tema del primer disco de Highland gauchos

Losing

CoraZón

Undescripted


- Imágenes pueden estar protegidas por derechos de autor

PIANOUP ¡

Los Gritos de Mexico, soundscape of Mexico City is a 30min sound piece by Félix Blume. 
http://www.felixblume.com/losgritosdemexico
A shorter version is available on Arte Radio. 
https://soundcloud.com/arte-radio-1/los-gritos-de-mexico
Download in Wave 48kHz 24bit on Freesound 
https://freesound.org/people/felix.blume/sounds/260680/

This piece receive a special mention during the "Bienal of Radio from Mexico" and has been broadcasted on more than 30 radio, web-radio and on the Radia Network.

RESUME:
Mexico City: more than 20 millions people gathered making noise!
A noisy city for most; I would like to transform it in a sonorous city.

The street sellers make the voices of the polyphonic choir, the small bell from the ice cream seller substitutes the triangle from the orchestra, and the hammering of the protesters on the metallic wall are the percussions.

In Mexico City, people shout to be heard, they shout their rage against the cops, they shout at the ‘lucha libre’ fights, they shout together ¡ Viva Mexico ! to feel united, and during a demonstration they also shout ¡Viva Mexico ! People shout in church, they pray together or alone, whispering in the silent night.

The thunder booms: nobody can shout at the storm, and the rain cleans the silent city.  A solo voice after the rain, and the choir resumes gradually. 

People sing to forget and the shouting starts again, louder, so that the others don´t forget.

The water flows under the city, the forgotten lake is mourning; it remembers when the city was an Island… On the top, it is too noisy, underneath, the water keeps in silence the secrets of the past.

INTENTION
Most of the people in the world live in cities. The daily soundscape is in most of the case a continuous sound of traffic, close or distant. Mexico City has a series of sounds added to the background which make the specificity of the city: the cries and sounds of the street sellers are in most part responsible.
In the past, most cities had their own cries (as some classical music can testify, like ‘Les cris de Paris’ from Janequin). In Mexico City, this tradition has persisted until today,  but the government and general opinion is not in favour of them: street sellers are each time further away from the touristic center, advertising campaigns are done to make them disappear from the subway, and police operations block their access to the streets.

I would like to pay tribute to these Criers through a soundscape of Mexico City, that will become a sonorous memory of a time that sooner than later will disappear.

Los gritos de Mexico

A l'occasion de la sortie de l'Album 'Air' par Kohlenstoff Records (http://kohlenstoffrecords.com/) voici un petit avant-goût des pièces mixtes remasterisées dans leur version album.

Saxophone soprano: Alfredo Mendoza

Ubukho, for saxophone soprano and tape (album version)

A l'occasion de la sortie de l'Album 'Air' par Kohlenstoff Records (http://kohlenstoffrecords.com/) voici un petit avant-goût des pièces mixtes remasterisées dans leur version album.

Ikomani, for choir and tape - excerpt (album version)

Le quartier des Ardoines à Vitry sur Seine s’est bâti autour de la centrale EDF, de ses cheminées. Porteuses d’autant de questionnements, de rêves, que de possibilité économique à une époque donnée, elle représentent autant un repère dans le paysage qu’elles suscitent la curiosité. Que se cache-t-il derrière ces fusées cheminées ? Un décollage et une expédition. A l’instar du Nautilus, la pièce vous propose une expédition dans les antres de la baleine. 
Elle a été composée pour une écoute sous casque pour un parcours en bus autour de la Centrale, organisé avec Tangible en novembre 2016.

Expédition En Centrale

One of the tracks from the soundtrack of the play "Copenhague".

FINAL COPENHAGUE

You can learn to play this piece. FREE scores and parts, among other materials, are available online: kronosquartet.org/fifty-for-the-future

Composed by Mark Applebaum
© 2018 Inner Sunset Publishing
℗ 2019 Kronos Performing Arts Association
Commissioned for Fifty for the Future: The Kronos Learning Repertoire

Produced by Kronos Quartet and Reshena Liao
Recorded August 2019 at 25th Street Recording, Oakland, CA
Engineered by Zach Miley
Assistant engineer: Gabriel Shepard
Mixed by Zach Miley and David Harrington at Decibelle Recording, San Francisco, CA

Mark Applebaum - Flashlight

Trabajo Práctico Nro 3 del seminario de Creación Sonora, dictado por Raúl Minsburg, en el marco del Posgrado en Arte Sonoro ofrecido por la Universidad Nacional de Tres de Febrero.
El texto del trabajo puede accederse en el siguiente enlace:
https://www.academia.edu/42156094/CREACI%C3%93N_SONORA_-_TRABAJO_PR%C3%81CTICO_No3

Watcher of the sound

John Cage - Sonata V (Sonatas e Interludios para piano preparado). Aparicio Alfaro, piano preparado. Bruno Leurino y Guillermo Vaillard, grabación, edición y mezcla. Grabada en el Instituto Superior de Música de la Universidad Nacional del Litoral, Santa Fe, Argentina, en febrero de 2013. 
John Cage - Sonata V (Sonatas & Interludes for prepared piano). Aparicio Alfaro, prepared piano. Bruno Leurino and Guillermo Vaillard, recording, editing and mixing. Recorded at the Instituto Superior de Música de la Universidad Nacional del Litoral, Santa Fe, Argentina, in February 2013.

Watcher of the sound

Lautaro Vieyra

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