Tighe 'Empty Units' EP incl. Pianeti Sintetici + Yogg remixes (out 17.10.25)

Best known for his cinematic jungle excursions, Seb Uncles returns to Livity Sound for a second extended release of introspective electronics with a strong influence from mystical sources. 

As Eusebeia, Uncles has developed a strong, independent presence in modern electronic music defined by a prolific run of deep-diving, breakbeat-driven albums and EPs. In 2022 he released Cosmos on Livity Sound, a mini-album that zoomed out to a more reflective strain of electronica shaped by atmospheric synth lines in the hauntological vein of Ghost Box, Pye Corner Audio et al. 

The Wyrding Way finds Uncles delving even deeper into this area of his output, keeping drums to a bare minimum and focusing instead on powerful melodic lines. There are still considered soundsystem moments that connect with Livity's long-standing sonic focus, not least the subtle dub inflection of EP centrepiece 'By The Light Of The Moon'. Elsewhere Uncles leaves the melodic parts unaccompanied, letting the phrasing and emotional pull of the title track tell its own story. 

Balancing light and dark elements and drawing inspiration from personal experiences and perspectives, combined with spiritual and existential observations, Uncles capitalises on the evocative streak in his studio practice to deliver a timeless, immersive experience unlike anything else in his considerable back catalogue.

Eusebeia - By The Light of The Moon

A mindful exploration of nature’s complexities, unfettered by human egocentrism

movie jungle - 9_25_25, 12.13 AM

AN ATLAS OF LOSS

Do minerals dream of becoming semiconductors? Do they yearn to carry charges, amplify, switch, and convert energy into emotions comprehensible to humans? And what if, from the darkness of the underground, they had been listening to us sing in caves before the emergence of the first flute? Could they have guided us, through the course of history, to find them, extract them, and create new sounds through sinusoidal waves, to form valves and bend circuits?


If so, minerals would transition from what philosopher Eugene Thacker defines as the ‘planet’—that virginal and unreachable realm for humans that we study through geology, paleontology, and environmental sciences—to the ‘world,’ the space we inhabit, interpret, and synthesise in our daily lives. Sadly, we only remember the world when it erupts violently, through climate catastrophes or when a new virus emerges. Sometimes a tsunami collides with a nuclear plant, or viruses are cultivated as biological weapons in high-security laboratories, provoking a deep biological anxiety, hard to quell, which we all feel beneath our skin.

There exists a third realm, disconnected from both the world and the planet: the ‘earth’, an immense, dense rock floating in space alongside other planets, situated in the cosmological dimension. Relating to the earth is so complex that we only do so through theoretical speculations of a scientific nature or through science fiction, interweaving until one becomes the prophecy of the other, in an infinite, pendular dance. Beyond the darkness of space and Lovecraft’s cosmic horror, the fantasy of human extinction is the most recurrent: to reach a collapse so devastating that we do not survive it, even though the earth does, without us.

In a world where we quantify everything through body sensors, financial algorithms, nanometre-scale robots, and surveillance drones—a world in which everything that can be domesticated and controlled can also be commodified—a superior artificial intelligence would survive the collapse of the species (some speculate it might even cause it) and learn from our mistakes, thanks to our obsessive gathering of data.

Long after our voices fade, minerals will persist in the darkness of screens, in the silicon of chips, and in their pure form, still unexploited underground. Over the millennia, this intelligence might piece together fragments of our reasoning, as if an alien civilization finally connected with one of our spacecrafts loaded with messages cast into the void. It would sort through endless streams of data, unable to grasp the depths of emotion behind what it quantified, recreating simulations of our past, stripped of the nuance that once defined us and conducting experiments in sandboxes.

Some remnants of our existence—faint echoes of forgotten beauty—would be pieced together in an atlas of loss, buried beneath layers of numbers, decayed bots, and corroded hard drives. What will follow? Perhaps bison will once again roam—trotting to the strange pulse of techno, their ancient forms framed by the ruins of our cities. Buildings will crumble, slowly dissolving under the soft touch of ambient music, and a thousand flowers will bloom with that ancient music created through electrical signals and computation.

7 songs for a future both improbable and inevitable—a final message from a world lost to itself, from planet Earth to planet Earth.
A1 by Alex Dickson, Joe Baker.
A2 by Olivier van der Lugt.
A3 by Andre Lira.
B1 by Flore Morfin.
B2 by Jdotbalance.
B3 by Charlie “Eric” Baldwin.
B4 by J. Coles, P. Tipler.


Mastered by Pedro Pina.
Artwork by Aleix Font.
CEEXYZ05.
©️ & ℗ 2025 Lapsus Records.
ceexyz.bandcamp.com

Buy Link (Bandcamp)

Pugilist & Forest Drive West - Polygon [CEEXYZ05]

agate_court_5

It’s been a while since the last split EP on the label, but the wait is finally over: we present a striking combination of dry, functional modular techno and tech-infused dub cuts from none other than Berlin’s Endmodell and NYC’s Connor Wrong.
On the A-side, Endmodell delivers 0210, which wastes no time in setting the pace. A stomping techno rumbler with frantic synth shots and arpeggios, it just keeps rolling, leaving no one behind. His second track, 0704, is a breaky, melodic techno tool layered with mysterious vocals and searing noise FX. It floats forward effortlessly, providing the perfect transition to the more dub-driven B-side, where Connor Wrong’s tracks shine brightly.
Things kick off with Paws Up, creeping in with slightly dissonant chords before easing into a smooth, tech-dubby groove. Its already iconic “Put your Paws Up” vocal makes the track instantly memorable; a true roller that never loses its cool while keeping the groove alive. Closing the record is Pleroma Dub, the slowest and most heavyweight dub piece of the release. With jazzy melodies and a mesmerising low-end, it draws the EP to a deep and hypnotic close.
W133012 will be released on 10.10.2025 as a limited 25-copy vinyl edition alongside a digital version, accompanied by analogue photographic artwork by Philipp Roth.


W133012 Connor Wrong x Endmodell - Snippets

Runway

Upon announcement of the next Bait release, Tighe, Pianeti Sintetici & Yogg have all 3 recorded a 20 mins mix each showcasing their own output.

Bait présente Tighe, Pianeti Sintetici & Yogg (100% production mixes) - 1er Octobre 2025

marino2 lands on useless seconds with AS_FWD, bringing big sound-system material. With the weighty sound palettes of dubstep and dub steppers, the low-key french producer takes a step forward by blending in various references of hazy trap music with heavily-processed chants and tickling ASMR-style whispers.

‘homie’ is a proper heater : massive low-end, suspenseful synths, sharp drums, a classic but tasteful crowd-catcher vocal and, of course, gunshot samples.

‘prev-u’, in collaboration with Soa420, sees both producers exploring grimy influences, digested into a strong dubstep maestria sparkled with french rap easter-eggs.

‘cyrque’ is an intense roller, aimed at playlists called ‘take no prisoners’ or ‘smoke machine launcher’.

‘fergo’ takes a gloomier path, the head-banging halftime rhythm carries an intriguing whisper into classic wobble action but still in a haunted mood.

marino2 - AS_FWD

Alicia B2B Notte Infinita - 02 October 2025

habitus mix 1: pugilist x firas
0:00:00-0:59:59 - firas selects, pugilist mixes
1:00:00-2:26:21 - pugilist selects, firas mixes

The first episode of habitus mix brings together the minds and skills of Pugilist and Firas. Pugilist is the prolific and acclaimed Scottish/Kiwi producer who recently launched his own imprint Ruff Kutz and who has released music on such celebrated record labels as Nous'klaer Audio, Modern Hypnosis, Samurai Records, 3024 and Banoffee Pies Records. Firas is a Syrian-Australian DJ and broadcaster, and the music director at PBS 106.7FM, Naarm's premier specialist music radio station. 

This episode features music from such artists as L.B. Dub Corp, Flying Lotus, DJ Plead & rRoxymore, Crown and Country, LSS, Quincy Raw, Big Hands, Barker, and Forest Drive West, to name just a few. The tracks included here are at once joyful and heartbreaking, still and furious, ambient and ecstatic. Brilliant mixing and long, patient blends hold the music together, and loose, imperfect ruptures ensure that this 2.5-hour episode remains compelling from start to finish.

habitus mix 1: pugilist x firas

Run by @wooky
www.lapsus.cat

Record Labels: Lapsus Records, Balmat & C.E.E.
Distribution by !K7 (www.k7.com)

Weekly podcast Lapsus Radio co-hosted by @wooky and @psherburne.
Support: www.patreon.com/LapsusRadio
Listen: www.mixcloud.com/Lapsus_Radio

Booking and Management Agency: www.lapsusagency.com

Pugilist & Forest Drive West - Polygon [CEEXYZ05]

Lapsus / C.E.E.

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