Interesting approach! Captivating & mesmerizing work!

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Колобок (Kolobok)

    A жизнь была привольна и легка,
    И беззаботна, как у Колобка.
    Куда глаза глядят, туда качусь,
    И без чужих советов обойдусь!

    Сбежал от бабки с дедом навсегда,
    И мне беда любая - не бедa!
    Сбежал от Светок, Ленок и того
    Уже не помню, сколько их всего.
 
ПРИПЕВ                
    Мне нравится жизнь вольная моя,
    И ни к чему пока что мне семья.
    Я круглый и меня, ядрёна мать,
    Не удалось пока ещё поймать!

    Я вкусный, но упрямый Колобок,
    На запад я качусь и на восток,
    Я женской красоты большой знаток
    И не грущу о том, что одинок.

    Прелестных много девушек встречал,
    Свободу на уют не променял.
    Всё потому, что ею дорожу,
    Тактично, по-английски, ухожу.
 
ПРИПЕВ                
    Я лысый, я весёлый Колобок, 
    И от оков семейных так далёк!!!
    Румяны и круглы мои бока,
    Но поищи круглее дурака!

    Вот так бы я и жил, как Колобок. 
    Но, увидав поблизости пенёк,
    Забрался на него, чтобы взглянуть,
    Куда бы дальше свой направить путь.

    И тут с пенька увидел я Лису,
    Известную красавицу в лесу.
    Та знала и умела так сказать,
    Любого без труда очаровать.

ПРИПЕВ                
    И завлекла в нору меня Лиса,
    И, разума не слыша голоса,
    К чертовке рыжей в когти угодил
    И о свободной жизни позабыл.

Украинский Ковбой

Колобок

LYRICS

Living times
Lifetime's gone,
Crisp at dawn
Mellowed by the sun.

Golden horizon, all at stake,
People arrive at the fray.

No one knows the roots of our past.
No one shows, we've given our best.

Times have come
Times have gone,
Past tense
Is the chosen form.

Till the plain, caught up surrounding 
Our heart, our soul, our own.

No one knows the roots of our past.
It goes to show it's gone too fast.

Shear moonlight through my window.
Riding sideline, drawn-out timeline.
Taste so quaint, virtuoso.
Hello blueprint: unchecked, untried.

See the way
Script what may,
Humbled by the song
Promises go on.

What is this, hold on exist,
Gotta love our land, our smile, our pain.

No one knows the roots of our past.
No one grows enliven the guest.
It goes to show it's gone too fast.
No one knows the roots of our past.

The Roots of Our Past

Old Time Fun Song

Bande originale d'un film jamais tourné 

The Bat Man

A few things to say. I composed this song in 1982, fresh from reading of 'War and Peace'. Now I find a certain youthful verbiage in the lyrics, the song (naked and raw) has a 70s style. The recording of voice and guitar (live) is a few years old, rather sloppy, with bad mixing and excessive application of echo in some places.
To try to rescue it from its obvious banality, and to hide some of the errors and flaws, I've been arranging it these days using some vocal sampling as well, hoping to make it somewhat interesting.

Cover image: Louis-François Lejeune, "Visiting a Bivouac on the Eve of the Battle of Austerlitz, 1st December 1805" (1808). Musée de l’Histoire de France, Versailles.

English lyrics (rough translation)

The French counted the stars under Austerlitz
there had never seen so many fires lit in just one night
memories suspended in the winter, as cold as their hands
they had never been so pale, so skinny and far away
the emperor was dreaming or perhaps not sleeping
a woman he was waiting for in that night 
a war that was not waiting for him

the soldiers sang the cannons were silent
inside the chariots at the bottom of the plain 
the stars chased each other
the emperor drank, drank or maybe got drunk
a woman killed that night
a woman who smiled
the drunken emperor was looking
at that woman he did not know
Paris shrouded in a circle of smoke that was moving away

Paris woman dressed in black
Paris bride then already withered
Paris daughter of old Europe
Paris already betrayed
Paris bride dressed in dark
Paris woman then already grown up
Paris daughter of old Europe
Paris already lost

The French counted the wounded under Austerlitz
there had never seen so crosses hung in just one night
Suspended fragments of anger, hot as their hands
they had never been so pale, so alone and far away
the emperor was sleeping now he was dreaming
a woman who appeared that night 
a war that resembled him

the soldiers were silent the cannons smoked
in the hearts and at the bottom of the plain the voices hid 
the emperor drank, he drank now he got drunk
a woman he loved on that night
that woman frightened him
the drunken emperor was looking
that woman he recognised
Paris at the centre of a circle of light that drew closer

Paris woman dressed in white
Paris young frightened bride
Paris mother of new Europe
Paris already betrayed
Paris bride dressed in white
Paris woman then already grown up
Paris mother of new Europe
Paris already lost

---------

Music and lyrics by Michele Ansani (1982).
Posted on Soundcloud: 2024, July 2.

Austerlitz *

No fate

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

These Are the Days of Our Lives ~ Queen ~ (Cover)

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