Cloudy day

A2

https://xenoplex.bandcamp.com/album/xenoplex01

BOUSSINESQ APPROXIMATION

waiting for the stars to change

https://oopheliaxz.bandcamp.com/track/fuzzi

Fuzzi-

With 𝑽𝒂𝒏𝒊𝒔𝒉𝒊𝒏𝒈 𝑨𝒄𝒕, exael’s offering to the ENXPL series, the artist furthers their exploration of what they refer to as “the jester’s gaze”, wherein a variable array of emotions of the fool are less than obvious to decode. In this emotively charged interzonal reflection point, exael probes these psychedelic anxieties through eight varying tracks of accomplished electronic music production. Excavating the root role of the jester and it’s cosmic objecthood, exael takes on a synchronous identity; human and computer, jester and virus, superimposed. Far from a glistening ambient escapism, or sentimental shoegaze meditations, or obligatory club tropes, exael has created a sonic terrain unique to their own narrative and positionality as an artist. Side A of 𝑽𝒂𝒏𝒊𝒔𝒉𝒊𝒏𝒈 𝑨𝒄𝒕 showcases exael’s comfort in fast tempo constructions, while the B side offers slower tempoed ventures with guest vocal duties by writer Zoe Darsee moving between trip-hop and industrial affectations.

exael is an alias of Naemi, an artist residing in Berlin. Their work under this moniker aims to upend elements of divergent sonic aesthetics and musical styles, reassembling them with the intent to create diffuse, mulitfunctional contexts. Utilizing exael as an avatar, Naemi attempts to access a collective subconscious via their own, externally processing the sounds and images that permeate contemporary life. Thus, highlighting the ways in which people merge and re-combine with culture on a molecular level as a result of this near-constant immersion. They present stimulating, lysergic sounds in an organic and explorative manner instead of the sometimes exhausting vibe of highly-calculated, experimental club music. 
credits
releases August 27, 2023

All production exael
Audio finalized by Glyn Maier
Design by RJM Vanderheyden

VANISHING ACT

PURCHA$E

ENXPL18 - EXAEL - B1 Desire Is A Glitch (with Zoe Darsee)

first track from my new album on Theory Therapy

"Glasgow-based producer and INDEX:Records co-owner Conna Haraway unveils his debut solo release on Theory Therapy – 8 tracks of luminous electronics and restless textures too amorphous to be neatly categorised into a particular genre. Over 40+ minutes, the co:clear founder fuses dubbed-out illbient abstractions, voluminous low end and aquatic gurgles into unconventional analgesic soundscapes. The overall result is something immersive, visceral, and psychedelic – a fully-fledged sound that sits somewhere between delirium and bliss.

Lusidiq features 3 remixes by Seoul duo Salamanda, Philadelphia-based DJ and producer Opheliaxz, and Adam Dove, best known as sound artist Nexcyia."

Written and produced by Conna Haraway
Mastered by Ike Zwanikken
Artwork by Conna Haraway

Lusidiq

tapes & digis

Fractals

Bios

'Faith In Strangers' is the title track from Andy Stott's forthcoming album, due for release via Modern Love on November 17th/18th.

Andy Stott - Faith In Strangers

remix of a song from our band, 
https://cancerhouse.bandcamp.com/album/a-hiding-place

cancer house - a hiding place (leaf miner mix)

charlene is a b-side taken from the isobel single, originally released in 1995. 

itunes: http://smarturl.it/klkh67


björk : charlene - 1995

Heith - You In Reverse (PAN 147S)
Label: PAN
Cat.No.: PAN 147S
Release Date: 20 March 2025
Purchase: pan.lnk.to/YouInReverse

Heith shares 'You In Reverse', the first single of the upcoming album 'Escape Lounge' out via PAN on April 25th, 2025.

Written and produced by Heith
Drums by Alexander Iezzi
Saxophone by Aase Nielsen
Flute by Leonardo Rubboli
Mixed at TWS
Mastered by Amir Shoat
Artwork by Heith and Nicola Tirabasso

Heith - You In Reverse (PAN 147S)

Jeremy Shaw, There In Spirit, Konrad Black - Phase Shifting Index (PAN 146)
Label: PAN
Cat.No.: PAN 146
Release Date: 28 March 2025
Purchase: pan.lnk.to/PSI

Phase Shifting Index is a time capsule record of Jeremy Shaw’s vast original artwork that includes audio excerpts, voiceover passages and music composed by There in Spirit and Konrad Black. Shaw’s seven-channel video, sound and light installation–that premiered at Centre Pompidou in 2020–uses science fiction, documentary, visual effects and synchronisation to induce an ecstatic experience in narrative temporality. Each video details the belief systems of one of seven fictional subcultural groups spread across time that aspire to induce parallel realities that could redirect the evolution of the human species through embodied forms of ritual, ideology and movement. 

"Cross-Temporal Sync" written and produced by There In Spirit. All other titles written and produced by Konrad Black.
Mixed by Konrad Black at Blackprint Studios.
Mastered by Rashad Becker at Clunk, Berlin
Design by Information Office, Vancouver.

Phase Shifting Index premiered at Centre Pompidou, Paris, in 2020 and has since been exhibited in nine international venues including ARoS, Denmark, MONA, Tasmania, MAC, Montreal and Hamburger Bahnhof, Berlin

Jeremy Shaw, There In Spirit, Konrad Black - Cross-Temporal Sync

i don't know what should i do
every people i do
i don't know what should i do
every people i do
i don't know what i'm just talking
every curve can make something better
but baby, we don't need a bit better
we need a lot of improvement
so danse with me,
i can...
just kiss me right a way
i need a physical action to remain
i need a physical action to remain
i need a physics action remain

last night
i saw you cry
message was too tight
i thought you'll be fine
cause I was a turture to you
but you cried like you don't want to break down
but last night, you packed a lot
you cried but that doesn't mean restart
so i'm down
last night, i saw your backbone walk by under my apartment 
last goodbye was tough

i buy a song
happy one
cause i can't make that kind of song
i buy a song
higher hope
give it away already
higher code
in this low vibe, i gonna cry
so can you danse with me like we did thousands years ago?
so can you danse with me like we used to do thousands years ago?
i buy a song
happy song
cause i can't make that kind of song anymore like the day before
higher hope
did you still hold it?
higher code
cause i might cry this low one
so can you danse with me just like we did before the thousands years ago?

Old piano

Some Original Monochrome aka Arch Typ Beats! Released on Code416 in August 1998

The Original by Monochrome

These tracks are out-takes from my first alum Seven Lies. Those familiar with my music will know that I love a coda. A coda is a passage at the end of a piece of music that brings it to a conclusion. I often use a coda as a way of framing the piece in a slightly different context than it would otherwise end. Like a musical aftertaste. When I was working on Seven Lies I made codas for several tracks but I was never completely happy with these two so they didn't make it on to the album.

As I work on my second album I have been looking back at the process I went through for my first alum and remembered these outtakes. They're not so bad after all. Perhaps they are worth airing to the world. I hope you enjoy them, or at least find them an interesting insight into the workings behind the music.

DAM (Coda) [Unreleased 2013]

Corra Linn

Ferthenheap

LIVE: info [at] outer-agency.com
ALL ENQUIRIES: contact [at] l-a-n-a-r-k.net

Ferthenheap

lanark artefax

Related tracks