Floor Is Lava

Something Inside

Happy Birthday Elliott

Track 1. Needle In The Hay ("Elliott Smith" 1995)

Vocals / BGVs / Artwork : Lauren Ruth Ward
Guitar / Bass : Eduardo Rivera
Drums : Thomas Carroll
Cello / Arrangement : Ro Rowan
Engineered by Alex Tebeleff & Eduardo Rivera
Produced by Lauren Ruth Ward & Eduardo Rivera
Mixed and Mastered by Eduardo Rivera

Needle In The Hay (Happy Birthday Elliott)

Happy Birthday Elliott 

Track 4. Twilight ("From A Basement On The Hill" 2004)

Vocals / BGVs : Lauren Ruth Ward
Guitar / Mellotron / BGVs : Eduardo Rivera
Cello / Arrangement : Ro Rowan
Engineered / Mixed / Mastered by Eduardo Rivera
Produced by Lauren Ruth Ward & Eduardo Rivera

Twilight (Happy Birthday Elliott)

The 3rd single to herald Weird Feelings, Magick Mountain’s debut album coming this Autumn, is a simmering fever dream of cosmic proportions. The Creeper sees the band dial back the tempo but crank up the intensity as they explore the liminal space that exists between dreams and reality, armed with monolithic riffs and parallel harmonies entwined in song. Are you awake yet?

LYRICS:
I keep seeing
All the colours in my head, my head
Am I sleeping?
I can see myself but I'm still in bed, I'm still in bed

I'm still keeping
All the knowledge that you put in my head, put in my head
Oh no
I've been asleep for a thousand days
Or is it a thousands years?

We've been sleeping far too long
We've been sleeping strong
I keep seeing
All the colours in my head, my head
Am I sleeping?
I can see myself but I'm still in bed, I'm still in bed

We've been sleeping far too long
We've been sleeping strong

CREDITS:

Written and performed by Magick Mountain.
Magick Mountain are:
Lins Wilson (Guitar/vocals)
Tom Hudson (Bass/vocals)
Nestor Matthews (Drums)

Produced by James Kenosha, Margo Broom and Magick Mountain
Mixed by James Kenosha
Mastered by Katie Tavini

Artwork by Tom Hudson

The Creeper

Moonflower
I count the days
Write down dreams
Burn all the Waste

Envy the patience in your eyes
I think about crossing the line
All of the time

Moonflower
Show me the sky
Molotovs
Fall from my eyes

There is a brighter world outside
I dream about crossing the line
All of the time

***

Written, performed, produced, and mixed by Dorvin Borman
Mastered by John War

Moonflower

Beautiful You

Release

Silent Night b/w Blue Christmas

Blue Christmas

Written by Kahlla
Produced by Kahlla and Duncan Pym for Off Your Feet
Bass by Matt Dinnadge


Don’t look to me for a plan 
I spent so long wrapped up in my room
Don’t look to me for the answers
spent so long boxed up in my cocoon 
I said I love you
But it doesn’t mean a thing to you anymore
I said I love you
But it doesn’t mean a thing to you anymore

Our silver lining
is hanging by a thread
and I can feel myself unravelling from it 
Our silver lining
is hanging by a thread
and I can feel myself unravelling, can feel myself unravelling from it
  
Hide the parts you say are wrong
You shine a spotlight on the worst of me 
Don’t want to bend, don’t wand to break
Don’t want a watered down version of me 
When I touch you why does it always feel like compromise
When I touch you can you still feel the butterflies?

Our silver lining
is hanging by a thread
and I can feel myself unravelling from it 
Our silver lining
is hanging by a thread
and I can feel myself unravelling, can feel myself unravelling from it

We’re so tangled up
and I’m so tied to you
to our twists and turns 
to my own point of view
when the ends come loose
and the knot’s undone
I fear the truth
what is me without you?

Our silver lining
is hanging by a thread
and I can feel myself unravelling from it 
Our silver lining
is hanging by a thread
and I can feel myself unravelling, can feel myself unravelling from it

Thread

www.probablyoslo.com

Written & recorded by Probably Oslo.
Produced & mixed by Brett Shaw at 123 Studios, Peckham.
Mastered by Greg Calbi at Sterling Sound, NYC.
Artwork by Jamie Tilley.

Contact:
e: probablyoslo@gmail.com
t: +44 7544430525

Meridian Lines

Everyone remembers the first time they see Lauren Ruth Ward sing. Not many singers have that effect. The thing is, you've never seen someone sing from every cell in their being and well, it changes your own chemistry for a moment. You think, if she can be bigger than her body, why can't I? And just like that, you are empowered. What's better, you never expected it would feel this fun. 

Critics have declared Lauren Ruth Ward as a cross between Janis Joplin, Florence Welch and Courtney Barnett. And while the consumer compass inside of us grasps at these to feel safe, comparisons don't feel just when trying to describe such a singular presence as Lauren. Her debut album "Well, Hell" garnered accolades from NYLON, Noisey, Consequence of Sound, the Los Angeles Times, Indie Shuffle and more. It introduced this Maryland native turned LA transplant to a world wide audience. Viral clips spread quickly of this new phenom's visceral live performance. Singing in the faces of fans, songs like “Blue Collar Sex Kitten”, “Make Love to Myself” and the soul crushing “Did I Offend You”. 

“I have a lot to say”, she howls in the title track. An oriflamme of the tie-dye 
explosion of energy and emotion that was felt when she hit Echo Park. Fans 
and bands alike fell for Lauren. Many times taken aback that she would show 
up to all of their sets and even take her own time to promote the shows of 
bands she liked, building a whole community around her as this refreshingly 
supportive East Side music peer. Echo Park folk powerhouse Alicia Blue even 
released a song about LRW titled “The Queen of Echo Park”. 

In no time, LRW was playing to sold out crowds in the US and overseas, 
sharing stages with artists as diverse as the Yeah Yeah Yeah's, Shirley 
Manson, Eddie Vedder, LP, Shakey Graves, Liz Phair and even Keith Urban; 
with a growing reputation for stealing the show. 

She's recently fallen in love with the process of recording to tape, which is how she plans to attack album number three. Talent met in equal parts with work ethic and a prolific writing process that she shares with guitar wizard Eduardo Rivera. We have already gotten a taste of her new material in songs like “Valhalla”, “Wise Gal” and “Super Bullshit”; in tact with that voice, sounding just as visceral but even more focused and mature. Lauren's music videos are extensions of her art and serve as calling cards for a woman that will continue to have a lot to say. From the new material already released, it is evident she will deliver these messages of empowerment and self discovery with honesty, beauty and 
poignancy. 

This year, you can catch Lauren Ruth Ward and co. on their US headlining tour. 
And when she's not on the road, she'll either be recording with her new side 
project, Aging Actress, formed with Chris Hess, singer of LA band SWIMM, or working in her home salon. 

Rock n Roll in 2020 really needs something. Thank the fucking Goddesses 
above and below for sending us Lauren Ruth Ward.

Twilight (Happy Birthday Elliott)

Lauren Ruth Ward

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