Name: sound 134 sc repost by La music concrete
Duration: 3 min 48 s
Description: first posted this up five years ago. hope you enjoy.

listening again! I LOVE that backbeat on there mate

Harry Thumann - Sphinx

This track was entered into the Squarepusher remix competition two years ago (http://warp.net/news/4001-remix-competition/) under a pseudonym. It didn't win :'(

4001 (Squarepusher cover version)

first posted this up five years ago. hope you enjoy.

sound 134 sc repost

OESB-85 
Released June 2015 

Tehran-born and London-based, Ash Koosha creates music that is stripped of genre, style and conventional structure. His training in classical music and his interest in computer music from a young age has equipped him with necessary tools to construct, break, form and deform at the same time. The result is sound that is fragmented, unearthly yet natural, collage-like yet seamless. 

His latest work, GUUD is a sonic experience, where classical variations and harmonies meet manipulated sample grains. It is a field, a ‘place where he deals with scientific and psychological questions’ and where he manipulates his senses by creating a synesthetic experience. He understands emotional and physical limits and pushes those emotions to the extreme without the extreme effect, as he simulates the sound of exploding speakers or collapsing percussion structures in a listenable frequency. It is by treating sound as physical matter that he can then apply a simulation of physical forces to it: shattering, positioning, joining, liquifying or pressuring. 

One of the ideas that Ash has introduced in GUUD and will be further discovered in his future projects, is ‘nano-composition’. Born out of his obsession with scale and based on ideas explored in nanotechnology and quantum realm, nano-composition can be defined as creating a composition, based on the sonic behaviour of fractal patterns that exist within a stretched or rescaled sound wave but without pitch alteration. It is visually treating grains in wave forms as particles and create sonic ‘events’ within that wave form. Although these events are controlled and structured by the composer, their randomness and internal chaos offers an element of singularity and rarity. It is a deconstruction of what is conventionally and sonics-wise ‘good’ music. GUUD is ‘good’ without the perfection of perfectly round ‘o’s.

Buy on Bandcamp

Ash Koosha "GUUD" 16 - Harbour

Pulse

Beneath the promenade in Zadar, Croatia, columns of air and water are conducted by the Adriatic; from holes in the ground, Nature sings an eerie tune

Sea Organ, Zadar, Croatia

4 - Dez - 2015

still numbers

Karen Dalton - Something On Your Mind-[www flvto com]

Thank you for listening. message me to get and be in touch.

Danke fürs Zuhören. Nachricht an mich um zu erhalten und in Kontakt treten.

Merci pour l’écoute. message moi pour obtenir et être en contact.

聞いて頂きありがとうございました。メッセージを取得し、触れることになる私。

Grazie per l'ascolto. messaggio di me per ottenere ed essere in contatto con voi.

Dank u voor uw aandacht. Message me om te krijgen en worden in aanraking.

vă mulţumesc pentru a asculta. mesaj-mă pentru a obţine şi de a fi în contact.

Tack för att lyssna. meddelande mig för att få och vara i kontakt.

Спасибо за прослушивания. сообщение меня получить и быть в курсе.

sound 134 sc repost

La music concrete

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