nice head space on the drums! we need to get on summin LP%! x

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Remastered June 2, 2024
When you reflect on a relationship that just blew your mind.....that almost indescribable feeling you get. Come with me forever my  love.
Song Inspired by my lovely wife of 40yrs...onward

Greg Hurley: Lyrics, all vocals, music, recorded and Mastered

Take You Places

A Track with surprising elements combined with the old standards of Electronic Dance Music.

Get a free copy of the remix of this awesome track: https://soundcloud.com/proflexbeats/bass-alive-axl-ground-kushuka-jeffa-remix

Free gift from the producers from 'Kushuka'
In Your Eyes: http://goo.gl/ikdXzx

Listen now to Kushuka remix by Jeffa!
https://soundcloud.com/proflexbeats/kushuka-jeffa-remix

@Bassalive
@Axlground
A collab between two young and talented producers from Utrecht and Haarlem resulted in "Kushuka", a track with surprising elements that is a crossbreed between the modern and standard elements within the Electronic Dance Music. Where most producers choose for modern synthesizers and production techniques, Axl Ground and Bass Alive have used for example, the Roland MC -505 , something that is not very common these days . Started as a joint project in February this has evolved in a full-fledged cooperation and took its full potential over time . The process of the track went very natural and because the track needed a vocal, Bass and Axl started looking for one in several sample packs. They soon found the sample " Drop It " . It was bold, but not very original . When they searched for translations on Google translate they inserted " Drop It " and they eventually came to " Kushuka " . The translation of " Drop It " in Swahili . They liked it very much and decided to put it in the project. It's crazy , daring and above original . Something that has always been a common thread in the productions of Bass Alive and Axl Ground. Now that " Kushuka " is released by Proflexbeats.

Bass Alive: "A release is always nice and also a motivation for a producer. I actually live for these moments. My plans are to work on some new tracks as fast as possible and get into the scene."

Axl Ground: "In addition to the release of" Kushuka "I am busy with my own podcast and I am working on new content. The release really is another incentive to keep going. My focus is currently on improving my sound and enhance my reputation as an artist. That takes time, but it's definitely doable. "

That being said, the future looks bright for the two DJ’s and Producers, and with the release of "Kushuka" that future looks even a bit brighter as well.

@thomasmendell

Download

Bass Alive & Axl Ground - Kushuka (Original Mix)

We are very happy to announce that Craig London
submitted his 2nd release to Messany Recordings.
This time we have some Vocal Trance for you.
We hope you like this as much as we did.

Track: Castles In The Sky (Craig London 2014 remix) [Trance]
Producer: Ian Van Dahl
Remixer: Craig London
Reference: MRR0034
Release date: March 21, 2014

More of Craig London:

Facebook fanpage: https://www.facebook.com/CraigLondonUK?fref=ts
Facebook group: https://www.facebook.com/groups/CraigLondonOfficial/
Facebook profile: https://www.facebook.com/djcraiglondon?fref=ts
Soundcloud: https://soundcloud.com/craig-london

More of Messany Recordings:

Facebook fanpage: http://www.facebook.com/pages/Messany-Recordings/158743210812502
Facebook personal profile: http://www.facebook.com/qomplainerz.trance
Facebook group: http://www.facebook.com/groups/messanyrecordings/
Youtube: http://www.youtube.com/user/MessanyRecordings?feature=watch
Soundcloud: http://soundcloud.com/messanyrecordings
Twitter: https://twitter.com/MessanyRecordin

Ian van Dahl - Castles In The Sky (Craig London 2014 Remix) Promo

Løve me

Composed, performed and mixed by Julien Vescovi

Cello by Aude Declaf 
https://soundcloud.com/luce-faedda

Softwares and instruments used :
- Studio One 6
- Korg SV2
- Real Guitar 6
- Steven Slate Drums 5
- Waves Bass fingers
- Arturia Analog V
- Arturia Pigments 3
- Izotope Iris 2
- Percussions (bongos and triangle)

PHAROS XXIII (feat. Aude Declaf)

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Blotter

Jump---Released On --99Waves Records

Old Time Fun Song

Saxophone improvisations from 1987's Resonance.
www.jh0st.com/resonance

"And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet"

- TS Eliot, The Love-Song of J. Alfred Prufrock

Resonance

05/05/1987

Talking Of Michelangelo (Resonance 1987)

CAST OF CHARACTERS:
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth, seed idea
Mistermark-- @user-432503709 -- Mark –  vocals, lyrics, mix, and production
Llanpsych-- @llanpsych -- Tez – guitar
TexMex Shaman– @texmex-shaman –Stephen–banjo, guitar, sitar, and final mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, seed idea
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four-string fretless bass

Composition – The Eclectic Collective
This song started in probably the most effective way our group writes them. Ken had a spectacular drum beat that was unused in a previous project, so JJ composed and recorded  a chord arrangement with his magical keys. Once we had a beat and a chord structure, Josh came along and added his foundational bass. 
     Now that the rhythm section was complete and the chord structure was in place, Stephen added his unique melody line that you hear at the beginning and every other verse on his magic banjo. He also plays all the initial guitar until around 1:40, where Tez takes over. Stephen also added some really trippy sitar in the vocal section. Then it was time for Tez to add some spice to the mix with his fiery guitar solos from about 1:40 on, eventually building up to a crescendo towards the end. 
     Once we had all the music down, we realized that we had a big gap in the bridge without much going on in it. So, Mark came through with an old poem he had written on his fridge with word magnets for his daughter more than a decade ago, and expanded on it for this song. (the poem is loosely based on the idea that our dreams exist in a digital environment/universe) The young girl's voice you hear echoing Mark's filtered voice is his daughter, in her first appearance with the EC. 
     The song was now finished, except for Mark using his production skills to trim and move a few things, then mix it. While we usually defer to Tez or Stephen for the mix, Mark did such a great job, we decided to keep his mix. Stephen did, however master and EQ it to make it a finished product. 
     This song was truly put together as a whole band effort, showcasing what the Eclectic Collective can do. I hope you enjoy listening to it as much as we enjoyed creating it.  

Original lyrics by Mistermark:  

The moon flickers on
and rises and dances
across a celestial stage
as dreamers paint the pixels of their mind 
like an infinite canvas 

Sleep away tiny egg
and leave a delicate thread 
of memory behind 
but never log out 
you are in the elaborate web
always

-------------------------------------------
here's a photo of the original fridge magnet poem from years ago:
https://www.flickr.com/photos/mark_boucher/2257994722/in/album-1495769/

and here's some collections of photos I took over the years:
https://www.flickr.com/photos/mark_boucher/albums/

Dancing Moon (The Eclectic Collective)

[English lyrics below]

I was a high-schooler, not yet able (if at all) to write decent lyrics. So I resorted to more or less famous poems, but also to short stories from which I cut out fragments and stitched them together. Under my scalpel also fell 'Superfluous Invitations', a short story by Dino Buzzati published in 1958 in 'Sixty Short Stories'. There is a version that I recovered from a 1977 tape , but I had the desire to replay and rearrange it a few time ago.
2024, May 22 (Last version). At the sax Jörg (@joerxworx); together we have also produced an only instrumental version of the track (https://soundcloud.com/michele-ansani/i-would-like-you-to-come-instrumental  AND  https://soundcloud.com/joerxworx/michele-ansani-instrumental-with-alto-sax-2).

Cover picture: "Ritratto di Eura", from the graphic novel of Dino Buzzati, Poema a fumetti (Poem Strip), Milano 1969.

English Lyrics

I would like you to come to me on a winter evening
and huddled together behind the window looking at the night
we would remember the winters of fairy tales
where we lived together without knowing it.

By the same fairy paths did you and I walk
together we went through forests full of wolves
together without knowing it perhaps we both gazed
towards the mysterious life that awaited us

‘Do you remember?’ we will say each other and you will smile,
while outside will sound the wind's shaken metal sheets
but you - now I remember - do not know the ancient tales
of the nameless kings, of ogres and bewitched gardens

You have never passed enraptured under the magical talking trees
nor have you ever knocked on the door of the abandoned castle.
you have never walked in the night towards a distant light
nor have you ever fallen asleep under the stars of the East

Behind the window in the winter evening probably
we will remain mute like two strangers
I would ask ‘do you remember?’
but you would not remember
you would not remember

------

Music by Michele Ansani (1977); lyrics by Dino Buzzati (1958).
Remade in 2023-2024.
Posted on SoundCloud: 2024, July 22.

Vorrei che tu venissi da me in una sera d'inverno **

From the Inktober 2024 drawing challenge I add some musical colors to the drawings. Each day of October a new drawing needs to be created and posted. see my playlist “Inktober 2024 short tracks”

Inktober 2024 23. Rust-Valentino

In Two Minds Tbh

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

St. Patty's Medley: Wearing of the Green / When Irish Eyes Are Smiling / Danny Boy

DON'T JUST LIKE, LISTEN; DON'T JUST LISTEN, COMMENT; DON'T JUST COMMENT, SHARE!
I don't respond to musicians that just add, or just click like buttons, because it doesn't prove they actually listened!

Please don't just click the like button, because i don't know whether it means you didn't actually listen, or you don't think it's good enough to comment on! I will only return support to musicians I know have actually listened; anyone can click the like button, and many do, without actually listening!

I BREAK ALL THE RULES DEFINING THE MUSIC MAKING PROCESS, SIMPLY BECAUSE I DON'T KNOW THEM! 

AND BECAUSE THEY ARE UNFAMILIAR, UNPREDICTABLE, FROM ONE CREATION TO THE NEXT, ONE TUNE WILL ONLY TELL YOU AS MUCH AS READING ONE PAGE OF A NOVEL, AND ONE LISTEN, NO MORE THAN A PARAGRAPH :)

I DOUBT ANY MUSICIAN WILL EVER MATCH DAVID BOWIE'S BRILLIANCE; NO ONE WILL EVER INHERIT HIS CROWN, BUT I DON'T THINK ANYONE ELSE WILL COME CLOSER.

THIS MIGHT SOUND LIKE AN AMBITIOUS CLAIM, BUT I WOULDN'T BE FOOLISH ENOUGH TO MAKE IT IF I HADN'T REACHED THE POINT IN MY CREATIVE LIFE TO DO IT.

IN SOME WAYS I FALL SHORT, BECAUSE I PRODUCE TUNES SO RAPIDLY, THEY DON'T GET THE CARE AND ATTENTION THEY MIGHT RECEIVE IN A STUDIO, AND MY TUNES ARE NOT LITTERED WITH GREAT MUSICIANS; THE VAST MAJORITY OF MY TUNES ARE SOLO PROJECTS, AND I RARELY SPEND MORE THAN A DAY ON EACH TUNE, YET THEY ARE ALWAYS INNOVATIVE, CREATIVE, IMAGINATIVE, COVERING THE WHOLE SPECTRUM FROM DARK TO LIGHT.

NO BOUNDARIES IN MUSIC, SO I WANDER FROM GENRE TO GENRE WITHOUT THOUGHT OR INTENT, AND I CREATE ON THE FLY, YET MY TUNES ARE STRONGER THAN MANY TUNES THAT GET THE FULL TREATMENT, INVOLVING MONTHS OF WORK, AND PROFESSIONAL ENGINEERING!

IF LISTENERS KEEP THIS IN MIND, THEY WILL REALIZE THE TUNES I CREATE EXIST OUTSIDE NORMAL BOUNDARIES. VIEW THEM AS DEMOS, CREATED ON THE FLY, AND COMPLETED, FROM START TO FINISH, IN LESS THAN A DAY--HOW MANY MUSICIANS COULD DO THAT, WITHOUT SACRIFICING  STRENGTH,  DEPTH, ORIGINALITY AND FRESHNESS,

 THE UNBIASED LISTENER WOULDN'T DISAGREE WITH MY CLAIM OF BEING THE SECOND COMING OF THE CHAMELEON OF POP; IF ANYTHING, I AM MORE ECLECTIC, EVEN THAN BOWIIE, AND MY LYRICS ARE EVERY BIT AS INNOVATIVE AS THE MUSIC. BOWIE'S LYRICS ARE BRILLIANT, BUT ONLY MADE SENSE SOME OF THE  TIME... MINE MAKE SENSE MOST OF THE TIME, AND ARE LITTERED WITH SOCIAL STATEMENTS PRESENTED FROM A NEW PERSPECTIVE!

IN ORDER TO DISAGREE WITH MY CLAIM, THE LISTENER WOULD NEED TO LISTEN TO A FEW HUNDRED OF MY TUNES FIRST; IT IS THE QUANTITY OF MY TUNES, HOW ECLECTIC MY APPROACH IS, AND HOW CONSISTENT THE STANDARD IS, THAT PROVIDES EVIDENCE FOR MY CLAIM, SO TO DISPUTE THAT CLAIM YOU MUST LISTEN TO HUNDREDS OF THEM :) STE VAN HORNE

M̵̄usic, 🏠🎶 lover /͇̐\ Learning fl studio mobile,Audacity & Caustic & Korg-iKaossilator (♥_♥) mixcraft 6  
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tik tok _laurap5

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