Booty Sway

Produced by Utters. 
Mixed by Jamie Snell.
Follow @rubeerayne on Twitter

Artwork by @KojeyRadical

Pre-order on iTunes: https://itunes.apple.com/us/album/dsylm-dont-say-you-love-me/id1028710713?ign-mpt=uo%3D4
Pre-order on Google: https://play.google.com/store/music/album/Rubee_Rayne_DSYLM_Don_t_Say_You_Love_Me_Single?id=Bcwldn4dfeo3k7ymw3jf7qgvtnm

DSYLM (Don't Say You Love Me)

Click the link below for your FREE The Dorm Room EP download:

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Nobody Has To Know Cover

Popcaan Drake Sean Paul Mash Up

Lyrics:

I'm getting kinda tired of
The things you say before you walk away

And I'm getting kinda tired of
The way you want me but you can't behave

Did you think I wouldn't notice
Baby you are the coldest
Can't believe I waited 'round for you
(I waited 'round for you)

But you slipped up lost focus
And I caught you at your lowest
Riding 'round with somebody new
(With somebody new)

And you said,
'Baby you're the only one
Promise I'll do better
Even when it all gets rough
I'll hold us together'

But I said,
'Bye bye bye bye bye bye bye bye'

I bet you're getting tired of
Wondering where I'm at when it gets late

And I bet you're getting tired cause
Facing all the facts drives you insane

Guess you know now how it feels to 
Be hurt by the one you
Thought would always be holdin you down
(Be holdin you down)

Bet you wish now you'd stayed true
Cause you don't know what to do
Knowing that I'll never be around 
(I'll never be around)

And you said,
'Baby you're the only one
Promise I'll do better
Even when it all gets rough
I'll hold us together'

But I said,
'Bye bye bye bye bye bye bye bye'

Boy I thought you put me first
You turned out to be the worst
But I won't let you make me take the blame

You thought I would play the fool
Now you know the jokes on you
And baby you're the only one to blame


Blame (Prod. by 4e)

Under License to https://soundcloud.com/tom-leo-records

Amazed by Kevin Cohen's performance on this masterpiece by Bill Withers at the French TV Show "Nouvelle Star" 2015, I decided to contact his producer to make a remix of his cover and here is the result :) 

Enjoy and share it if you like it :)

Kevin Cohen : https://www.facebook.com/LeBinx-320420188145804/
Tom Leo Records : http://www.tomleorecords.com/
Doumëa : www.facebook.com/doumea

--

Impréssionné par la performance de Kevin Cohen aux auditions de la Nouvelle Star 2015, J'ai décidé de contacter son producteur pour faire un remix de sa cover du célèbre "Just The Two Of Us" par Bill Withers. Voilà le résultat !

Partagez si vous aimez :)

Buy • Stream

Bill Withers - Just The Two Of Us (Kevin Cohen Cover)(Doumëa Remix)

Livin' @Lavish

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GOODLUCK FOREVER

YOKOHAMO - Forbidden Lust (Prod. SkipOnDaBeat)

Show Me-Alina Baraz & Galimatias

produced by Brenton Duvall and Felix Snow

feels music vid out now- youtu.be/6US7RN74D0k

talk to me @ twitter.com/kiiara

Feels

Download

Video: https://www.youtube.com/watch?v=_EA-OxxY5_s
Written by Devin Murphy, Stelios Phili, and Jeff L-E. 
Produced by Stelios Phili. 

@devohnine 
@steliosphili
@TheRealJLE

Lyrics:

V1
Keep your 80 grand
residential brand
had enough of your white chucks and cargo pants
I’m that James Dean
I’m your Adidas Queen
need a spot with some heat - and hella caffeine 
I’m moving uptown
want it authentic so fuck a discount
westbound, Clueless like Tai, I’m here now, 
step down, thanks for the share, it don't mean shit 
two thousand miles away because I'm relevant 

C
Quit tryin’ to claim me, lately 
ya frontin’ like you made me, but baby
your moves are too soft
hop the fuck off
bitch knows she’s not on the block with me
(x2)

V2
what’s she saying?
shouldn’t talk like that 
Boi, if I followed your advice then I’d be where you’re at 

Three digits on my cell
that spot can burn in hell
Apocalypse, they screamin lit, like it’s still 2012 

I keep it uptown, countin up commas on my bank account
westbound, but all locale’s locals bump my new sound 
step down, up on this stage, my view’s too loud
Go ‘head and send that snap cause ho you know I’ll tap you out

BRIDGE 
& you can post it how you want, you love to front, 
used to give a fuck 
& avoid it like a loner 
but living on the coast, worthy shit has my attention
post like it’s legit, you love the pics 
15 minutes end
my time begins
I’ll take the attention
and I’ll take it alone

You Made Me (Prod. Stelios Phili)

Livin' @Lavish

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Bad Habits

Purchase

THEY. - Bad Habits

Move To Your Beat

Share | Comment | Repost | Like  

move to your beat (prod by 1st of Fki)

Initiation (Tory Lanez Flip)

Blame It On My X:



Sometimes true love

Turns out to be, fake as hell

Starts out to be, so good

Doesn't end up so well

Everybody's cheat in' on

Sneakin' round on everyone

This day and age is so hard

To find someone who'll stay around



I can't control myself

That's why I can't commit to you

Don't want nobody else

But, I just can't commit to you

I want you for myself

But I just can't commit to you

I really wish I could care, but

Scar tissue just don't heal



Blame it on my x

Blame it on my x

Blame it on my x

X

X

And all the shit he did,

Cuz that’s just what they do, so

Blame it on my x

Cuz now I’m doin’ it to you



It's a domino effect

One after the other

I'm blamin' you for shit

That happened fore' you got here

Lovin' me, tellin' me, you feelin’ me

When you really don't

Fuckin' me, lyin' to me

Just to come and lie with



I can't control myself

That's why I can't commit to you

Don't want nobody else

But, I just can't commit to you

I want you for myself

But I just can't commit to you

I really wish I could care, but

Scar tissue just don't heal



Blame it on my x

Blame it on my x

Blame it on my x

X

X

And all the shit he did,

Cuz that’s just what they do, so

Blame it on my x

Cuz now I’m doin’ it to you

Blame It On My X

Nylo - BLAME IT ON MY X

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4am (prod. Kojo a & Nicky Quinn)

Spotify

Paris Lain - 4am (prod. Kojo a & Nicky Quinn)

Thanks to Jean de la Fontaine, everybody now knows the difference between the oak and the reed. One boasts a certain virile majesty, a welcoming shade, an apparent strength and solidity. The other is seemingly so fragile, yet of a suppleness that allows it to bend without ever breaking. 

A symbol of the ability to endure everything and anything, of being able to stand fast during even the toughest of times, Roseaux (Reeds) is a musical project that is understated, yet impassioned and utterly compelling, born amidst the stormiest times yet seen in the annals of the recorded music industry. Roseaux is a collective that brings together a radio music scheduler (who’s also a DJ) and various musicians, artfully blending the skills of a guardian of musical knowledge and all the artistic feeling that characterizes a group of musicians who have each taken many different paths in the pursuit of their passion.

Roseaux began with Emile Omar, a music-lover with tastes as diverse as they are insatiable who sniffs out sounds without regard for the dictates of musical convention and genre. Some ten years ago his musical inquisitiveness led him to take on the management of Radio Nova’s record collection and then to play his part in finding the musical ingredients for the station’s celebrated ‘Grand Mix’ of innovative sounds. This gave him the opportunity to create Nova Tunes compilations and box sets – an eclectic essence of rare refinement drawn from a selection of new sounds and past musical wonders. Ever since his teenage years, Emile has also been adept at getting people on the dance floor – so adept, in fact, that he now DJs at themed evenings, delving into a repertoire of  classic soul, house, reggae, disco and tropical music. In this way Roseaux’s roots are firmly anchored in a cultural subsoil that comes straight from the racks of record dealers who specialize in a very unusual type of music – that which is able to delight the body and fire the soul at the same time. 

About 5 years ago Emile developed the desire to venture where it seemed that his status as a non-musician must surely bar him: the field of making music. 
Ever since Brian Eno knocked the ivory-tower idea of the existence of such a thing as musical legitimacy on the head, ever since Lee Perry, King Tubby and Tom Moulton turned the mixing table into an integral part of the creative process, ever since hip hop and electro DJs were able to demonstrate that creativity could be channelled through turntables and samplers in a kind of musical collage, the definition of what it is to be a musician has radically changed. 
He contacted 2 musician friends (musicians in the traditional sense of the word), cellist Clément Petit and multi-instrumentalist Alex Finkin, to ask them if they wanted to join with him in creating an album that would be based on the arrangement of ten or so of his favourite songs taken from a whole range of different genres.
The three got down to work, with Emile discovering Aloe Blacc, long before the American singer made the headlines with the hit I Need A Dollar. 
Although Aloe Blacc had little singing experience at the time, he launched himself into Emile’s project with enthusiasm and open-mindedness in equal measure.
Roseaux is therefore the product of a meeting of minds and hearts between an enlightened amateur and a group of musicians whose talent and adaptability made this project possible and gave it its artistic unity. 

The same lack of musical dogmatism as evinced by Emile’s choice of music for the Radio Nova playlist and his evenings on the turntables is on display here in the shape of such little-known gems as Strange Things by the Jamaican John Holt, Indifference by grunge band Pearl Jam, Patti Labelle’s More Than Material, Try Me by Esther Phillips and Clarao da Lua by Brazil’s Nazaré Peirera. The most famous track is undoubtedly Walking On The Moon by The Police. A world away from ‘carbon copy’ style cover versions,  each of the ‘guest tracks’ gets its own special treatment whereby it metamorphoses into something completely different (in the eyes of anyone who is familiar with the original version) and utterly enchanting. These are not covers in the narrow, generally accepted meaning of the word – they can best be classified as reinterpretations or even complete rewritings of songs. So, the Jamaican feel of Rad Bryan’s Girl you rock my soul gives way to polished folk guitar arrangements and string instruments, the swaying rhythm of Walking On The Moon falls into line with the jazzy footsteps of Nina Simone, John Holt’s rocksteady Strange Things takes the road to Rio, Missing You, the 90s underground house hit from Kim English is transformed into a soul ballad, before dropping into a long, cross-fade on the Fender Rhodes electric piano, Bill Evans style.

Could it be this way of gently bending these songs to their will that was the inspiration behind the name ‘Roseaux’? Or perhaps it’s the air of elegance that emanates from the album as a whole, a melancholy tide of post-soul and nocturnal jazz lapping against the shores of this scattering of songs through which the gentle, caressing tones of Aloe Blacc wend their way? One thing is certain, with Roseaux, Emile Omar and his partners have succeeded in investing this project with more than just a certain unity, more even than an identity – they have given it a soul. 


Roseaux  feat. Aloe Blacc - "More than material"

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YOKOHAMO - Forbidden Lust (Prod. SkipOnDaBeat)

Hegemon: Lavish

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