Copy of Gone but not forgotten.wav

Can't stop loving you

Pretty When I Kill

[Verse 1] You fed me lies, dressed in gold Thought I’d stay quiet, do what I’m told But I’ve been watching, keeping score Your pretty little world don’t shine no more
[Pre-Chorus] You thought I’d break, thought I’d bleed Now it’s my turn to make you scream No mercy, no second tries Kiss your fucking love goodbye
[Chorus] Oh, you like it when I cry? Bet you’ll love it when you die Every scar you gave still burns Now it’s my turn, I’m a woman scorned Oh, you thought she’d take my place? Now I’m laughing in your face I was soft, I was still Now I’m pretty when I kill
[Verse 2] Go ahead, beg, say my name Tell me how you’ve changed But I see right through your sin You don’t get to win again
[Pre-Chorus] You thought I’d break, thought I’d bleed Now it’s my turn to make you scream No mercy, no second tries Kiss your fucking love goodbye
[Chorus] Oh, you like it when I cry? Bet you’ll love it when you die Every scar you gave still burns Now it’s my turn, I’m a woman scorned  Oh, you thought she’d take my place? Now I’m laughing in your face I was soft, I was still Now I’m pretty when I kill
[Bridge] I was the one who held you up Now watch me turn this love to dust You played your games, now I play mine Let’s see who makes it out alive
[Outro] Red lips, black dress, heart so cold Tell your new girl, she’s been told I don’t forgive, I don’t forget And baby, I’m not done yet.

Copyright (c) 2025 Lisa Andreou * All Rights Reserved.

Pretty when I kill

Dancing on graves 

Verse 1 She don’t dream, just fades to black, Another hit, another track. Leather boots and cigarette lips, Love’s just a name on a stranger’s hips. She wears regret like a second skin, Whispers sins like a violin. Says she’s fine, says she’s free, But the reaper won’t let her be.
Pre-Chorus They took her light, sold her soul, Left her crawling through the cold. Every high just digs the hole, She don’t feel anything at all.
Chorus She’s got whiskey kisses, cocaine veins, Dancing on graves to numb the pain. Drowned in the bass, lost in the smoke, Running from a past that won’t let go. She’s chasing a dream that won’t come true, Every touch just fades to blue. Nowhere to hide, nowhere to run, She’s slipping away with the breaking sun.
Verse 2 Red lights glow in motel sheets, Lies taste sweet when they cut this deep. She’s got a voice, but she won’t scream, Just swallows the fire, drowns the dream. Every scar, every sin, Tangled up in the state she’s in. Swears she’ll stop, swears she’ll fight, But the dark holds her too damn tight.
Pre-Chorus They took her light, sold her soul, Left her crawling through the cold. Every high just digs the hole, She don’t feel anything at all.
Chorus She’s got whiskey kisses, cocaine veins, Dancing on graves to numb the pain. Drowned in the bass, lost in the smoke, Running from a past that won’t let go. She’s chasing a dream that won’t come true, Every touch just fades to blue. Nowhere to hide, nowhere to run, She’s slipping away with the breaking sun.
Bridge She’s rolling the dice, betting her soul, One more hit, one more hole. The mirror cracks, the girl still stares, Dying for something that was never there. Heartbeat racing, hands ice cold, Praying for love in a world so cold.
Outro But the night keeps calling, the cycle spins, Another mistake, another dead end. She don’t ask why, don’t ask how, Just takes one more hit to quiet it down.

Copyright (c) 2025 Lisa Andreou * All Rights Reserved.

Dancing on graves (Soul)

Breaking bad

You dressed my wounds in perfect white
Gave me promises that lost their light
Thought I’d break, thought I’d fall apart
Now I’m the storm that’ll tear your heart
[Pre-Chorus]
You kissed the venom, called it love
Now I’m the shadow you can’t outrun
Every rose you gave’s a bitter blade
And I’m the reckoning you’ve made
[Chorus] I move like silence dressed in black
You broke me once — I’m breaking bad
Hope she tastes the blood you hid
I know every dirty thing you did
You thought you’d fool me with your lies
Now I’m the bitch who’ll watch you die
[Verse 2] Your hands still stink of sweet decay She wears your guilt like cheap bouquet You haunt my name? I haunt you more I’m every lock you can’t restore
[Pre-Chorus] You kissed the venom, called it love
Now I’m the shadow you can’t outrun
Every rose you gave’s a bitter blade
And I’m the reckoning you’ve made
[Chorus] I move like silence dressed in black
You broke me once — I’m breaking bad
Hope she tastes the blood you hid
I know every dirty thing you did
You thought you’d fool me with your lies
Now I’m the bitch who’ll watch you die
[Bridge]
Save your lies, don’t waste your breath
You fucked it up, now dance with death
And when you’re crawling, broke and through
The last bitch standing? Yeah — guess who.
[Outro] Dead girl walking, heart turned black
You lit the fuse — I won’t hold back
No redemption, just my name
Branded in your goddamn shame

Copyright (c) 2025 Lisa Andreou * All Rights Reserved.

Breaking bad

My darling

Gone but not Forgotten

A brooding, poetic lament for justice lost and voices forgotten.
“Dark Horizons” conjures the shadowy alleys of Chancery Lane and echoes of the broken legal system through haunting lyrics and minimalist instrumentation. A meditation on guilt, memory, and buried truths, this piece unfolds like a ghost story whispered in candlelight—a voice trembling through marbled halls, seeking justice in the silence.

Step into a world where fog shrouds the truth and sorrow clings like chains. Dark Horizons is a haunting, narrative-driven ballad weaving together themes of grief, injustice, and the relentless erosion of hope. With vivid lyrical imagery—“sightless justice,” “a mother’s guilt,” and “a lover’s ghost”—this track channels the bleak poetry of Dickensian London with emotional weight and stark beauty. At its core lies the figure of Esther, a fragile light in a world of fading dreams and unburied shame. Perfect for listeners drawn to atmospheric storytelling and raw emotional depth.

Dark horizons

“How do you heal when half your heart is gone?” is a heartfelt ballad that gently addresses the pain and resilience of those left behind when a loved one goes off to war and never returns. The song is written from the perspective of a close friend or confidant, offering empathy and quiet support to someone who has lost their partner in conflict.
You can expect a deeply emotional journey through grief, longing, and the silent strength required to carry on. The verses paint vivid scenes of empty rooms, cherished memories, and daily rituals that now serve as reminders of absence. The chorus, repeating “No word from the front, no word at all,” captures the endless waiting and unanswered questions that haunt those left behind. The song’s tone is intimate and compassionate, with lyrics that acknowledge the listener’s sorrow without offering false hope, instead promising steadfast presence and understanding.
The listener can expect a moving and relatable narrative, a song that validates the experience of loss and honors the enduring love that remains after tragedy. It’s a tribute to the strength found in vulnerability and the power of simply being there for someone when words are not enough.
This is a song for quiet moments, for those seeking comfort, solidarity, and recognition of their silent battles.


How Do You Heal When Half Your Heart Is Gone

We Don't Talk Anymore

Fading Like Smoke

i-am-in-love-with-you--(remastered).wav

#DublinHouseNYC #dublinhouse #nyc #storytelling #greatnycirishpubs #REM #latenight #earlyfires #walkofshame #drinktilthemoneysgone #driver8

what’s it gonna take to get you home

Nothing but Stories is the debut release by Sadie Quinn – a voice made of dust, distance, and memory. Blending Americana, folk, and quiet poetry, this track traces the moments we leave behind and the stories we carry with us.

With lines that feel like open roads and melodies like old letters, Sadie Quinn reminds us that fame fades, but feelings don’t.
This is a song for late-night listeners, back-porch dreamers, and anyone who ever wondered what remains when everything else is gone.

“In the end, we’re nothing but stories.”


Nothing but Stories ist die erste Veröffentlichung von Sadie Quinn – einer Stimme aus Staub, Weite und Erinnerung. Zwischen Americana, Folk und flüsternder Poesie erzählt der Song von den Momenten, die vergehen, und den Geschichten, die bleiben.

Mit Zeilen wie Landstraßen und Melodien wie alte Briefe erinnert Sadie Quinn daran, dass Ruhm vergeht – Gefühle aber nicht.
Ein Lied für Nachtschwärmer, Veranda-Träumer und alle, die sich fragen, was bleibt, wenn alles andere verschwunden ist.

„Am Ende sind wir nichts als Geschichten.“

Nothing but Stories

“Gone but Not Forgotten” is a tender, soul-baring ballad about the ache of loss and the desperate hope to keep a loved one alive in memory. With haunting verses and an emotional chorus, the song drifts through empty rooms, quiet nights, and unspoken prayers—painting a vivid portrait of grief that lingers long after someone is gone.

Delicate imagery—like a whisper in the wind, a lone candle flickering in the rain, and an empty chair where laughter once lived—wraps the listener in a sense of intimate sorrow. The repeated refrain, “You’re gone, but not forgotten,” becomes both a lament and a vow: a promise that love endures beyond silence and absence.

Set to a gentle yet stirring melody, this song is a cathartic companion for anyone carrying the weight of remembrance and the unhealed wound of a missing voice in their life. It’s a quiet anthem for sleepless nights, a whispered prayer for solace, and a reminder that even in the deepest shadows, love does not fade.

Gone but not forgotten.wav

Your still funny Surya Version (Shorter)

The Stone Queen of Béarra is a cinematic Celtic folk ballad told from the voice of an ancient goddess who shapes land, seasons, and time itself. Drawing inspiration from Gaelic mythology and the wild western coast of Ireland and Scotland, the song blends ethereal female vocals, traditional Celtic instrumentation, and modern cinematic production. It’s a story of strength, renewal, and the eternal turning of the world — ancient, powerful, and timeless.

THE STONE QUEEN OF BÉARRA

Comedy songs and dark-humour originals from a working radiographer. Satire, protest, and indie experiments. 

I write comedy, satire, and straight-up originals about life in radiography, healthcare, and the wider mess. Expect protest anthems, awkward truth, and hooks that stick. If you like Bo Burnham, Weird Al, and indie left-turns, you’re in the right place.

Genres: Alternative, Indie, Singer-Songwriter, Comedy
satire, protest, indie, acoustic, alt-pop

Spotlight tracks:
	1.	“Where You Fell”
	2.	“Gone but Not Forgotten (Lost Souls)”
	3.	“Lazy Like a Monday”
	4.	“Pass the Light Around”
	5.	“All Are One (Defending Every Soul)”

Gone but not Forgotten

Lazy Radiographer

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