skaņdarbs no jaunā albuma "veco cehu atbalss", kas ir audiōpavadījums
VEF Kultūras pils videōinstalācijai ''Fabrikas Balss''  14.05.2022  Muzeju Nakts ietvaros.
albuma fotō no VEF muzeja archīva.

lejuplāde
https://www.noisewiki.com/wiki/index.php?title=Antireality


track from new album available for free download. a soundtrack for videōinstallation ''Voice Of The Factory'' at VEF Kultūras pils 14.05.2022 as part of the annual Museum Nights event in Riga.
album photō from VEF museum archives.

download
https://www.noisewiki.com/wiki/index.php?title=Antireality

veco cehu atbalss

Antireality - Veco Cehu Atbalss III

From the new album Moments of Vertical
Buy: https://scapeone.bandcamp.com/album/moments-of-vertical
Stream: https://share.amuse.io/OQC1u9QAs9v7

Moments of Vertical

Tales from the Garden

Agena

“Dangerous consequences will follow when politicians and rulers forget moral principles..”  ― Dalai Lama XIV

Track list and start times:
00:00  Jonny Greenwood – Moon Trills (from ‘Bodysong’)
05:09  insectarium & The Black Monolith – An Ear Of Grain In Silence Reaped
10:02  Oubys – Holosphere
21:33  Martina Testen & Simon Šerc – Stratus
29:12  Robert Knote – dry times
31:19  Ancient Sloth Firmware – Space Weed
36:27  Sándor Vály – Bardo Thodol I
48:34  Thomas Newman – A Dead Girl Wakes  (from ‘The Little Things’)
53:08  zYklen – Roanoke
57:47  Stan Magendanz – Ambient Bite 592
1:04:48  Humanfobia – 3AM_Caller
1:07:57  Barefoot – Unseen Objects
1:12:40  Arvin Dola – Act Of Heresy
1:18:01  bob bucko JR – I Became a Baby Again & the Universe Forgave Me
1:29:54  Jonny Greenwood – Peartree (from ‘Bodysong’)
1:32:57  Lea Bertucci – Sister of Sleep
1:43:50  insectarium & Film Score Project – Invaders at the Wall
1:50:35  Anne Versailles – Thinking of us
1:53:56  Thomas Newman – End of the World (from ‘The Little Things’)
1:56:15  Rutger Zuydervelt & Nina Hitz – Havenkerk, 13 September 2025, Set 2 (excerpt)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Image: Lexica.art
With many thanks to Soundclouders, The institute of Spectrasonic Sound and A Duck In A Tree for ideas, rabbit holes and earworms

Eclectic current – The banquet of consequences

MMXXIIIIXPNWMB

The Gathering_01

for orchestra

Commissioned by SWR / Donaueschinger Musiktage

A few short bars from the Intermezzo of Ralph Vaughan Williams’ Seventh Symphony provide the entire material for this composition. Through the “sampling” of this score fragment, its musical gesture is frozen: it becomes an “animated still life” (Lauren Berlant), an image that slowly drifts by. The material is extremely reduced, yet never exactly identical. The gesture appears in fragments, presented from countless different perspectives. Only the logic of digital processes is capable of achieving such a precision of cuts within the sample, whose artifacts are translated into complex, displaced rhythms and ornamental variety. This careful transcription of digital artifacts is an attempt to approach a perspective of machine listening. 

Each bar is a cut. The result is a continuity that is dialectically dependent on discontinuities. Peter Osborne, in Anywhere or Not at All, refers to Gaston Bachelard: “‘Psychic continuity is not given but made.’ And it is made out of the temporal structure of the relations between acts: ‘What has most duration is what is best at starting itself up all over again.’” In other words: The deepest continuity is paradoxically that which continually restarts or renews itself.

Sunday, 19 October 2025 — 17:00
Donaueschinger Musiktage — Closing Concert

SWR Symphony Orchestra
Elena Schwarz — conductor

The deepest continuity is paradoxically that which continually restarts or renews itself.

The brief for this week’s Disquiet Junto challenge noted how the singing of ‘Happy Birthday’ often falls apart around the name stage … This idea of musical collapse immediately made me think of Anglican church services, when the organ - along with those who are confident of the hymn being sung - sometimes falls into desperately trying to pull everyone along, never far from falling apart. In this piece, a recording I made of a service I attended a while back (which has its own backstory) becomes the material for electronic mangling and rhythmic snipping for my take on the idea of repeated collapse. It’s VERY far from being in the same league, but parts of the result remind me a little of Jonathan Harvey’s extraordinary Mortuos Plango, Vivos Voco (1980) - one of my all-time favourite electroacoustic masterpieces ... 


More on the 723rd weekly Disquiet Junto project, Do the Collapse — The Assignment: Make music that falls apart repeatedly — at https://disquiet.com/0723/.

more halF unusuaL

halF collapsE [disquiet0723]

Paul Amlehn - Text, music, editing, mixing, production
Penelope Dupré - Voice
Dora Maar - Visual art

Libretto:

And I reach you
From a distant star
I reach you
I teach you how to cry
I cry with you
I teach you how to die
I die with you
I teach you how to fly
And I reach you
And I reach you
From a distant star
Greet you.

Fireflies
Flashing
In the fountains
At Versailles.


And I Reach You

En live avec Flat Mars Société pour l'émission Deepline sur les ondes de Radio Pluriel!

The deepest continuity is paradoxically that which continually restarts or renews itself.

Laure M. Hiendl

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