LYRICS:
found your feelings in a tv show
trade your life for a dream
tell me darling what the hell you know
everyone is coming clean

when all we have is each other
what a terrible way to be
I look around and discover
the worst is always free

someone to watch over you
tell you it’s alright
every story coming true
static in the night

someone to watch over you
precious parasite
I’ll be standing over you
here in the blue light

Wake up tired when you couldn’t sleep
What is keeping you awake
Vicious vision of a lie you keep
Hold on tight to a mistake

Aching now in the hours
Before a glowing screen
That devious dream of power
A word to word to wash you clean

someone to watch over you
tell you it’s alright
every story coming true
static in the night

someone to watch over you
precious parasite
I’ll be standing over you
here in the blue light

you want it all
betray the rest
you made the call
and paid in flesh

you hate the ones
that know you best
you got it done
and paid in flesh

Do you want to talk it over
Can you come a little closer
Lie to anyone that knows her
They already know

Find another fool to grieve you
Wait for all the rest to leave you
Maybe then I could believe you
Do you like the show

Here the world is quiet
and darkly veiled in dread
take a breath and deny it
the shadow in your head

someone to watch over you
tell you it’s alright
every story coming true
static in the night

someone to watch over you
precious parasite
I’ll be standing over you
here in the blue light

Over You (2)

Old Crow Medicine Show - James River Blues
On the album Big Iron World this is played with a capo on the third fret
My rendition is in open tuning if you want to play along

C               F
James River blues
C                        F
I just heard the awful news
C                          F
I could steer around the rocks
C                              F 
But they're bustin' down the docks

C F C F

C              F
James River blues
C                     F
That train came on through
C                       F
And the works getting slow
C                       F 
Now where's a boat man to go?


Am                     F
I think I'll float on down
Am            F
To Richmond town
Am                     F
They don't need us anymore
                               Am
Haulin' freight from shore to shore
                           F
That big iron hauls much more
                Am
Than we ever could before

C F C F

C                          F
I've seen good men going wrong
C                           F
I've seen bad ones get it right
C                      F
As that river rolls along
C                       F 
I'll be stepping out tonight


Am            F
On the cool flow
Am                    F
Floatin' down, down below
Am                         F
The bridge to the waters edge
Am                   F
From the ridge to ledge
Am                     F
From the hills to the sea
Am              F   G
I'll become a memory

C              F
James River Blues
C              F
James River Blues
C              F
James River Blues…

Most banjo gurus agree that the earliest American banjos used gourd bodies. A pre-1800 painting of a banjo in the New World shows a gourd banjo with a flat, fretless fingerboard, a "slab" peghead with three tuners and one drone string

A similar banjo discovered in Haiti apparently shows many of the same features, enough so that banjo luthier Pete Ross was able to build a replica that most people feel is faithful to the "banjars" and "banzas" of that era

White musicians were enthralled by the sound of those "slave" instruments, enough so that they took the time to befriend black musicians and learn how to play the "banjars" of the day. Some were respectful of the traditions and cultures that led to the invention of the gourd banjo. Sadly, many were not

By the early 1920s, Tenor banjo was as popular in the U.S. as electric guitar was in the 1970s. Many thousands of "student" Tenor banjos were made at the lower end of the price spectrum, usually lacking tone rings and resonators (which, to be fair, made it possible for kids to learn banjo without driving the rest of the family out of the house). Even after early forms of Jazz had been supplanted by Swing and Modern Jazz, Tenor banjos continued to be made, although mostly at the low end of the scale

A style of playing was developed at this time that is still used by Dixieland and New Orleans Traditional Music players. The banjo was/is strummed with a flat pick, but the chords were/are structured so that the top note of the chord plays the melody

The Tenor Banjo redefined Jazz, and it's big brother, the 6-string banjo got in on the fun, too. After all, they had been around since the 1880s, and it wasn't that hard for folks who already played guitar or 6-string banjo to adjust to playing Jazz. One of the most notable Jazz 6-string players was Johnny St. Cyr, who used his 6-string to play bass lines with King Oliver's Creole Jazz Band. No, a 6-string banjo doesn't usually play bass, but it does go almost half an octave lower than a regular banjo, so it is closer at least

On this tune is my 1928 6-string Gibson GB (guitar banjo), my 1962 5-string Vega Folklore (both open back) - also mando, micro bass, C harp, and riverboat steam horn sounds sampled from the real deal legendary Nactchez steamboat

JTS

JAMES RIVER BLUES

James River Blues

dill0n @ Penny Lane Wine Bar SEP09.23.WAV

The Good Witch

Guy On A Horse

Practice session recording from November 4 2023

Fire On The Mountain

Fire On The Mountain (GoodTime Parlour Band)

Ramblin’ Man

Ramblin' Man (GoodTime Parlour Band)

A post-apocalypse artsy AI informercial Starring JTSUNRISE and Introducing the soulful rendition of “Tennessee Waltz” by the Seattle blues Pike Place busking $ensation. Prepare to be captivated by a unique blend of history and melody as JTSUNRISE takes you on a musical journey through the heart of Tennessee. Let the enchanting notes echo the rich heritage of this timeless classic, reimagined with the distinct bluesy charm that only JTSUNRISE can deliver. Experience the tragic magic of the Tennessee Waltz like never before, with a touch of Seattle’s vibrant street corner blues scene


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Don't let this opportunity pass you by! Own a piece of musical history and infuse your space with the haunting beauty of "Tennessee Waltz" as reimagined by the Seattle blues sensation, JTSUNRISE. Purchase now, and not only will you receive the exclusive behind-the-scenes content and a heartfelt thank-you note, but you'll also secure a ticket to an upcoming intimate online concert by JTSUNRISE

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TEssesseeeWaltzz

TEnEsseeWaltzJTSUNRISE

Mixed By Steve Fisk
Mastered by Jack Endino.
Fist single off the  Mallrats Record, only at https://shorediverecords.bandcamp.com/album/mallrats?fbclid=IwAR3yaPsCBQXFaxOhc6owsD5rQUe2Njv8ymWC7_ObX5kCwamsPhj6_m8ooSA
Music video https://www.youtube.com/watch?v=vLJzWe3i6vg

That summer girl.

you make me feel…aretha franklin demo

Courtney Love - Sunset Strip (2003 Demo) [‘I got pills’ version]

The Wunderkammer musical project was born from the idea of ​​Salvatore Montieri, in continuous research and musical experimentation.
The desire to face different musical and instrumental dimensions, combining the classical discipline with the inspiration of jazz and rock / pop music, and the search for new sound and percussive effects creates a mixture of unique, original and magical sounds!

Wunderkammer, "chamber of wonders", is an expression belonging to the German language, used to indicate particular environments in which, from the sixteenth century to the eighteenth century, collectors used to keep collections of extraordinary objects for their intrinsic and external characteristics.
That of the Wunderkammer was a typical phenomenon of the sixteenth century, which however has its roots in the Middle Ages. It then developed throughout the seventeenth century, feeding on the Baroque grandeur and continued until the eighteenth century favored by the typical love for scientific curiosities, typical of the Enlightenment.

"Music is not, like other arts, the image of ideas, but the image of the will itself, whose ideas are objectivity. Therefore the effect of music is so much more powerful and insinuating than that of the other arts: because they give us just the reflection, while that expresses the essence. " 
A. Schopenhauer


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From album "Zeitgeist" of Doppelgänger.

Recorded and mixed by Heart Vibes Records
Mastered by Baba Sound
Art direction and design by Flower Power


From album "Tra fate, miracoli e crociferi" of Wunderkammer

℗ Heart Vibes Records
℗ Wunderkammer
© Salvatore Montieri

Released on: 2024-03-01

Wunderkammer is available on Spotify, iTunes, YouTube and Souncloud

Wunderkammer - Ozora Sky

hello humans and bots.
lofi rock and acoustic stuff
.
.
lyrics are posted on the song pages.
.
.
.
(photo by Samantha Brenstein)

Over You (2)

Laura Lied

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