I found it over 10 years. and love it the same as I was young 🫡

WHERE YOU BEEN LARS??? WE MISS YOU... YOU NEED A NEW SET....THX TAVI

das habe ich vor vielen jahren rauf und runter gehört. super set!

Sehr gelle Geschichte. Von dieser Adresse habe ich noch nie etwas zweideutig gehört. Fettes Ding. Selten so gute Leute....

Fresh from his little adventure to Brazil, Sasch has knocked us up a storm of a mix to reacquaint ourselves with the young DJ. With a reflective start, the journey quickly moves into a more playful, funkier style that Sasch has become well known for. Welcome back!

01. Damiano Von Erckert - All Good (Original Mix)
02. Rico Puestel - Volute (Original Mix)
03. Tiger Stripes-Runaways (Matthew Herbert's Never Coming Back Mix)
04. Super Flu - Cheesy Mobisi (Original Mix)
05. Jay West - Roots Are Deep (Original Mix)
06. LouLou Players, Kolombo - Touch Ur Body (Original Mix)
07. Sasch - Agora (Original Mix)
08. Sharam Jey & Teenage Mutants - Understand Me! (Original Mix)
09. Gui-Boratto - Too-Late (Original Mix)
10. Max & Sims - Get it on Tonight (Original Mix)
11. Simion - Lost (Club Mix)

Cover Art: Stella Gelesh

iTUNES

Steyoyoke Radioshow #024 by Sasch

Freshly squeezed on Leena Music. Lee Van Dowski & Dean Demanuele:
http://www.beatport.com/release/branding-you-damned/1267148

http://www.mobilee-records.de/artists/lee-van-dowski

Lee Van Dowski: The very name exudes style and intrigue—a country lord, perhaps, who at night throws open the manor gates to host all-night bacchanals legendary for their wine and song.

And though the French-born, Geneva-based artist may not have a manor to his name, the rest isn't far off the mark. Born Renaud Lewandowski, Lee has earned a reputation as a kind of dark prince of uplifting electronic music—a trickster who spreads his mischief via long, undulating DJ sets and bewilderingly funky releases. And he's done this in a remarkably short span of time. In 2004, he and Philippe Quenum released the well-received "Extension"/"Oregon" single for Luciano's Cadenza label; since then Lee has gone on to unleash a deluge of material on labels like Mental Groove, Bpitch Control, Dumb Unit, Einmaleins, Memo, Plak, Defrag Sound Processing, Mobilee, Leena, Wagon Repair, Soma (where Lee and Quenum also released their collaborative album, As Told On The Eve Of…) and still more. He's a regular fixture at some of the world's most celebrated nightclubs— Panorama Bar, Weetamix, Goa, Rex Club, D edge, The Arches etc…and even more celebrated afters. And as the director of two labels—Num, alongside Quenum, and 60Sec, with Agnès—he's released dozens of records from the likes of Butane, Mike Shannon, Alex Attias, Exercise one, Pan Pot, Dario Zenker and many more.

But while it's been a comparatively rapid ascent, Lee's roots go deep. His musical prehistory may be similar to many of his generation: raised on rock and hip-hop, complete with the obligatory attempt to learn to play guitar followed by short-lived bands with schoolmates. But Lee was the beneficiary of his stepfather's eclectic musical tastes, which spanned classical, jazz, funk, rock and even musique concrete and academic electronic music. "I was fascinated by the metallic sleeves and their geometrical designs," he remembers, suggesting a possible source for the shimmering timbres and clever vectors of his own music.

The pieces first fell together in 1993, when a friend invited Lee to attend a rave in southern France, near where he lived. "That was the shock of my life," says Lee, echoing a sentiment that will be familiar to many. "That was what I was looking for, without really knowing it—thousands of people dancing and sweating in the open air. An amazing soundsystem. And this never-ending kick that drives you to madness… Since that day, I've devoted my life entirely to being a part of this."

Lee got involved with the infamous Dragon Bal raves, where Miss Kittin got her start; he worked mundane jobs, saved money, bought decks and a mixer and taught himself to spin. He came to production the same way, beginning with an MPC2000, but translating the sounds in his head into its fat, blocky pads wasn't as easy as it seemed. His ambitions took Lee to Geneva, where he earned a degree in music engineering, but it may have been his next job, working in a Lausanne music shop, that really signaled his entry into the world of electronic music. "Even if the boss was a crazy guy, the shop was like a goldmine, full of gear and old analog synths, drum machines, all the recording and mixing tools you could dream of," he recalls with awe. He took advantage of his employee discount to build out his studio, and just as importantly, the shop served as a focal point for all the area's musicians. It was here that Lee would meet both Quenum and Luciano—and from there, as they say, the rest is history…

There's no single description for Lee's productions, which have proved unusually malleable in his half-decade of releases; an early interest in the skittish rhythms of labels like Warp and Skam remains evident, but reformatted for the supple grooves of deep house and classic minimal techno. His time in the Lausanne music shop clearly served him well; Lee's tracks immediately stand out for their fine sense of detail, an almost intangible shimmer. Utilizing samples, drum machines and all manner of synthesizer, Lee's music remains open to every possibility. "It's an empirical process," he says of his method. "Each sound or loop brings me to the next one, and so on, until the moment that I feel I have all the elements I need to finish the track. Of course, there are always surprises and accidents—that's what makes the magic in writing music."

Lee's DJ sets are similarly spirited. "Technically, I like to surprise myself," he says. "I like to do a long, smooth mix, and then a radical one… It's important for me to try telling a story, so of course your technique is another way of doing that, along with the music itself. With time and with age, maybe, the tempo really decreased—I think I play a bit deeper now than five or six years ago. But I still love a good, bouncy track if it's not too aggressive, and if the energy serves the groove instead of breaking it." Slowing down also means stretching out. "I like to play long sets," he continues, "when you don't have to rush, and you can really forget yourself and build something different."

2009 finds Lee stretching out as never before. The year began with his Free For All Crash Endeavors, released on his and Quenum's Num label, and The Variable Man (Leena), with one track featuring Lee's longtime colleague Agnes; Lee also collaborated with Anja Schneider for Mobilee's 50th release, "Deseo"/"La Roulette." Further releases are out now, or due soon, on Saf Series, Material Series and Curle Recordings. But the year's biggest development may be Lee's return to Cadenza, the label that helped launch his career five years ago. In May, Lee will appear alongside Luciano, Glimpse and Guy Gerber on a split EP; he also joins Cadenza Booking, joining a family-style roster that includes Luciano, Thomas Melchior, Petre Inspirescu, Rhadoo, Mirko Loko and many more of electronic dance music's most innovative players. Count Lee has returned to his Swiss manor, the gates are wide open, and the beat is beckoning.

Get the music!

Lee Van Dowski - mobilee promo mix - April 2014

Erhan Kesen was born on 04.03.1984 in Instanbul. Already as a child, Erhan had to do with a lot of music. At first he started to study architecture, but he fell for his passion and decided to play and produce music. Genres like soul, funk, acid-jazz and their stars including James Brown, Prince and Jamiroquai are were his inspiration. At the end he found that the electronic music is his true inspiration.
Because he performed so well as a DJ in the clubs of Instanbul, he got promoted to a Resident DJ in one of them. He played support acts for DJ’s like Gilles Peterson, Gotan Project, Jazzanova Live and Bugge Wesseltoft. The manager of the high decorated club Nublu in New York noticed Erhan and made him Resident of his new Nublu Club in Instanbul. He was so successful there, clubs in Instanbul like Anjelique, Milli, Ghetto, Vibe and Lux booked him to play for them.
To improve his profession he studied Audio Engineering at the SAE Institute. During his studies he continued producing and releasing tracks for the Phat Elefant label in Amsterdam and Tenampa label in Mexico.
Since 2012 Erhan is getting more and more successful and when the Suxul_Club (Ingolstadt) made him the offer to be the resident, he decided to go to Germany. He got to know LOPAZZ and K-Paul. He started producing for them, also. Since 2014 Erhan signed at the Berlin label WHATIPLAY. We are looking forward to his further development!
An introduction to the release "Everyone" (releasedate "Everyone"-EP 07.04.14) mixed Erhan Kesen the WIP Podcast 007, enjoy listening!

german:
Erhan Kesen wurde am 04.03.1984 als Erahn Odunkesen in Istanbul geboren. Bereits in seiner Kindheit beschäftigte sich Erhan intensiv mit Musik. Beruflich widmete er sich auf Grund seiner Ausbildung am technischen Gymnasium zunächst der Architektur, sehr bald  jedoch gab er sich seiner eigentlichen Leidenschaft, der Musik, ganz hin und wurde dabei von Soul-, Funk- und Acid-Jazz-Größen wie Prince, James Brown und Jamiroquai inspiriert. Seine wahre Inspiration fand er jedoch erst in der elektronischen Musik.
Mit seinem 18. Lebensjahr bekam er die Möglichkeit in Clubs aufzulegen und auf Grund der positiven Resonanz wurde er Resident DJ im Club Club Babylon in Istanbul. Dort brachte er die Crowd u.a. für die DJ’s  Gilles Peterson, Gotan Project, Jazzanova Live und Bugge Wesseltoft in Stimmung. Der Inhaber des renommierten New Yorker Clubs Nublu wurde auf ihn aufmerksam und stellte ihn als Resident-DJ in seinem neuen Club Nublu East in Istanbul ein. Sein dortiger Erfolg bescherte ihm weitere Gigs in den besten Clubs Istanbuls wie das Anjelique, Milli, Ghetto, Vibe und Lux.
Um sich beruflich weiter zu entwickeln absolvierte er ein Studium im Audio Engineering Programm vom SAE Institut. Während des Studiums produzierte Erahn weiterhin Musik und releaste für die Labels Phat Elefant in Amsterdam und Tenampa in Mexico. 
Seit 2012 machte sich Erhan auch mehr und mehr einen Namen in Deutschland und als ihm der Suxul_Club in Ingolstadt ein Angebot als Resident machte, beschloss Erahn nach Deutschland umzusiedeln. Hier lernte er u.a. LOPAZZ und K-Paul kennen , für die er dann auch anfing zu produzieren. Seit 2014 ist Erahn beim Berliner Label WHATIPLAY um Sascha Braemer unter Vertrag und wir dürfen gespannt auf seine weitere Entwicklung sein. 
Zur Einstimmung auf die bevorstehende Veröffentlichung von "Everyone" (Releasedate "Everyone"-EP 07.04.2014) mixte Erahn den WIP-Podcast 007, viel Spaß beim Hören!

WIP Podcast 007 by Erhan Kesen

Tiefschwarz step up to the DJ Mag Weekly Podcast. 

Track list: 
1 douglas greed  feat. kuss - moment hunter - noir rec
2 louis proud - so many promises / maher daniel rmx - circus rec
3 few nolder - clouds / boo rmx - boso
4 locked groove - enigma - hotflush
5 marcos in dub - luos onhcet - raw cuts
6 ellen allien - freak the night / radioslave rmx - bpitch
7 who made who - traces / agents of time rmx - click rec
8 hunter/game - hexagon - kompakt
9 kink - fantasia / truncate rmx - pets rec
10 clarian - inuit - turbo rec
11 alland byallo feat. aquarius heaven / mosque rmx - dead ringer - animal
12 sascha funke - zug um zug - kompakt 
13 kiamos - looped - erased tapes


DJ MAG WEEKLY PODCAST: Tiefschwarz

Future Avenue proudly presents its third season compilation of the year. This compilation serves as a platform where we support and nurture emerging talents, helping them take their first steps in the industry and guiding them toward releases on our other respected labels, such as Sound Avenue and 3rd Avenue. We are excited to introduce 20 talented artists from around the world, each contributing their unique sound to the realms of Progressive and Organic House. This third season sampler of the year highlights the diversity and creativity within the genre, and we are proud to welcome these artists to our label.

In alphabetical order, we present: Adán Vulcano, Adilian, Agwstin Pagano, Amar (SL), Deeplane, D-MICE, Dissidentt, Ed Mendoza, Frank Savio, Intu Marz, Larry Hayes, Leo Riggio, Magicc, Pavel Koreshkov, PZILIO, Tam Mi, Tomi Carchio, Valen Bordigoni, Vasco (AR), Zabi

Stream/download: https://go.protonradio.com/r/rliN9Lq-lAqW0

Follow Future Avenue
• Youtube: https://www.youtube.com/@futureavenue
• Beatport: https://www.beatport.com/label/future-avenue/86574
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Follow our Spotify playlists:
• Back Catalog: https://bit.ly/futureavenue_spotify
• Progressive House: https://bit.ly/progressivehouse_sa
• Organic House: https://bit.ly/organichouse_sa
• Deeper Underground: https://bit.ly/deeperunderground_sa
• Ambient: https://bit.ly/ambient_sa
• Lo-Fi Music: https://bit.ly/lofi_sa
• Mixes: https://bit.ly/futureavenuemixed_spotify

Latest Free Downloads Compilations:
• https://futureavenuelabel.bandcamp.com/album/atmospheric-progressive-009-free-download
• https://3rdavenue.bandcamp.com/album/retrospective-004-free-download
• https://soundavenue.bandcamp.com/album/retrospective-007-free-download

To submit a demo, send a private Soundcloud link to demo(at)soundavenue.be

#progressivehouse #futureavenue #soundavenuelabelgroup #deephouse #melodichouse

D-MICE - Celestial [Future Avenue]

sensitive

“Glitch Residuum Vol. 3” dives deep into corrupted basslines, fractured drum structures, and error-coded atmospheres. Each loop is a system malfunction, rewritten as relentless underground techno. Pure glitch aesthetics, no compromise – the sound of machines bleeding data into the void.

Phantom Kernel :: Data Bleed

Rechenzentrum

Jochen Pash pres. Body Music Episode 1/20

Here is our tenth Afterhour Sounds Podcast mixed by....&#13;
&#13;
…Viperflo  who is based in Berlin, Germany. As long as he can think he´s making music. At first he made it for himself and his friends so he has not planned to make professionel music, he just made it for fun and to process different things in his life. so every mixtape is a little story he wants to tell. More and more people began to love his music and wanted to see him live on stage. After hesitating a little bit he confirmed his first live shows. Since then he played shows in Germany,France, Ireland, and several festivals like „Nation of Gondwana“ and made experiences he never imagined.&#13;
&#13;
&#13;
Full Playlist:&#13;
Karocel - It's me (Wareikas Hot Summer Night Remix)&#13;
Boris Werner - How far can I go&#13;
Powel - Shake the Birds of the Tree&#13;
Stu Patrics - Town talker&#13;
Homework - Raw Groove&#13;
Nick Holder - Love Em Leave Em (Remix)&#13;
Sender Pavloff - Your Love&#13;
Prompt - Addiction&#13;
Dapayk Solo - Michael Doodiekopf (John Hester RMX)&#13;
Reinhard Voight - Vision 03&#13;
Andhim - The Wizard of us&#13;
Kölsch - Goldfisch&#13;
&#13;
&#13;
Viperflo on Soundcloud:&#13;
https://soundcloud.com/viperflo&#13;
&#13;
Viperflo on Facebook:&#13;
https://www.facebook.com/viperflo2&#13;
&#13;
Afterhour Sounds on Facebook:&#13;
https://www.facebook.com/afterhoursounds.official&#13;
&#13;
Thank you Viperflo for your amazing work and your friendly way&lt;3

<a href="https://theartistunion.com/tracks/7df071?soundcloud_ref=description" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Rechenzentrum

Lars Fischer

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