Morphing Territories releases "Paper Brain EP" on his self-titled imprint. Monument premieres the title track of the release, that will be out on September 13th.

@morphingterritories

MNMT Premiere: Morphing Territories – Paper Brain

Futuristic Acid tracks by Jozef K & Tin Man remixed by Voiski, Evigt Mörker and Moy Santana.

A1. Jozef K & Tin Man - Perfectly Symmetrical Acid
A2. Jozef K & Tin Man - Perfect Symmetrical Acid (Evigt Mörker Remix)
B1. Jozef K & Tin Man - Nice Acid
B2. Jozef K & Tin Man - Nice Acid (Voiski Remix)
Digital Bonus:  Jozef K & Tin Man - Nice Acid (Moy Santana Remix)

@jozef-k
@tinman
@evigtmorker
@voiski
@moysantana

Jozef K & Tin Man - Perfect & Nice Acid (Voiski, Evigt Mörker, Moy Santana rmxs) [SNG010] (Snippets)

The consistently good Madrid-based record label, Sungate welcomes Cøre and Einerlei for the latest release. A five-track 'Mindside' EP features two remixes of the title track done by Crossing Avenue, Laima Adelaide, and an ambient version by Cøre and Einerlei. 

Our premiere for today, the title track 'Mindside,' is a perfectly balanced hypnotic techno journey. The track opens up with a steady four to the floor beat layered with long, lush pads and a 'deep water'-like synth sequence which keeps things interesting throughout this trip. Midway through this journey, a mellow thin-sounding melody brings everything together and gives this track a beautiful melancholy touch. 
Mindside EP is coming out this Friday, May 6th, via Sungate Records.


https://soundcloud.com/danielkyo
https://soundcloud.com/einerleimusic
https://soundcloud.com/sungate-records

Cøre on Instagram: https://www.instagram.com/danielkyoakacore/
Einerlei on Instagram: https://www.instagram.com/einerlei__/
Sungate on Instagram: https://www.instagram.com/sungaterecords/

www.itsdelayed.com
www.instagram.com/_itsdelayed_
www.facebook.com/itsdelayed
https://t.me/itsdelayed

PREMIERE: Cøre and Einerlei - Mindside [Sungate]

Originally released in 2002, “Harnessed the Storm” was conceived as the opening chapter of the legendary seven Storms – a series of seven albums created within a single year and released via several labels under different names. “Harnessed the Storm” was the sole one in the series credited under the main Drexciya project.
The album, which is considered to be one of the pair's darkest, was produced in a time of creative outbreak and emo- tional turbulence. The duo's confidence was at a peak, new techniques revolutionized musical production, but the duo also had to face Stinson's severe health issues. This led to a radical shift of pace in producing and releasing music. For the Detroit pair it was time to move on from their ground-breaking past. It was time for some shape shifting and wave jumping to occur, in Drexciya’s terms.
This is reflected two-folds on the ten cuts of “Harnessed the Storm”. With seven different album projects in the pipeline, Stinson and Donald were able to give the atmospheres and structures of each individual work a more distinct focus, resulting in longer pieces and more defined moods. “Harnessed the Storm” integrated classic Drexciyan dance floor moments like “Under Sea Disturbances” and “Digital Tsunami”, brooding experiments like “Dr. Blowfins' Black Storm Stabilizing Spheres” and “Aquatic Cataclysm” which rank with the most abstract, alien and stark in their catalogue, and a few choice cuts of wave-cruising beauty into a cohesive whole – the disparate elements fused by an all-permeating sonic dread.
“Harnessed the Storm” is as much the uncanny silence before the storm - looming in the unknown, as the storm itself, making this album at once an incredibly focused sound production, as well as a journey of highest emotional complexity.
Another masterful lesson in futurist dance music from one of its strongest forces.

Harnessed The Storm

BANDCAMP

Drexciya - Digital Tsunami

FUR:THER SESSIONS : PREMIERE 088

Artist: Nils Edte
Track: Mira (Dåggěr Remix)
Album: Organica Reinterpretations
Label: Indefinite Pitch
Cat. No.: PITCH21
Mastering: J. David Lucio S.
Artwork Editing and Layout: Mark Wagner 
Format: Digital
Genre: Deep Techno
Releasedate: 08/03/2023
Released by Indefinite Pitch, China

Buy it here:
https://indefinitepitch.bandcamp.com/album/organica-reinterpretations

Tracklist:
01. Sellenti II (Avsluta's Desert Trip Re-Imagination)
02. Aarde (Martin Nonstatic Remix)
03. Sellenti I (TAMA Remix)
04. Mira (Dåggěr Remix)
05. Mira (Clarence Rise Remix)
06. Oniri (Doctrina Natura Remix)
07. Oniri (Simone Bauer Remix)

Nils Edte:
https://soundcloud.com/edte-1
https://instagram.com/nils_edte
https://facebook.com/nils.edte

Indefinite Pitch:
https://soundcloud.com/indefinite-pitch
https://instagram.com/indefinite.pitch
https://facebook.com/IndefinitePitch.Records
https://indefinitepitch.bandcamp.com
https://formaviva.com/indefinite-pitch
https://indefinitepitch.com

Fur:ther Sessions:
https://soundcloud.com/furthersessions 
https://furthersessions.bandcamp.com
https://instagram.com/further_sessions 
https://formaviva.com/furthersessions 
https://facebook.com/furthersessions
YouTube: https://bit.ly/3irNAR4  

Contact and Premiere Requests:
furthersessions[at]gmail[dot]com

Buy it here

PREMIERE: Nils Edte - Mira (Dåggěr Remix) [Indefinite Pitch]

We’re thrilled to introduce Extase Urbaine's debut EP, "Sacred Winds"! Hailing from Athens, the DJ/Producer presents 4 tracks that delve into the darker realms of techno leftfield.
Kicking off the EP is the title track, “Sacred Winds”, a hypnotic burner that sets the tone. “1990” ramps up the energy, while “Wet Abyss” unleashes a high-tempo debauchery monster. Slowing things down, “Hide in the Light” offers a mesmerizing blend of new beat and trance.
On the remix front, we have the returning Alpha Sect who speeds up “Hide in the Light” with a Techno / EBM angle. And last but certainly not least, Zaatar puts her signature spin on “Sacred Winds”.

“Sacred Winds” is out on March 1st. 

Artwork by Greta Haga
Mastering by Submarea

@extaseurbaine
@alphasectmusic
@zaatar_music

Extase Urbaine - Wet Abyss

Pandemonium - NBF 027
1. 0:00 - 6:36 Troposphere (Original Mix) 
2. 6:36 - 12:18 Moving Egos (Original Mix) 
3. 12:18 - 18:54 Last Light (Original Mix) 
4. 18:54 - 23:58 On My Knees (Original Mix) 
5. 23:58 - 29:10 The Space Core (Original Mix)

Listen on Youtube :
https://www.youtube.com/watch?v=vg-TLrUFHUI

You Can Pre-Order The Release on  Bandcamp already: 
https://nebelform.bandcamp.com/track/nebelform-the-space-core

Full Album will be Released on all Major Streaming Plattforms on September 5th 2025.




#techno #rave #hypnotictechno #psy #trance #electronic #chakren #chakra #spirituality  #time #space #causality #astrology #astronomy #banger #trippytechno #electronicmusic #technodance #dancing #goodvibes #pandemonium

Moving Egos

Dark Era (Original Mix)

Evigt Mörker - Drömsyn

Pre-order: 
https://sevenhillsrecords.bandcamp.com/releases

This is a reissue of a short-lived and obscure UK dance music label. A compilation of tracks featured on releases across 3 EP’s between 1991 and 1993 incorporating recently emergent dub techno and progressive acid house sounds. Nation of Noise was conceived in the early 90's, following a meeting of minds between the producer Django and vocalist Jon Martin at the legendary Soho institution: The Brain. 

Plate 1 is a fully remastered reissue of the first Nation of Noise record - Xes Noiz, featuring 4 locked grooves. 

Plate 2 takes two tracks off both the Lockgroove and Super Bubble EP's. One side is smooth, after-hours deep house whilst the other reaches for two progressive, acid cuts. 

Fun facts: 

- Feel the Joy received airtime by Jon Peel on Radio 1 and Elvis Stole My Space Hopper was a favourite of Colin Faver and Colin Dale on KISS FM 
- Kris Needs awarded Xes Noiz record of the week in NME, putting it in the same group as Weatherall and Aphex! 
- Riley Reinholdt raved about Xes Noiz in legendary German publication Spex and travelled to U.K. to interview Jon and Django. 
- Piano Tilt was a playlist favourite of Derrick May 
- Progressive acid house pioneers like Scott Hardkiss began lauding the Nation of Noise imports on the West-Coast sound systems of the San Francisco Bay Area. 
- The A3 of Xes Noiz was a minor hit on the emerging jungle/breakbeat scene. DJ's used to pitch it up before Metalheadz and Photek really defined that abstract sound. 

Nation of Noise 91 - 93 is the first of many records to be released by Seven Hills. 

Plate 1 - Xes Noiz 

A1 - Untitled 
A2 - Untitled 
A3 - Untitled 
B1 - Untitled 
B2 - Untitled 
B3 - Untitled 

Plate 2 - 

A1 - Feel the Joy 
A2 - Piano Tilt 
B1 - Elvis Time 
B2 - Elvis Stole My Space Hopper 

Vocals and Lyrics by Jon ? Martin 
Production & arrangement by Django 
credits
releases August 9, 2018

Seven Hills Presents Nation of Noise 91-93 [PREVIEWS]

Track from NE82 Anthony Linell - Winter Ashes LP
Out on EP and digital March 19th. Pre-orders on Bandcamp from March 5th.

For their first collaboration on an original audio-visual artefact, Ali M. Demirel and Anthony Linell have developed a stunning and unsettling work that studies the Icelandic landscape as a motor of mythology. Titled Winter Ashes, our senses search for logical order and signifiers with which to measure our relation to both the visual and aural elements, and by detailing the inhuman scale and structure of the region in this way, a hypnotic ambivalence regarding our place unerringly haunts the work. This edition is a snapshot of Linell's musical contribution at a moment of reflection in the project's enduring evolution. Far from being an acoustic summation of the collaboration, Linell has derived these pieces from his work with Demirel, retaining the name of the activity through which the album has arisen.

The nucleus of Winter Ashes is the relationship between landscape and mythology, a snare that binds us in contradiction. In its most common usage landscape refers to the visual indicators of any given terrain over and above any innate material properties. In its verb form it typically describes the agreeable construction and reconfiguration of terrain by the human hand. Our aesthetic preferences are from the outset privileged in the concept of landscape; our eyes are obeyed first. This is in distinction to mythology in which allegory upon analogy tells of but does not show the gods. Making sense of this nexus is to train our visual faculties towards seeing what is concealed, if not to merely search for an interaction with what is completely and surely unobservable.

Iceland's unearthly appearance is something else. It is conspicuously suited to the complexities of a task such as that which Winter Ashes imaginatively demands of it. It readily inclines toward the quality of the sublime. Situating this demand historically, Winter Ashes is inspired by the long and fragmented history of recording and retrieving Norse mythology, just as it is the mythology itself. The Codex Regius, a compendium of Old Norse poems that has been dated to the 13th century, and the Edda, a collective term for two volumes of medieval Icelandic literary works to which the Codex Regius is connected, both serve as points of reference. All were lost for periods of time throughout the centuries, and sections of each remain lost forever. As promptly as these documents tell the stories of Norse mythology, they register how easily they recede from written form back into the landscape. Though persistently morphing, it seems truer to look to the latter over the former as the eternal, volatile setting for these stories. Winter Ashes makes this ambiguous task its point of departure.

Words by Patrick Quick

Recorded by Anthony Linell in Gotland, Kebnekaise, Iceland and Stockholm 2019-2020.
Photographies by Ali M. Demirel in Iceland 2019.
Mastered by Neel at EnissLab, Rome.

Evigt Mörker - Drömsyn

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