October 11 2013
Rolston Recital Hall, The Banff Centre

Superconnected - Kevin Drew with Lara Dodds-Eden

(Piano transcription of original for harmonium, celesta and harp)


Schoenberg - Herzgewächse, Op.20: Julia Fox, soprano and Lara Dodds-Eden, piano

(recorded by Zach Miley and Chris Lyons, Rolston Hall, 20 March 2014)

Everybody's Fucking Everyone by Kevin Drew  - (Lara Dodds-Eden, Piano)

Recorded by Zach Miley and Chris Lyons, 20 March 2014, Rolston Hall, Banff Centre

Prokofiev - Visions Fugitives 1 Lentamente (Lara Dodds-Eden, piano)

Prokofiev - Visions Fugitives 3 Allegretto (Lara Dodds-Eden, piano)

Prokofiev - Visions Fugitives 5 Molto Giocoso (Lara Dodds-Eden, piano)

Prokofiev - Visions Fugitives 11 Con Vivacita

Prokofiev - Visions Fugitives 7 Pittoresco (Arpa) (Lara Dodds-Eden, piano)

Prokofiev - Visions Fugitives 8 Comodo (Lara Dodds-Eden, piano)

Prokofiev - Visions Fugitives 9 Allegro Tranquilo

Prokofiev - Visions Fugitives 19 Presto agitatissimo e molto accentuato

Prokofiev - Visions Fugitives 17 Poetico

Prokofiev - Visions Fugitives 20 Lento irrealmente

A piano/santur cover of 'River' from the Belle Game's debut album 'Ritual Tradition Habit' with lead singer Andrea Lo
Recorded live in concert at Rolston Hall, the Banff Centre, 11th October 2013

River by The Belle Game - Andrea Lo with Sina Bathaie (santur)and Lara Dodds-Eden (piano)

Live Recording, Rolston Hall, The Banff Centre 24 January 2014 
Score available here: http://www.marcsabat.com/pdfs/TI.pdf

NOTES ABOUT THE INTERPRETATION 
 
This piece was composed in celebration of the Akademie Schloss 
Solitude’s 20th year anniversary, to be premiered as part of a 
series of miniatures all beginning and ending with the “Tristan” 
chord from Wagner’s opera. 
 
In the pedalling indications, which are marked with a gradually 
upward-slanting line, it is intended that each player depress the 
pedal before playing a new chord, and then gradually release it over 
about 3 seconds whilst sustaining the written pitches with fingers, 
thus creating an exaggerated (but smooth) diminuendo. 
 
The Da Capo return to the initial chord should not be treated in any 
special manner, rather it should be played exactly as all the 
others, without any fermata or exaggerated fade-out. 
 
Should a special intonation of the pianos be desired, the two sharp 
notes may be lowered somewhat to approach a pure minor triad with 
the B-natural, and the F may be raised to make a 45/32 ratio with 
the B. However, it is not necessary that the two pianos be tuned 
identically or precisely, some differences of shading between them 
may even be desirable. 
 
 
[the composer] Berlin, 4 August 2009 

Marc Sabat - Tristan, Isolde for two pianos (Kristin Sofroniou, Lara Dodds-Eden, pianos)

Arranged and performed by Cecilia Bercovich (viola) with  Lara Dodds - Eden (piano)

Glazunov -Snovidenie (A dream), on verses by A. Pushkin.

Arranged and performed by Cecilia Bercovich (viola) with Lara Dodds-Eden (piano)

Sibelius - Flickan kom ifran… (The girl returned from meeting her lover) op. 37 No 5

Alex Samaras sings Rorem's setting of Whitman with Lara Dodds-Eden on piano
Walter Hall University of Toronto, Feb 12 2016

Unknown album (12/12/2016 10:20:44 PM)

Ned Rorem - As Adam Early In The Morning

Catherine Gardner (soprano) with Lara Dodds-Eden (piano)
Live recording from Walter Hall, Jan  8th, 2017

Lara Dodds-Eden

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