goodbye something fell from her hand
I picked up the paper it was plain to see 
My baby wrote down her number and she left it for me
I been ‘buked & scorned I been thrown some shade 
I wanted revenge cause I gotsta get paid
I called her up but I just got the machine 
And wattaya think that the message said…

Come and get me

Come and Get Me - The Eclectic Collective

On April 15, the last remaining hospital in Gaza was destroyed. To date, 50,000 civilians have died, of which 15,000 are children and another 34,000 children have been injured. (source: Unicef).
Due to the almost total displacement of the population in refugee camps where food and water are scarce, the lack of hygiene, of medical facilities, it is predicted, with a very conservative estimate, that in the end the civilian deaths related to the conflict will be four times as many (source: Lancet).

Thanks to my dear friend @Rosindust at violin.
Here the other collaborations with Tatiana: soundcloud.com/francescocartocci/sets/grazie-tatiana

Composition and all arrangements: Francesco Cartocci

Who cares - with Rosin dust

Vidéo : youtu.be/z-aae0BK5p8

Brande (Translated after the French text )

Texte : Sanzen
Chant : Desdanova ( @denis-rousseau-182743563 )
Musique : Alain Illos

Sans un bruit, ce matin,
une rose est éclose.
Perdue en ce jardin
où mon coeur agonise.
Au milieu de hautes herbes,
c'est elle survivante.
Soudain dans l'air vibrant,
mes souvenirs voltigent.
Dans la chaude lumière,
de cette beauté naissante;
perdues dans ma mémoire,
de sinistres images...
Sans un bruit ce matin,
mon coeur s'est lavé.
Perdu en ce jardin,
dans la chaude lumière.
Au milieu de mes souvenirs
qui voltigent.
Des hautes herbes
et d'un été naissant.
C'est ma joie survivante,
sur la brande, ce matin.
Aux vies agonisantes,
à la beauté naissante.
Aux images oubliées,
soudain, dans l'air vibrant.

Brande
Without a sound, this morning,
a rose bloomed.
Lost in this garden
where my heart agonizes.
In the midst of tall grasses,
is the surviving rose.
Suddenly, in the vibrant air,
my memories flutter.
In the warm light,
of this emerging beauty;
lost in my memory,
of sinister images...
Without a sound this morning,
my heart washed.
Lost in this garden,
in the warm light.
In the midst of my fluttering memories
.
Tall grasses
and a budding summer.
This is my surviving joy,
on the heather this morning.
To dying lives,
to emerging beauty.
To forgotten images,
suddenly, in the vibrant air.


Brande avec Desdanova

THS01 - Tommy Woodsmoke - See you in the dawn

Hey. I am a late bloomer musically. Initially I started on acoustic guitar, then within the last 4 years: Banjo, slide guitar, dobro, recorder, harmonica and singing.  Most of my songs are rough, unpolished, unpracticed, recordings made on an old laptop. Thank you for the love and support, the insights and ideas, the camaraderie and fellowship, Lammbone

I am not a musician but music plays a very important role in my creative life! I am an artist/designer and music is my companion and my muse in the long hours I spend working in my studio! 
I am immensely impressed and grateful for all the talented and inspiring musicians whose work graces this Cloud, and I will always re-post sounds that I love (and will listen to again) - knowing that others will enjoy them!
I feel slightly embarrassed and quite humbled when I receive such graceful messages of thanks from artists whose work I have re-posted - after-all, I am the one who is so inspired by the discovery of your brilliant music!!!
So thank YOU!!!
Jools :)
P.S. If you want to see where the music takes me there is a link to my Portfolio site on Behance below!!! 
NEW!! - Thanks for all the great feed-back on my work! I shall be re-launching with a website (shop & archive) ‘KULT-JE’ in the not too distant future! Meanwhile, examples of past and current work are featured on my Instagram (@joolselphick)
Since my heart op in Jan2021, I have had to deal with taking quite a lot of meds which have interrupted my design work - that and moving to Germany in 2020 - and back in 2021 (due to Covid my business plans stalled!) - SO, slowly getting it together…. hang tight!😊

I have an archive of my work to date on Instagram - @joolselphick

Traveling On

Lammbone

Recent comments

Kurt Mottershead

the fucked up(s)

Ingo Bremenkamp

Junzo Support

Related tracks