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Blue Train - Get Movin (Lello Russo Re_Work)

Franky Carbon-e, Nae:Tek - Commensal Link (Forteba Rmx) [Superordinate Dub Waves]

Club pink flamingo- episode 3 - Élinor

KENN - Patronus
Fckng Sound (2025)
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Release date: September 18
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www.kenntrindade.com

PREMIERE: Patronus

Vinyl & Download:
www.toytonics.de/2018/03/06/toyt078

The new Toy Tonics EP features four remixes of Kapote - tracks. New and exclusive works by FYI Chris (Rhythm Section Intl), Marvin & Guy (Life & Death), Art Alfie (Studio Barnhus) and French newcomer Real J.

Vinyl & Download

Kapote - L.O.V.E. (Art Alfie Remix)

2020 Soundsystem Broken (Makam Remix)

1Trax’s eponymous mix compilation series hits the ‘Three’ mark this August with a contribution from house and garage darling, Huxley. Following exceptional instalments from Matt Tolfrey and Subb-An, 1trax’s compilation series has a knack of catching artists at just the right moment and ‘Three’ is no different.

Huxley, aka Michael Dodman, has had an outstanding 2012. Building on an already rock-solid career which has seen him release on Tsuba, Cecille and deliver countless excellent remixes, this year has seen the Hertfordshire (UK) producer/dj deliver an outright anthem in ‘Let it Go’ for Hypercolour alongside superb EP’s for 20:20 Vision, Leftroom and Tsuba (forthcoming). His DJing abilities have seen him grace the decks the world over as well as podcasts for the likes of Fact and I-D, while winning universal press and radio support within electronic music.

Much like the Hypercolour and Tsuba producer’s productions, his mix here demonstrates a love for a smorgasbord of quality house and garage music while continually returning to powerful bass and prominent hooks throughout.

Opening with Huxley &amp; Sam Russo’s own, airy melodies of ‘Don’t Undastand’, ‘1trax Three’ quickly develops a tight groove with future-house cut ‘Shots’ by rising star Shenoda segueing into the classic garage vibe of Jordan Peak’s imposing ‘Work’. Twitchy, tweaky house from Iz &amp; Diz is bookended by two exclusive, and sharply contrasting remixes from Huxley himself (Shenoda ‘Moments’ and Maya Jane Coles ‘Dazed’) while the deep, warehouse feel of Nyra’s ‘Best Of’ takes us into the ample belly of ‘1Trax Three’.

From the mid-section of “1trax Three’ we’re treated to a short burst of barnstormers from Gavin Herlihy (‘Get Loose’) and Huxley himself (‘Let it Go’) before the moody, guttural tones of AND.ID (‘Erotica’) and Baunz (‘808s Pause Tapes And Other Shit’) provide some late night grit.

The final section of the mix, courtesy of Robert Owens, Nina Kraviz and Little Fritter &amp; Zare, indulges Huxley’s techier leanings before giving away to Julio Bashmore’s carnivalistic remix of ‘Square One’ by Mosca, which brings back the party vibes in abundance. Closing out with 24hour Experience ft Lorraine Lowe’s Nice’n’Ripe classic, ‘Give Me That Love’, ‘1trax Three’ is a varied but cohesive mix that doesn’t fail to excite and impress.

‘1trax Three’ mixed by Huxley is released on 1trax, mid-August 2012 with a 12” sampler of the two exclusive remixes being released slightly earlier.

Exclusive Sampler:

1. Maya Jane Coles 'Dazed’ (Huxley Rmx)
2. Shenoda 'Moments’ (Huxley Rmx)

Maya Jane Coles - Dazed (Huxley Remix)

It is an honor to welcome Fish Go Deep for their 4th release on Large Music. Uniformly recognized as legends, Greg and Shane continue to push underground house music forward and ignore trends. Two brilliant tracks to choose from here, each with a slightly dark NYC style groove framed up by crisp production. Enjoy!

Curated by Jeff Craven for Large Music LLC
26 years of House Music History.
For licensing: info@largemusic.com

LAR302

Buy Now

Fish Go Deep | Time Is Up (Out Now)

Released by: Dessous Recordings
Release/catalogue number: des112
Release date: Dec 3, 2012 

Langenberg has been busy releasing his distinctive brand of knowledgeable deepness for well over half a decade now. As co-founder of the Essen-based label Mild Pitch, the man otherwise knows as Max Heesen has been responsible for some sublime moments in house, both on his own label, and for imprints such as Liebe*Detail, Drumpoet Community and Poker Flat.

Here, Desseous Recordings get their hands on the sumptuous release The Finisher. Informed and influenced by the classic Detroit sound, Langenberg produces yet another exceptional transmission. The title track is a smooth like liquid gold, yet contains a dub-tinged techno edge reminiscent of Langenberg’s Ribn project with Manuel Tur. The soulful piano interplay is pure Detroit meets Essen, and combines to produce one of the year’s standout moments.

Next up is Wait State, a bouncing groove featuring Langenberg’s trademark crisp drums and percussion, and a fantastic revolutionary vocal sample.

Sun and Sorrow is on a more driving tip, but maintains a familiar minor key motor city deepness. Also present here as a digital bonus is Sun and Sorrow Dub, an essential rework and a dub-wise dancefloor excursion for the heads.


Sun & Sorrow

Deep House was born here.
Deep House lives here.
3 decades of House Music history...and counting.
Full Bio:

Cast your mind back to 1992. The world wide web had only just been invented, and mobile phones were for yuppies and drug dealers. The world we know today was just being born – and being born right at the same time, over in Chicago, was a little label called Large.

Large Music was the brainchild of Windy City resident Jeff Craven, who was worried that house music was in danger of being sidelined in its own birthplace, the international spotlight that had once shone on the pioneering Trax and DJ International imprints having moved on to New York labels such as Strictly Rhythm, Nervous and 8-Ball. “I thought a label with that kind of energy and underground profile could work in Chicago,” says Jeff.  So, pooling funds with a friend, he began finding talent and pressing records. Kerri Chandler's 'Raw Grooves EP' became the label's breakout release, and Large Music hasn't looked back since.

In fact, far from looking back, Large is a record label that's always been about looking forward. In the 90s, their catalogue featured the likes of DJ Sneak, Mateo & Matos and Dennis Ferrer when they were right at the start of their careers, not to mention providing a then-nascent UK garage scene with one of its most enduring anthems in the form of Roy Davis Jr's 'Gabriel'. In the 2000s, the Chicago-based label was quick to pick up on the deep and soulful house coming from the West Coast, releasing material from the likes of Halo, Jay-J, Rasoul, Miguel Migs and Julius Papp. And now as a new decade takes shape, we see Jeff embracing the techier deep house sound that's emerged out of Europe, with recent releases from the likes of Roland Nights, Evan Iff, James Dexter and Matthias Vogt.

Yet while fashions fluctuate and music mutates, one thing that hasn't changed is the Large A&R policy. It's simple: “My formula has always been to release music that I was really into and what I would play as a DJ,” says Jeff. “I'm still just as excited about house music as I was in 1992.” Which probably explains how Large has been able to stay relevant all these years – this is one veteran label that isn't content to endlessly rehash former glories, but who instead keep searching out new underground talent.

At the time of writing this, Large Music is 20 years old, with some 200 singles and 50 albums under their belt, and tracks licensed to over 400 compilations. Which means they've been putting out upfront house music on a weekly basis since before many of the people dancing to it in clubs this weekend were even born. They set out to ensure that house music didn't get sidelined in Chicago in the 90s. What they've actually achieved is to push house forward all over the world for two decades – and counting…

Fish Go Deep | Time Is Up (Out Now)

Large Music

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