(:  mixes  :)

In the lead-up to Love International 2021, we’re launching Transmission to Tisno on crackaud.io – a series of b2b mixes from separate locations, featuring festival favourites and new artists joining the line-up this year.

ere, Aussie selector Lauren Hansom joins forces with Salon Des Amateurs resident and Offen Music boss Vladimir Ivkovic. Across their b2b mix, the pair pool their respective influences and venture from the spacious tranquility of Roger & Brian Eno into murkier terrain.

More info on crackaud.io → https://crackm.ag/2OTzVpW

Transmission to Tisno: Lauren Hansom b2b Vladimir Ivkovic

A fresh dose of celestial sounds by Lauren Hansom. After spending the better part of her 20s deep diving into dusty crates, Discogs wormholes and narrating dance floors across the globe, Lauren knows a thing or two about weaving oddball selections and creating soundscapes. Amped to have her on the series, we reached out to hear about her upcoming relocation to Amsterdam, a hectic EU festival season in the works, moving into music supervision and things to come.

Full interview with Lauren here: https://oddysee.fm/podcasts/lauren-hansom/

https://soundcloud.com/laurenhansom

Interview

Oddysee 042 | 'Cosmic Wormholes 101' by Lauren Hansom

Recording of Lauren Hansom's set at Dekmantel Selectors 2022

Lauren Hansom at Dekmantel Selectors 2022

Guest mix for Time To Track on Bondi Beach Radio (Sydney, Australia)

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

Time To Track [Bondi Beach Radio 2016]

Mix for End Notes [Vivid Festival Sydney, Australia 2017]

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

End Notes

~ www.libramix.org ~

[Recorded in Sydney, Australia]

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

Libra Mix [July 2017]

What a pleasure to be on Red Light Radio [@redlightradio]. 

Thank you for having me <3

Plenty of Aussie music in here from artists like Angophora [@MaxSant] (forthcoming on @ken-oath-records), Xerox Dreamflesh and Tornado Wallace [@tornadowallace].

Red Light Radio with Lauren Hansom [080917]

Thanks for having me Red Light Radio [@redlightradio] <3

Lots of Aussie music for your ears from artists like Veranda Culture (@fio), Die Orangen (@krisbaha @dreems), The Warp Factor (via @esp-institute), Tornado Wallace (@tornadowallace), Angophora [@MaxSant] (@ken-oath-records) and Andy Rantzen (@andyrantzen via @efficientspace).

Red Light Radio with Lauren Hansom [241117]

Work in Progress on n10.as Radio [@n10-as] 
Hosted by Ciel [@cl_lit]

Work in Progress w/ Lauren Hansom [170118]

@StampTheWax welcomed me onboard their Diggers Directory series and so I put together a selection of music from my travels and from home. I could not be more flattered they asked me and I hope you enjoy :)

Interview: www.stampthewax.com/2018/02/08/diggers-directory-lauren-hansom

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

Stamp The Wax Diggers Directory: Lauren Hansom

Guest mix for State of Rhythm (@mcde-recordings) on @worldwide-fm

[Recorded in Sydney, Australia]

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

State of Rhythm: Danilo Plessow (Motor City Drum Ensemble) with Lauren Hansom [270318]

Mix for Mix Up on Triple J (Sydney, Australia)

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

Lauren Hansom - Mix Up on Triple J

Dekmantel [@dkmntl] on Red Light Radio [@redlightradio] 

Show includes music from: 
Efficient Space [@efficientspace] forthcoming (and sequel to Midnite Spares) Australian compilation "3AM Spares"
Jensen Interceptor [@jensen-interceptor] via Power Station [@power_station] 
Roza Terenzi [roza-terenzi] and Canadian based DJ Zozi [@d-tiffany]

Dekmantel Radio w/ Lauren Hansom [310818]

Thank you for having me @redlightradio <3 

~ TRACKLIST ~

INXS - Harbour [WEA - Australia, 1984]
ALPHA SEQUENZ - Ad Nauseum [Secondhand Daylight Records - France 2008]
FRANZOSI & DELL'AGNESE - A Descent Into The Maelstorm [EMI - Italy, 1984]
ANTENA - Unable [Les Disques Du Crépuscule - Belgium, 1982] (@ 33RPM, pitched)
JANE BOND & THE UNDERCOVER MEN - The Girl Who Knew Too Much [Normal - Germany, 1985]
STEFAN EGGER - The Inspiration [Fantasy Records - Austria, 1987]
KADER - Reach The Moon [Day Eight Music - Sweden, 1988]
LINA - Beats Of Love [Subway - Belgium, 1990]
VIRGIN - La Joie (No Monks Version) [Seven Eleven - Germany 1990]
LOVE & LAUGHTER - Africa [BB Productions Ltd - UK, 1993]
FRANZISKUS & DIE LUSTIGEN BRÜDER - Happiness (Instrumental) [Intercord - Germany, 1990]
OM! - Brother That (Tribal Om Mix) [Btech - UK, 1991]
OVERLORDS OF THE UFO - Imagine! (Deeply Hypnotic Mix) [Enlightenment Records - US, 1994]
BEL CANTO - Dreaming Girl (Martial Mix) [Nettwerk - Canada, 1989]
ANIMA LADINA - Amina Ladina (Mix Version) [Flying Records - Italy, 1991]
GREVILLE - Brother Of Marbles [@madhabitatrecordings @grevillegreville - Australia, 2019]
OTTO - Landung [Orgaton @otto-inoffizielle-seite - Germany, 2018]
TABLEAU VIVANT - Hypertonic Heist [@kame-house-852734962]
LORE - Indecision [Self-released - Brazil, 1992]
NEON - Le Macho Du Mambo (Special Beat Mix) [BCM Records - Belgium, 1987]
LARISSA - Heaven’s Here (Middle East Mix) [Seven Eleven - Germany 1990]
ARMY OF LOVERS - I Am The Amazon (Nordik Beat Erotica Mix) [Ton Son Ton - Sweden, 1989]
LAMUSA II - RMIF [HVNX @hivern_disc @lamusalamusa - Spain, 2019]
UNKNOWN MOBILE - Ravers Sojourn [@unknown-mobile @pacificrhythm - Canada, 2019]
SANTILLI - Vision [@maxsant @intothelightrecords - Greece, 2019]
VLADIMIR LEVI & KIM BREITBURG - Milky Garden [Ritonis - Latvia 1993]
SINGING DUST - Desert Chant [Cleopatra Records - Australia, 1986]

Red Light Radio with Lauren Hansom [310719]

Thank you for having me @redlightradio 


^___^


~ TRACKLIST ~

JAH WOBBLE’S INVADERS OF THE HEART - Yalili Ya Aini [Island Records - UK, 1994]
DEEP NALSTRÖM - Caravane II [@Naturalselectionsrecords - UK, 2019 - @phil_nalstrom]
ANATOLIAN WEAPONS - Float [@emotional-response - Elsewhere no.4 - UK, 2019 - @anatolianweapons]
ARIK RUDICH - Code Of Silence [Not on label, self-released - Israel, 1987]
EIGER DRUMS PROPAGANDA - The Moon [@macadam-mambo - France, 2019]
ZATUA - Asturians [@secondcircle - The Netherlands, FORTHCOMING]
PRINS EMANUEL - Ensamma Stunder [@nose-job - Belgium, 2019 - @prinsemanuel]
LSW (LIFE SYTLE WEST) - Alarmstufe Rot [@candombl - Germany, 2019]
HOVE - Right Outside (longer version) [@light-of-other-days - Switzerland, FORTHCOMING - @el_hove]
CASH-MINUS - Paradise (Donald's House Eyez Closed Mix) [@cashminusmusic - Germany, FORTHCOMING - @donalds_house]
CONTROL X - Fat Baby At Market [Instinct Ambient - US, 1995]
GOIZ - Mid Pack [@openspaceworld - US, 2019 - @goiz1994]
DJ UNGEL - Velah [@mirrorzone - The Netherlands, 2018 - @djungell]
COIL - Theme From Gay Man's Guide To Safer Sex [@mentalgroove - France, 2019]
LIQUID’Z - Solaris [Hypnotic - US, 1997]
ACID LION - Maslacak [@teerpappe - Germany, 2018]
MARI SEKINE - Beginning (Lena Willikens Remix) [EM Records - Japan, 2019 - @lenawillikens]
ANTON KLINT - Lyckliga Människor [@hivern_disc - Spain, 2018 - @antonklintofficial]
POST TRAUMATIC DRUM DISORDER - PTDD [@flippendisks - The Netherlands, 2019 - @posttraumaticdrumdisorder]
TECHNOIR - Metallica [Btech - Sweden, 1990]
SET UP SYSTEM - Spiritual Interface [Big Time International - Belgium, 1991]
ELECTRODELIA - Juices [@superutu - Australia, FORTHCOMING]
SAM MALLET - 40 Day Desert Voodoo [@musique_plastique and @recurringdream - US/Australia, FORTHCOMING]
PANTENE - Near To The Wild Heart [@superutu - Australia, FORTHCOMING - @pantene-af]
LO KINDRE I Don't Really [@12th-isle - Scotland, 2019 - @lokindre]
INRE KRESTEN GRUPP - Loggia [@fasaanrecordings - Sweden, FORTHCOMING - @inre_kretsen_grupp]

Red Light Radio with Lauren Hansom [250919]

@nts_live from 27 March 2020

Thank youuu for having me ^__^

Stay safe everyone <3

~ TRACKLIST ~

MAKYO - Dakini (Sky Dancer)
DANCE 2 TRANCE - Atlantis
SOUND OF MÔ - Oki
DEEP FOREST - Deep Forest (Radio Version)
YOUNG AMERICAN PRIMITIVE - Over And Out
MAMUKATA - El Flute Del Sol (DJ Jimmy Groove Version)
XPULSION - Ninety Two
INTERMIX - Voices
LDC - Daydream
JOY KITIKONTI - Etno Unite (80s in Da Jungle Mix) [Hill's Best Cut]
ASHANTI - Jungle Fever
COSMIC - Etnika
DELERIUM - Mythos
TORNADO WALLACE - Atoms (@tornadowallace & @optimo-music)
G.F.X. - Eternal

NTS with Lauren Hansom [270320]

Live recording from the Skylab's Private Press Sydney at Poor Tom's in  Marrickville (Sydney, Australia).

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

Skylab: Private Press Sydney | Lauren Hansom (live)

The first hour is 100% forthcoming original music that will see the light of day on Planet Trip over the next 6/12 months.Second half of the show we are joined by dear friend and incredibly talented DJ/Selector @laurenhansom who plays new and unreleased music from friends around the world.

ID requests - First Hour @mike-who Second Hour  @laurenhansom

Planet Trip Radio - Skylab Ep 3 - Mike Who & Lauren Hansom

For my Maika,

I miss you. 

Love forever, 
Lauren.

- - - - -

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

For Maika

2021's first mix in line comes all the way from sunny Australia by dear friend Lauren Hansom (@laurenhansom). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome on board Lauren. How was your start of the new year? It's summer where you are now right? That must be nice :)

LH: Hiii! Thanks for having me onboard :) The New Year has been great. Spent time surfing & soaking up sunshine in Australia.

MFM: You moved back to Australia last year. What has been keeping you busy there since? 

LH: I moved from Amsterdam to Berlin at the end of 2019 and went to Oz in February 2020 for a holiday. COVID hit, so I ended up staying. An easy decision with nature, beaches, food etc. Although, I’ve pretty much been living out of a suitcase as the majority of my stuff is in Berlin. I bought a Yamaha RM1X & a Poly800 last year to do some music and learnt The Mandalorian theme tune. I’ve also been learning more about quantum mechanics & biology plus space, which actually led me to find more cosmic sounds in genres from IDM to new wave for example. Imagining space with a multitude of soundscapes is pretty neat. 

MFM: While many DJs jumped on the streaming bandwagon it looks like you kept rather quiet over the last months. Is that for a reason? Did you maybe find other ways to creatively let go, or...?

LH: Thought you wouldn’t have noticed - was secretly trying to pull off a “Homer Simpson disappearing into the hedge”. Streaming is a great way for people to stay connected given the circumstances. For me, having a live crowd is always part of my process. No crowd, no party (or a one person party - not bad for these days, actually...). Also not having any gear here made it hard, especially with lockdown and social distancing.

MFM: Things were going really well for you as a DJ, your career seemed to be in a lift. What do you now hope for when touring becomes an option again? Has 2020 changed your perspective? 

LH: Thank you for saying so. I was pretty overwhelmed by how often I was playing and am grateful for it. It’s still very much a “pinch-my-arm” thought. I really would love to continue sharing tunes & creating musical experiences in some capacity. I’ve been thinking about Music Supervision within film & TV, so have been spending time on the side looking into that.

MFM: I've heard quite a few DJs saying they lost the urgency or need to listen to dance(floor) music. How is that for you? Have you been keeping track with new music lately at all? 

LH: I’m always listening to different styles, especially non-club music as it’s sort of where I started. Although I’ve enjoyed the holiday of not having to find a billion new tracks before every weekend, I’ve still been following new releases & it’s been interesting to hear how music has been shaped by the pandemic.

MFM: How would you describe that shape shifting? 

LH: I noticed more people collaborating from afar due to social distancing, restrictions and general lockdown. I think this allowed for some experimentation in a way and often that leads to something surprising and new. Sonically and stylistically, I think 2020 was really diverse as opposed to previous years where there was definitely a “Sound of Summer” so to say. There were also a great deal of compilations for new music to support artists affected by event cancellations and club closures.

MFM: About the mix, do you actually prefer a mix request to come with some kind of theme or direction to it, or do you value the freedom more? 

LH: Both. It’s nice having a brief as it gives you boundaries & pushes your creativity. Sometimes too much freedom can make it difficult. That said, I’m always imaging stories & daydreaming, so often the imagery in my mind’s eye gives me a good starting point. Once I have an idea, I create a selection of music & work out a way to make it all flow until there is some sense of an emotional ark & musical journey.

MFM Mix 024: Lauren Hansom

. . . . 

past
Sugar Mountain x Boiler Room
Dekmantel Selectors
Repercussion x Warehouse Project
Glastonbury
Lost Village
Dekmantel
Kala Festival: Gijpe Resident w/ Jamie Tiller, Jan Schulte, Nick The Record, Brian Not Brian, John Gómez + Hunee & Jayda G b2b
De School w/ Antal
Resident Advisor Live w/ John Talabot, Daniel Baughman
Gottwood: Stamp The Wax - b2b Jamie Tiller
Lente Kabinet
Maximum Joy! Music From Memory: Jamie Tiller, Tako
Salon des Amateurs
Animals Dancing: Young Marco, Invisible City, Zaltan
Salon des Amateurs
Horst Music and Arts Festival
Red Bull Music x Dark Mofo: Jagwar Ma, Tornado Wallace, No Zu
ADE 2018 + 2019
MCDE Recordings 10 year party
Festimi w/ Beesmunt Soundsystem & Friends: Tako, Max Abysmal, Jan Schulte
Beacon Festival
Freedom Time: Butter Sessions - Sleep D, Kuniyuki, Joe Claussell

Lauren Hansom

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