Baião de Lacan (Guinga/Aldir Blanc)

Times after their last release in August 2020, Larissa emerges with DÓIDÓIDÓI, a song designed with their already familiar brazilian-pop-flirting-with-experimentalisms.

The fresh air, after a very silent gap, makes itself clear in the first few seconds of the song,. The talk between spaces and languages were thought out to expose their experiences and perspectives as a curious artist, with acidity and inventiveness wrapped in sampled guitars and a sweet voice. 

“Talking about pain while dancing to a weird pop,” was the idea. With antagonisms and ironies throughout the project, Labaq embraces their DIY soul as a way of diving even deeper into themselves, “when you are conceiving, directing, producing, etc, it’s different, I feel like there is a deep connection to the outcome and a limitless devotion to the work that I do." 

Larissa’s identity is reaffirmed by finding in beats and poetry the cure for saudade and hurt, these are moments of fury and lightness that translate the single into a synthesis of the last few years as a non-binary brazilian immigrant artist living in Portugal since 2020, also giving us a taste of what we can wait for 2022.

“DÓIDÓIDÓI” has the music production and artistic direction by Labaq and it’s video was co-directed by the artist and Ana Viotti. The release is set on March 31st and will bring out a promotion tour in Portugal, passing through Porto, Lisbon, Vila Real, Leiria and Braga.




💛 💜 🖤 🤍

DÓIDÓIDÓI

DÓIDÓIDÓI

Rua - Do Absurdo - 05 - Rainha da Bateria

Letra e música: José Paes de Lira e Fabio Trummer

04 ELA VAI DANCAR

1.	04:18	Fé na festa     
2.	03:24	Dança da moda     
3.	05:31	Assim, sim     
4.	03:20	Óia eu aqui de novo     
5.	10:23	Respeita Januário / O xote das meninas / Eu só quero um xodó    
6.	05:45	Lamento sertanejo      
7.	03:46	Um riacho, um caminho     
8.	04:00	Juazeiro     
9.	03:43	Estrela azul do céu     
10.	03:26	Aprendi com o rei     
11.	03:43	O livre-atirador e a pegadora     
12.	05:19	Qui nem jiló / Expresso 2222        
13.	07:00	O casamento da raposa     
14.	03:38	Olha pro céu     
15.	03:59	Esperando na janela     


Ficha técnica:

GEGE
Direção artística: Gilberto Gil
Assistente direção artística: Bem Gil

Banda
Gilberto Gil: voz, violão, guitarra
Arthur Maia: baixo
Jorginho Gomes: zabumba
Sérgio Chiavazzoli: guitarra, violão, banjo e guitarra baiana
Gustavo Di Dalva: percussão
Nicholas Krassik: violino e rabeca
Toninho Ferragutti: acordeon

Participação especial de Dominguinhos
nas faixa: Respeita Januário; Xote das meninas, Eu só quero um xodó, Lamento sertanejo e Um riacho, um caminho

Mixado por Álvaro Alencar
no ÁlvaroMix@Eco, Rio de Janeiro, RJ
Masterizado por Ricardo Garcia
no Estúdio Magic Master
Iluminação: Ivan Marques
Técnico de P.A.: Leco Possolo
Técnico de monitor: João Ribeiro
Roadie: Thiago Braga

Produção
Coordenação executiva: Flora Gil, Meny Lopes e Fafá Giordano
Produção executiva: Barabara Ohana
Assistente de produção: Julia Sampaio
Projeto gráfico: André Vallias
Fotografia: Marcos Hermes
Revisão: Luiz Augusto
Coordenação gráfica: Geysa Adnet

Assessoria jurídica: Ana Tranjan
Assessoria de imprensa: Gilda Mattoso e marcus Vinícius
mattosovinicius@mattosovinicius.com.br

Gilberto Gil usa:
Microphones AKG
Violões Takamine
Cordas La Bella

Assim, Sim

DIsco gravado em 2009 pelo grupo Quarteto Olinda

01 - Desculpe Morena

http://www.mrbongo.com/product/various-artists-psychedelic-pernambuco-cd-1159

http://www.mrbongo.com/product/various-artists-psychedelic-pernambuco-vinyl-lp-1274

Far to the north-east of Brazil’s twin musical capitals of Rio and São Paulo, lies the city of Recife, in the state of Pernambuco. During the country’s lengthy and oppressive military dictatorship (1964-1985), a cadre of like-minded and socially conscientious musicians were quietly building their own music scene, away from the glare of the censors.... for a time, at least.

Strongly influenced by the psychedelic music coming out of America and Britain (and further inspired by visits to India and Morocco), local musicians such as Zé Ramalho, Lula Côrtes & Alceu Valença were to be the vanguard of their own, wild, hedonistic Psyche-scene. There would be sitars and lutes merging with traditional Pernambucan percussion; constant collaborations and ethereal art-collectives; experiments with ‘found-sound’ colliding with earthy flutes and driving backlines – all helped along by men wearing lipstick, acid, mushrooms, marijuana, suggestive dancing and plenty of onstage kissing.  
 
The songs and artists featured on this album are a fittingly schizophrenic selection. Psychedelic Pernambuco finds crazed ethno-punk giving way to tweaked Americana; mystical jungle-folk stands alongside cocaine-fuelled fuzz-rock, and acid-raga trance segues into mutated proto-disco.  
 
The party couldn’t last forever. The military were a constant nuisance and a growing threat to these underground experimentalists. In one famous incident Lula Côrtes & Zé Ramalho were forced to leave Recife and flee to the woods to record their cult-classic album, Paebiru – named after the mystical Paebiru Stone which is alleged to have alien hieroglyphs carved into its sides. In the end, compounding factors like the ascent of modern-rock and the severe restrictions on their output by the military (whole pressings of albums were frequently seized and destroyed), led many of the vanguard of the Pernambucan scene to slowly dissipate and eventually blow away with the wind, like so much marijuana smoke. The final hurrah would come from Lula Côrtes, who, wishing to “close all this with a golden key”, went into a small studio in 1980 to record ‘Rosa de Sangue’ – it was duly destroyed upon its completion. Nobody knows if any copies survived.

Double vinyl LP, CD and download with sleeve notes by Mr Bongo.


Geraldo Azevedo & Alceu Valença - Planetário

Gravado e Mixado por Flavio Lima em Estúdio Ecos da Cantareira - 2015
Rodrigo Ciampi - Voz
Doka Bonfim - Violão 
Flavio Lima - Bongô

Vídeo: https://www.youtube.com/watch?v=uHUhB6R_NLI

Rodrigo Ciampi - Cérebro Eletrônico

Canção de Kiko Dinucci e Douglas Germano
Faixa do cd METÁ METÁ

Voz: Juçara Marçal
Violão: Kiko Dinucci
Sax: Thiago França
Bateria: Sergio Machado
Percussão: Samba Ossalê

Oranian (letra)

Surgiu no Orum
um punhado de pó
o chão do reino de Oió
solo de Ifé
um grão de terra vã
opá de Oranian

Galo ciscou e espalhou
pairou, boiou
a terra se multiplica no mar
okê navega
sobre o véu de Olokum

Guerreia
quando é pra guerrear
guerreia
quando é pra festejar
a espada cega corta
sem olhar a quem

Guerreia
quando é pra guerrear
guerreia
quando é pra festejar
e a pele preta e branca
se desvai no além



ORANIAN

Composição: Fanner Horta e José Vitor

Produção musical: Renan Carriço
Mixagem: Renan Carriço e Igor Bilheri
Masterização: Felipe Rodarte
Produção executiva: Lilian Kerbel

Capa por Rodrigo Toscano

Coqueiro Verde Records

Gragoatá

Água

"Saulo Duarte e a Unidade" (2012)
YB Music - www.yb.com.br

DÓIDÓIDÓI

LARIE •

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