Andrius  Žiūra, cl.
Lithuanian Ensemble Network
Live Recording at "Jauna muzika" festival, 4 April 2013 Vilnius

www.lithuanian-ensemble.net

Luciano Berio: Lied for clarinet solo (1983)

Christopher Chamber Orchestra
Vykintas Baltakas, cond.

"Portrait of Wolfgang Rihm & Matthias Pintscher", Febr. 27 2014, Vilnius (LT): http://bit.ly/1hB4ty0

www.baltakas.net
www.kristoforas.lt
www.lithuanian-ensemble.net

Wolfgang Rihm: Ländler for 13 strings (1979)

Wolfgang Rihm: Erscheinung (1978)

Rita Mačiliūnaitė, voice
Rita Balta, voice on tape

live from Festival "Sugrįžimai", Vilnius, 10 April 2012
www.baltakas.net/works/pazeistas_seselis/

Vykintas Baltakas: PAŽEISTAS ŠEŠĖLIS (VIOLATED SHADOWS) for soprano, marimba and tape (1993)

Hassan Taha: The Dice Player (2011-16) for tradicional syrian voice, bass clarinet, viola and piano

CARTE BLANCHE, a project by Goethe Institut in In collaboration with the LENsemble and Heritage and Modernity Forum in Cairo
2016, 30 November - 1 December, Vilnius (Lithuania)
https://issuu.com/lithuanian-ensemble.net/docs/orient_bukletas_web.final

LENsemble (Lithuanian Ensemble Network) & Egyptian Contemporary Music Ensemble
Najat Suleiman (vocal)
Sherif El Razzaz (clarinet)
Robertas Bliškevičius (viola)
Marta Finkelštein (piano)
Vykintas Baltakas (cond.)
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The Dice Player is a composition written originally for voice, Santur, viola,  Zarb and Bass Clarinet. The text is a part of a long poem by Palestinian poet Mahmoud Darwish, entitled (Der Würfelspieler  ). It has a big existential question about   the concept of   identity, who am I? How the chance plays a big role in shaping our lives and our destiny. The work is divided into five sections. Section I is an instrumental introduction.  In  the second section  the singing enters , this section  is based on long tones by the  voice   with  scattered tones  in the accompanying to showing  a lot of questioning and  loss  . The third section depends on vigorous rhythm like a folklore dance, with singing in al Bayati Makam. Section IV depends on a technique of speech singing, with a lot of musical theater features. In  this section there is a mention   again on  how  the  chance has  a big role in shaping our lives and our destiny .The  last section depends on the Whole-tone  technique with  Arabic Makam influence. In this section the existential question will return once again through the text and music. This work is experimental in dealing with the Arabic phonetic and links this with the semantic aspect of the Arabic word. Create accompany music for Arabic singing has features contemporary music,   that will add something new to this singing. Arabic Maqamat are present in this work, such as Al Hijaz Kar, Bayati and the Hijaz, but used in an unconventional way.

Hassan Taha: The Dice Player (2011-16) for tradicional syrian voice and ensemble

LENsemble Vilnius, Vykintas Baltakas, cond.
Giedrius Gelgotas (fl), Ieva Sipaitytė (vln), Gunda Baranauskaitė (vc), Marta Finkelštein (pno)
LENsemble, Live recording 2016 Vilnius

Amr Okba: Integration (2010) for flute, violin, cello and piano

Andrius Žiūra, cl.
LENsemble, Live recording 2016 Vilnius

Amr Okba: Utopia (2013) for clarinet solo

Giedrius Gelgotas (fl), Sergėjus Okruško (pno)
LENsemble, Live recording 2016 Vilnius

Bushra El-Turk: Marionette for flute and piano

Lithuanian Chamber orchestra & LENsemble
Rusnė Mataitytė, vln
Vykintas Baltakas, cond.

LAT / LEN

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