Promo Mix for monthly night "HNNY's Honey Pot" at Tranan, Stockholm.

Music For Listening Vol. 5

Music For Resting

i <3 brazil

Nice Girls (Cover de Jay Kariz) Prod. CesarBeatz

Remix of Raphael Saadiq's 100 yard dash, enjoy :)

https://www.dropbox.com/scl/fo/kqsk9ghnc3i99ocmzxtm1/AOTyRjwRpZrt2-4LqXsemLA?rlkey=fqseb8f03gjc5416ni6mn754o&st=bpd4y419&dl=0

200 Yard Dash

Enclave (noun. c. eŋ.kleɪv) comes from French enclaver, meaning "to enclose," based on the Latin noun clavis aka "key." It encapsulates a small isolated territory or group with its own standards, living isolated from its surroundings.
L'enclave is a parenthesis, showcasing emerging acts from the local scene in a remote location that could very well be a haunted house. Channeled by the rhythms of sometimes soft, sometimes tensed music, these sets were recorded in this time-suspending gathering in the parisian outskirts. After a first edition last July, l’enclave will be back very soon.
@viiiviiie @paulmrq

Les Enfants Du Temple Austral [vīvīe HD & Poulbot] @Enclave - Noods radio takeover

As the sun shone through the windows, we embraced its warm light, letting our bodies and souls move to the rhythm of house music at Nowadays on the 9th of February. So then - I was titled the sun queen afterwards.

Enjoy this only vinyl mix! x

Marie Montexier at Nowadays New York City | 9th of February 2025

Floor breakers on this release by Truth or Dare on the 'Xtra Nova' label out of Belgium.

Truth Or Dare - Hear The Groove [1998]

Exclusive mix by Luo Gouverneur
Originally from Nantes, Luo Gouverneur draws his first inspirations from the Brazilian percussion of the Northeast. Driven by a burning passion for groove, he leaves the banks of the Loire to join the Parisian scene, where he becomes part of Dure Vie. Crisscrossing record stores around the world, from New York to Amsterdam, via Rio and London, he unveils his first sets at La Machine du Moulin Rouge, Le Lieu Unique, as well as on the airwaves of Rinse, GIMIC Radio, and Na Manteiga. His nuanced and ever-evolving universe oscillates between ambient, breaks, house, tribal, progressive, deep/dub techno...He signs our 256th mix.

TRACKLIST
DjRUM - A Tune For Us
Bot1500 - Pearl 2 
New Balance - Secret Portraits
Stones Taro - Full Train
Simulator Jones - Submersible (Original Mix)
Elea - E.L.E.A. (Energy Of Love For Elevation Of Aura)
Lenny Ibizarre - When The Ocean Smiles
Blackfish - Night Train
Naibu - Aki  
Martha Cinader - Living It (Victor Simonelli 8th Dimension Mix)
Kevin Yost - If She Only Knew

DURE VIE
www.durevie.paris/
FB : www.facebook.com/durevieparis
IG : www.instagram.com/durevie/


256 • LUO GOUVERNEUR

CRIMILOVE - Kalash Criminel x Alice Dj MASHUP (Compil. Hard Summer vol.1)

"It was so difficult to become someone." The house hero talks about Chicago's competitive scene, developing a sound and letting go of his ego. 

Theo Parrish is one of dance music's most influential DJs and producers. Raised in Chicago, he's become synonymous with slow-burning, immersive grooves and sets that mix classics with obscurities. He began DJing in 1986 aged 13, eventually earning a degree in sculpture and moving to Detroit, where he hit his stride as an artist and became a member of the collective Three Chairs alongside Moodymann, Rick Wilhite and Marcellus Pittman. He also started the label Sound Signature, which uses the language of soul, jazz, disco, Chicago house and Detroit techno.

A few months ago, Resident Advisor teamed up with London institution fabric to host Parrish for an eight-hour set—his first time playing the club. While he was in town, he also spoke with CDR's Tony Nwachukwu. In the Exchange, Parrish talks about the intensely competitive scene he grew up in. He DJ'd for 13 years before he was ever paid or had his name billed on a lineup. It took years of passion and hard work to break out of his local scene and build the career he's become known for. 

"At five years, you're dealing with the technical part [of DJing], at ten it's finding your sound and at 15 it's dealing with the ego of it all," he says. "It's not until much later that you actually start to play for and with people."

Parrish also reflects on the ongoing dearth of diversity in the dance music industry and posits whether some of the most popular music in the US—such as trap—reinforces counterproductive racial stereotypes. He asks: did house music ultimately survive because it left where it originally came from? Listen to the episode in full. -Chloe Lula

200 Yard Dash

Larsen

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