	This is composition in which section Piano 6-9; 24-27; 29-30 Sax 5-9; 21-25; 38-42 Bass 12-13; 16-20; 37-41 were played by me. In this piece are the Sax, Bass and Piano. During the course of the piece the accompaniment drops and that’s where I use my creativity to have the most organic and fluid sounding progressions in the piece. This begins in a Bb major. 

Questions:

Questions:
1.	Should I add more dynamics throughout the score? Why or Why not?
2.	Does the instrumentation provide a good balance? Why or Why not?


MPR Rough Draft Final Project Latrell Boyd

This is composition in which section Piano 6-9; 24-27; 29-30 Sax 5-9; 21-25; 38-42 Bass 12-13; 16-20; 37-41 were played by me. In this piece are the Sax, Bass and Piano. During the course of the piece the accompaniment drops and that’s where I use my creativity to have the most organic and fluid sounding progressions in the piece. This begins in a Bb major. 

Questions:
1.	Should I add more dynamics throughout the score? Why or Why not?
2.	Does the instrumentation provide a good balance? Why or Why not?


	Changes Made: The changes I made to my final project are changes in the dynamics. From the middle of piece, softer and louder elements are use within.  Also the Saxophone and the bass lines were altered. The Sax in certain sections I attempted to give it a more authentic and natural sound like brass should sound. The bass I altered certain notes that fell more in to the chord tones while adding some non-chord tones as well.

	Specifics: Bars 23 and beyond is where the dynamics that I added begin
		      Bars 21-25 Are the Sax Changes
		     The Accompaniment Section dynamics I added a double piano to a triple piano.
		    The Bass line has multiple changes thought the complete piece.
