CS:GO

Four original moombah tracks from The Bumps. Available as a <b>free</b> download via BandCamp.


The Bumps
- on <a href="http://soundcloud.com/bumps">SoundCloud</a>
- on <a href="http://www.facebok.com/iamthebumps">Facebook</a>
- on <a href=""http://www.twitter.com/iamthebumps">Twitter</a>

Dub Be Moom 2 Me (The Bumps)

Moom That Thing Mummy (The Bumps)

The Sound Moombumpton (The Bumps)

Trubble Dubble (The Bumps)

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Free download: toneden.io/crowncollectivetv/post/anxiety-babylon

A new week = a new release; brought by the one and only @anxietybeats. A minimal track that slaps so hard it'll surprise you harder than Trump winning the elections. Trap doesn't have to be overly filled to drop hard, enjoy this simple banger! Be sure to cop and share it with your friends!

Spread the love!

Words and Concept by Jarne Eetesonne (on.fb.me/1HLH3qp)
Mastering by anxiety.

<3

Babylon

Free Download

anxiety. - Babylon

♥︎ Stream on Spotify: http://spoti.fi/2rjq6D4
Download: https://click.dj/tribaltrap/s/pyl

♥︎ Azide:
https://soundcloud.com/azide-1
https://www.instagram.com/AZIDEMUSIC/
https://www.facebook.com/AzideOnThaBeat/

♥︎ El Speaker:
@el_speaker
www.instagram.com/elspeakerofficial/
www.facebook.com/ElSpeakerOfficial/

Copyright/Licensing: copyright@tribaltrap.com

Put Your Love (Azide Remix)

More 🔥

El Speaker - Put Your Love (Azide Remix)

You Will Regret

Catch Me Outside

PROD. BY @GETTEROFFICIAL

SPOTIFY: https://open.spotify.com/track/5kU0v56eilokgJ5g5IRS2S
ITUNES: https://itunes.apple.com/us/album/f-k-everybody-single/id1251597617

ayo check this son, im finna wreck this one
fuckin up the game and tuggin on ya necklace hun
it is i, the masked guy who shouldnt be alive
divin head first into a muthafuckin bee hive

so dont look behind ya, cuz reid is always on ya
kidnappin bitches just to cook me some lasagna 
i flip shit sick with a limp wrist kid and pop the lid of this mutha with vvs grin

oh u on one? well bitch im on a hundred
these tablets make me laugh, 
infact i popped a couple caps on my way back to the cabbage patch 
i stay strapped wit fat gat to peel ya cap all the way back 

cuz I ain't got no mutha fucking time to kill 
sittin bitches down servin my dick as they last meal 
always comin with that 123 
yessiry g its me RE to the ID

so fuck everybody and fuck everyone
solving all my problems with a fully loaded hand gun
step into the ring and witness the savages sting
the muthafuckin king claimin thrown once again
fuck everyone and fuck everybody
spending all my time in a shed countin bodies
the masked chrome killa bumpin j dilla
hittin a lick will make u sick ain't nobody illa

i gotcha new chick straight nibblin on my nuts
hit her twitter smack her shitter then i dump in her guts now check it
i got more ammo than rambo and i prefer my eggs scrambled 
got me lit like a candle ill leave ya man handled 

i told u who was next
throwin uppercuts straight at ya chest
the best pest of the west here to project a mess and ingest flesh unless i murder the rest
who woulda guessed it yes terrors possessed kid

ill grab ya adam’s apple til i hear ur throat crackle
i tend to use futuristic weapons during battle 
im posted in the castle eatin princess peaches asshole
but i forgot where i was at lets bring it back yo 

and  turn this shit up cuz it ain't loud enough
bustin out the cut like a overweight cake stripper slut
ill chew u like a tooth pick and steal ya new kicks
don’t catch me red handed bitch 
cuz that’s the hand that i shoot with

FUCK EVERYBODY

FUCK EVERYBODY (PROD. BY GETTER)

OUT NOW: https://fanlink.to/ohshitremixes

Westwood is proud to present the 4th instalment in the ‘ILLectric Remixed’ series as we welcome two serious heavyweights to the label to take on The Funk Hunters & Chali 2na’s stand out single, “Oh Shit.” First up is none other than Featurecast, flexing his incredible funk chops the UK-based producer completely re-imagines the original as an old school funk throwback adding new instrumentation and flavour and his signature midas touch. Then on the flip side, BC-based newcomer Kotek absolutely smashes a heavy bass remix with incredible synth design and whats sure to be one of the sickest remix drops of the year. With only 2-tracks on this EP, they both somehow really do manage to offer something for everyone!

Stay connected 

@featurecast
https://www.facebook.com/featurecast/

@kotekmusic
https://www.facebook.com/Kotekmusic/

⬇ DOWNLOAD

The Funk Hunters & Chali 2na - Oh Shit (Kotek Remix)

This one was put together at the last minute by request for London's Dover Street Market's New season launch... Some of the Rip's more obscure underground and fave old skool tunes in a pile

So whether you're Penthouse, Project, Council estate, Country estate, Yard, Garden, Roof Terrace, Pool or Stoop...

This one's for you... . Summer city lean back hot....

Not Rap Hip Hop...Shout out DSM Bass-Ment Boys...Play it loud.

Chip Shredit - Not Rap Hip Hop (DSM Set)

Running tings since 1982...Well if you don't know now ya know...
The Original Language Lab was a Club night started in London in 1982. It was the very first night that celebrated the then new culture of Hip Hop and Rap...It’s effect on London nightlife was huge, taking music out of the discos and placing it in seedy underground venues something that back then was almost unknown...
Spawning many pretenders The Language Lab's influence changed the face of clubbing forever and it's effect was felt right up until the acid house explosion of ’88 and then some...
_________________________________________________________
“Then there was the time that the Wild Bunch - which Massive Attack grew out of - took part in a sound clash with the Rapologists at the Language Lab, one of the first serious Hip Hop clubs in London in the early Eighties..."
Robert de Naja. Massive Attack. The Observer 18 May 2008...
http://music.guardian.co.uk/pop/story/0,,2279780,00.html
___________________________________

Language Lab London™ 2013

playing with sounds is a thing i love doing! i got my first keyboard for christmas when i was 7 or 8 years old. it was a 1990 or '91 Casio SA-21. thinking back, ..i never learned a fracking chord, scale or note on that thing! :S .. but i've managed to squeeze a couple tunes out of it 14 years later during a jam-session in 2004 with a mate -'sa-21 experiment')

the earliest recordings and programmed tunes i've got lying around is from 2002. Since then me and my mates have come together as many bands. 3-5 times every year. back then i used soundforge to make samples, hammerhead to make beats, sawcutter for them wierd analogue synthlines, puttin it all together was done with .. soundforge, audiocity, cubase and acid, .. haha *laff*
with time i figured i needed a more powerful tool; so i looked at sum alternatives.
i ended up downloading a tracker. yes; tracker! Renoise! the oldest renoise projectfile in one of my many systematic backupfolders on my laptop dates september 2006 (how to learn to learn yourself), and i've been using and stayed true to Renoise since.. after using a v1.5 warez version for a while i bought v1.8 and at the moment running 2.8

DAMN GOES ERR
================\\\\\\

Renoise is my primary tool for both production and live jamming or performing with Redux. The exact application I described in the forums years ago with features and how it should make live ez at. (wow! 2024 here: this is soo old. I haven't made a xrn file for 10 years or so. But as I've kicked the habits I think I might find being creative wiv sounds and samples again brings a warm feeling. only problem is I have not a single VST, Instruments nor FX. Sample packs? none... my first studio is in storage at my baby's mamas house in Australia. 42hr flight yeah! but I can't afford to even get a Korg Mk3 keyboard with the 8 programmable pads and the other stuff. but starting building a VST library and sample library is not exactly the easiest to start over.... if u want to help out msg me! Thanks!!


my laptop is ... was hooked up to a Korg padKontrol i program on 2 midi ports to control multiple effects in any (and many) applications that has got midi support with proper midi-mapping features. computer output from a Native Instruments AudioKontrol1 soundcard playing on M-audio BX5a studio monitors. mic-input from a cheap zennheiser e835 mic. i'm just learning to use my BOSS DR303 SP Sampler. All in storage inMelbourne. i've got running with 2 decks and a 3ch mixer. besides that i have the earlier mentioned sa-21 keyb. 2 flutes, 2 acoustic guitars and 2 hand-drums. Audiokontrol1 2x 70W Active M-Audio BX5a Studio Monitors, the 3 mini series of MIDI kontrollers. knobs+buttons, sliders and the third I can never remember... anyway. I'm thinking about giving this MINT CONDITION BOSS DR 303 SP with 64MB cards and 2TB Audio Library.... He could become very good if he wanted. Smart kid. If not C, then R. He's a nerd like me. I'm 40 now, .. but I want to start messing with Big Dirty Stinkin' Baseline (Dizzee Raz - Baseline Junkie👌) Wish he'd do a remix for a CSGO 1Deag Junkie Tribute Fragmovie hehe.

now I run 2 5" monitors and a 8 IO TRS and 4 XLR, midi IO and guess what.. this EIE Professional Soundcard looks analogue, but is over 12yrs old, and it was so ahead of it's time. 3x USB hub on the back! dafuq?

Some of my work can be found below, and it's not serious. Just playing. #oldboysDAW #Renoise #Fasttracker2 #FT2 #Oldskool #BossDr303SP 

https://www.youtube.com/watch?v=nyhPs2ulBzg (Sexy CS there ;)
https://twitter.com/dctasb
http://www.reverbnation.com/dge/
http://www.virb.com/mlit/

Chip Shredit - Not Rap Hip Hop (DSM Set)

L∆Иgu∆gé L∆B™

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