Pointillism for sine wave No.12

pampsychia 011 ~
@kensho_nakamura

out with unique handmade usb-wings !- only 40 pieces -!
https://pampsychia.bandcamp.com/album/llamhigyn-y-dwr

Kensho Nakamura - Tenko

We return with a new installment of our cd series dedicated to the latest electronic experimentation.
This time we have the pleasure of having Synalegg who has given us an album full of complex rhythms and melodies.

In the artist's own words:
This album can be considered as the last part of an algorithmic trilogy that I started with Computer Series and then Violynt Tropiqs.
The first one was purely computational, the second one was a reconciliation. hArm0nii tanD3m is a collection of remixed computational proposals.
A collaborative tandem with the computer in the lead to execute the program and my intervention afterwards to exploit and remix the captured combinations, ideas, moments.
Sometimes the computer's contribution is the majority (lytUrgii, dytt0, sErp3Ntine), sometimes the scenario and the staging of the captured elements becomes the backbone of the tracks (sisYph3, wat3rl0oh, uBba).
This attempt at re-appropriation was a way for me to create another music that finds its essence in computer otherness.

This wonderful album will surprise you with the variety of new concepts that Synalegg introduces.
I hope you enjoy the trip as much as we have enjoyed the production.

Synalegg - Dytt0

Big Smile

Hiranyagarbha

Silence

Hatsuhinode

Yip - D

Music composed by Pascal Nanlohy for PSG Music.

Pascal Nanlohy is a pianist. In addition to numerous pop productions, he has chosen to create music that he loves. Inspired by pianists such as David Foster, Ludovico Einaudi, and Robbie Buchanan, he aims to convey nothing but music to the world that embodies love, inspiration, and wishes to take the listener into his world of music.

Never Give Up (composed by Pascal Nanlohy)

pf Explore Ensemble
Huddersfield Contemporary Music Festival
Nov 2020, @ BBC Maida Vale

Sentimental drifting music

This is one of 3 tracks that were made solely by using the analogue synthesizer EMS Synthi 100. For each track, there was a single patch and the material was recorded live in one go. Rhythmical synchronization of the material was done by using the Synthi's sequencer. Simple live manipulations included putting a pin or two in and out and switching on and off the mixer channels. Additional panning of each individual channel was done on a computer. These tracks demonstrate the effect of extremely simplified musical material produced by using the not-so-simple sound tool (for the reference, try figuring out and programming a Synthi 100 sequencer:)). Tracks are named by the number of sequencer steps used in that piece. Recorded live at Electronic Studio - Radio Belgrade.

2019

From the album STEPS: https://svetlanamaras.bandcamp.com/album/steps

Svetlana Maraš©All rights reserved
©SOKOJ

Composer, improviser, pianist, teacher, writer

Sentimental drifting music

lawrencedunn

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