track 7 of my 5th, still unreleased album "why so empty?"
*** recorded 2005 ***

and you

Track #3 from my 4th album 
"samarium-cobalt compound impulse-release magnets and linear resistance inputs" 

*** recorded 2003 - released 2007/karate-joe rec. ***

As Cells Approach Exhaustion...

Track #1 from my 4th album 
"samarium-cobalt compound impulse-release magnets and linear resistance inputs" 

*** recorded 2003 - released 2007/karate-joe rec. ***

Three Movements

yet unreleased track. 
*** recorded/edited 2003-2005 ***

dronemi

Track #3 from my 2nd album "sommerschlaf & winterreise"
*** recorded 1997 - released 2001 ***

*** an excerpt of a 3 hour improv session at my old rehearsal space in sooss/austria in 1997 ...  instruments: guitar/ebow/effects/radio ***

ausschnitt aus radioimprovisation sooss "Preacherman"

Track #5 from my 3rd album "mon rideau noir"

*** recorded 2001 - released 2003/karate-joe rec. ***

Embracing Dead Stars

Track #7 from my 4th album 
"samarium-cobalt compound impulse-release magnets and linear resistance inputs"

*** recorded 2003 - released 2007/karate-joe rec. ***

Appealing To The Same

Track #9 of my 3rd album "Mon Rideau Noir"

*** recorded 2001 - released 2003/karate-joe rec.

The End Is Important In All Things

This Viennese guitarist has been working quietly, in all senses of the word, for just over a decade now. Samarium is his fourth solo release in that time and showcases a patience and clarity of technique. As the lengthy title hints, a tonally complex yet scrupulously observed phenomenon continually unfolds until it inhabits a wide vista of sound. In the musical world this is revealed through initially delicate and deliberately plucked notes against a rising hum of chorus. Stigler stretches the first two long pieces into divided movements, suggesting natural process, before releasing a more synthesized arrangement for radio static saturated guitar and piano harmonics. Stigler’s compositions have a little in common with Oren Ambarchi’s more restrained moments or Giuseppe Ielasi at his least abstract. But truthfully his music is on it’s own track… one that is less interested by the density of structures and with a simplicity that is more about clarity than minimalism for it’s own sake. These are themes for traveling deep into the heart of things or observing the sweep of great distances.

‘Mon Rideau Noir’ is the debut solo album from Mimi Secue member Lars Stigler, and it’s a very pleasant surprise. Taking in influence from the classic post rock of Tortoise, the opening track ‘Albatross’ is a masterclass in Rhodes-drenched beauty. Knowing Mimi Secue’s upbeat post-pop I wasn’t really expecting Stigler’s solo jaunt to be so subtly affecting but it's incredibly accomplished, and wonderfully restrained. As the album progresses we get taken further into deep ambient, reminding me of Tim Hecker or Gas, and then down into melancholic post rock again before ending on ten minutes of the most gorgeous organic drone music this side of Stars of the Lid. A seriously good record this is probably my favourite release on the Radian-connected Karate Joe label and a must for fans of dusty post rock everywhere.
(Boomkat)

- So far released 4 solo albums: "Im ZImmer" 1997 *** "Sommerschlaf & Winterreise" 2001 *** "Mon Rideau Noir" 2003 *** "Samarium-cobalt compound impulse-release magnets and linear resistance inputs" 2007

- Composed the music for the Dance piece "Seikes" by choreographer Elio Gervasi in 2008
- Scores for silent movies for the Filmarchiv Austria and the Viennale-international Film Festival 2007, 2010 and 2011
- Played in 'Contour' (2001-2003), 'Mimi Secue' (2001-2003)
- Works as a sound engineer for Soap&Skin, Metamorphosis, Charmant Rouge, !oh and at the rhiz in vienna

lars stigler

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