Buy/Support: https://humanpitch.ffm.to/salamanda-overdose

Seoul-based producer and DJ duo @Salamanda (Uman Therma and Yetsuby) share new single “Overdose,” their first release with NYC label Human Pitch and follow up to 2021’s Sphere via Métron Records. “Overdose” brims and bubbles over with fecundity like a life-giving spring. Salamanda’s vocals float languidly in the first half of the song, gently slipping past synth warbles that flit by like iridescent minnows. Halfway through, Uman and Yetsuby’s intonations burst through the surface for an ecstatic breath, reaching a cathartic plateau.

Stay tuned for more music from Salamanda on Human Pitch soon.
credits
released February 23, 2022
Music written and produced by Jimin Sung and Yejin Jang
Vocal performance by Jimin Sung and Yejin Jang
Mastered by Tristan Arp
Artwork by Zin Taylor

asbalkum

Salamanda - Overdose

All Pervading

All Pervading (Glimpse)

Baptismal

The Return

Atlas

Sweat, Tears or the Sea

Sigh In My Ear

Your First Armadillo

Made with tape loops and synths in a cold tiny space.

BANDCAMP

Piccoli Rumori Tristi V

M-Sol CHILL presents:
Florian Gasperini - The Great Tapestry of Life
A tender voyage through relaxing melodies and deep emotions.

✅ FOLLOW US ON SPOTIFY:
Chill & Relax: https://bit.ly/3wusYks
Chillout Your Mind: https://bit.ly/49PdlT4
Chill House Beats: https://bit.ly/3wB20YB
Café Lounge: https://bit.ly/3SXh5Lp
Calm Reflections: https://bit.ly/3wCkoAk

Great Tapestry of Life

Grito De Luz

Florian Gasperini - Grito De Luz [M-Sol CHILL]

The melody is soft and light, as if you were floating in your own dream)

Dream

I. 2c 
II. Flutter
III. Moments in Love

out 04.28.17 https://boomkat.com/products/grafts

GRAFTS

First track from the new Jon Hassell album 'Listening To Pictures (Pentimento Volume One)' - Out now:
http://smarturl.it/listeningtopictures

pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.

Forty years since its creation, Jon Hassell's Fourth World aesthetic remains a powerful influence on modern electronic music. Continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing, fragments of performance are sampled, looped, overdubbed and re-arranged into beguiling unexpected shapes. Hassell applies the painterly technique of ‘pentimento’ to the arrangements, teasing out texture by the overlaying of sound upon sound, or a carefully timed reveal of the delicate bones pinning the frame of a track together.

The release of this new album also sees the launch of Jon’s own label, Ndeya (pronounced “in-day-ya”), which will be a home for new work as well as well as selected archival releases, including re-presses of classic sides and some astonishing unreleased music.

FURTHER READING ON JON HASSELL:

Fourth World in the 21st century: https://www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: https://www.theguardian.com/music/2007/nov/09/jazz.urban
https://www.jonhassell.com/

The Return

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